front cover of All Who Belong May Enter
All Who Belong May Enter
Nicholas Ward
Autumn House Press, 2021
A collection of personal essays examining relationships, whiteness, and masculinity.
 
Nicholas Ward’s debut essay collection, All Who Belong May Enter, centers on self-exploration and cultural critique. These deeply personal essays examine whiteness, masculinity, and a Midwest upbringing through tales of sporting events, parties, posh (and not-so-posh) restaurant jobs, and the many relationships built and lost along the way. With a storyteller’s spirit, Ward recounts and evaluates the privilege of his upbringing with acumen and vulnerability. Ward’s profound affection for his friends, family, lovers, pets, and particularly for his chosen home, Chicago, shines through. This collection offers readers hope for healing that comes through greater understanding and inquiry into one’s self, relationships, and culture. Through these essays, Ward acknowledges his position within whiteness and masculinity, and he continuously holds himself and the society around him accountable. 
 
All Who Belong May Enter was selected by Jaquira Díaz as the winner of the 2020 Autumn House Nonfiction Prize. 
 
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front cover of All Who Belong May Enter
All Who Belong May Enter
Nicholas Ward
Autumn House Press, 2021
A collection of personal essays examining relationships, whiteness, and masculinity.
 
Nicholas Ward’s debut essay collection, All Who Belong May Enter, centers on self-exploration and cultural critique. These deeply personal essays examine whiteness, masculinity, and a Midwest upbringing through tales of sporting events, parties, posh (and not-so-posh) restaurant jobs, and the many relationships built and lost along the way. With a storyteller’s spirit, Ward recounts and evaluates the privilege of his upbringing with acumen and vulnerability. Ward’s profound affection for his friends, family, lovers, pets, and particularly for his chosen home, Chicago, shines through. This collection offers readers hope for healing that comes through greater understanding and inquiry into one’s self, relationships, and culture. Through these essays, Ward acknowledges his position within whiteness and masculinity, and he continuously holds himself and the society around him accountable. 
 
All Who Belong May Enter was selected by Jaquira Díaz as the winner of the 2020 Autumn House Nonfiction Prize. 
 
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American Home
Sean Cho A.
Autumn House Press, 2021
Cho A.’s poetry wonders at small everyday delights.
 
Sean Cho A.’s debut poetry chapbook directs a keen eye on everyday occurrences and how these small events shape us as individuals. This collection is filled with longing for love, understanding, and simplicity. But these poems also express great pleasure in continued desire. With exuberant energy that flows through the collection, the speaker announces: “I won’t apologize for the smallness of my delights.” Filled with questions and wonder, these poems revel in the unknowing and liminal spaces, and we as readers are invited to join in this revelry. Cho A.’s poetry reminds and allows us to pause, to wonder, and enjoy our many pleasures.
 
American Home was selected by Danusha Laméris for the 2020 Autumn House Chapbook Prize.
 
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The Animal Indoors
Carly Inghram
Autumn House Press, 2021
Poems following a Black queer woman as she seeks refuge from an unsafe world.
 
Carly Inghram’s poems explore the day-to-day experiences of a Black queer woman who is ceaselessly bombarded with images of mass-consumerism, white supremacy, and sexism, and who is forced, often reluctantly, back indoors and away from this outside chaos. The poems in The Animal Indoors seek to understand and define the boundaries between our inside and outside lives, critiquing the homogenization and increasing insincerity of American culture and considering what safe spaces exist for Black women. The speaker in these poems seeks refuge, working to keep the interior safe until we can reckon with the world outside, until the speaker is able to “unleash the indoor news onto the unclean water elsewhere.”
 
The Animal Indoors won the 2020 CAAPP Book Prize, selected by Terrance Hayes.
 
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front cover of The Animal Indoors
The Animal Indoors
Carly Inghram
Autumn House Press, 2021
Poems following a Black queer woman as she seeks refuge from an unsafe world.
 
Carly Inghram’s poems explore the day-to-day experiences of a Black queer woman who is ceaselessly bombarded with images of mass-consumerism, white supremacy, and sexism, and who is forced, often reluctantly, back indoors and away from this outside chaos. The poems in The Animal Indoors seek to understand and define the boundaries between our inside and outside lives, critiquing the homogenization and increasing insincerity of American culture and considering what safe spaces exist for Black women. The speaker in these poems seeks refuge, working to keep the interior safe until we can reckon with the world outside, until the speaker is able to “unleash the indoor news onto the unclean water elsewhere.”
 
The Animal Indoors won the 2020 CAAPP Book Prize, selected by Terrance Hayes.
 
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front cover of Anxious Attachments
Anxious Attachments
Beth Alvarado
Autumn House Press, 2019
The stunning, intimate essays in Anxious Attachments take us through the life stages of a woman living in the American Southwest from the 1970s to the present. As she moves from adolescence into adulthood, the narrator grapples with attachments that develop through her family and her ties to the wider world around her while she works as a teacher, writer, and caregiver. Though written from a single woman’s perspective, these essays invite us to reflect on the many roles women play and the social factors that touch upon them. Alvarado’s stories portray a broad world of experience, reflecting on class, race, and poverty in America with emotional depth and sensitivity.
 
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front cover of Anxious Attachments
Anxious Attachments
Beth Alvarado
Autumn House Press, 2019
The stunning, intimate essays in Anxious Attachments take us through the life stages of a woman living in the American Southwest from the 1970s to the present. As she moves from adolescence into adulthood, the narrator grapples with attachments that develop through her family and her ties to the wider world around her while she works as a teacher, writer, and caregiver. Though written from a single woman’s perspective, these essays invite us to reflect on the many roles women play and the social factors that touch upon them. Alvarado’s stories portray a broad world of experience, reflecting on class, race, and poverty in America with emotional depth and sensitivity.
 
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front cover of Apocalypse Mix
Apocalypse Mix
Jane Satterfield
Autumn House Press, 2017
Jane Satterfield’s fourth poetry collection, Apocalypse Mix, dives into a musical, war-torn, elegiac past.
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front cover of The Archipelago
The Archipelago
A Balkan Passage
Robert Isenberg
Autumn House Press, 2010
Isenberg's travelogue explores an intimate view of the Balkans through the eyes of a young American adventurer.
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front cover of Attention Please Now
Attention Please Now
Matthew Pitt
Autumn House Press, 2010
In his debut short story collection, Pitt pulls his characters from the background, eschewing convention and facing the ironies and difficulties of life in the twenty-first century.
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front cover of The Autumn House Anthology of Contemporary American Poetry
The Autumn House Anthology of Contemporary American Poetry
Edited by Michael Simms, Giuliana Certo, and Christine Stroud
Autumn House Press, 2015
A comprehensive selection of work by 110 important American poets including Kim Addonizio, Jimmy Santiago Baca, George Bilgere, Chana Bloch, Lucille Clifton, Billy Collins, Toi Derricotte, Stephen Dobyns, Rita Dove, Denise Duhamel, Stephen Dunn, Terrance Hayes, Bob Hicok, Jane Hirshfield, Tony Hoagland, Marie Howe, Joy Katz, Jane Kenyon, Li-Young Lee, Philip Levine, Larry Levis, William Matthews, Jeffery McDaniel, Naomi Shihab Nye, Ed Ochester, Linda Pastan, and Natasha Tretheway.
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