front cover of Challenges to Traditional Authority
Challenges to Traditional Authority
Plays by French Women Authors, 1650-1700
Françoise Pascal
Iter Press, 2015
The second half of the seventeenth century marked the first major breakthrough for women playwrights in France, as some of them succeeded in getting their works staged, published and taken seriously by critics and authority figures. The four works included here, translated into English for the first time, represent the diversity of genres cultivated by these writers, while reflecting both the cultural milieu of the era and a concern for the status of women. Françoise Pascal’s Endymion, a tragicomedy with special effects, daringly reexamines a classical myth. Marie-Catherine Desjardins’s Nitetis, a historical tragedy, focuses on the plight of a virtuous and astute queen married to an evil tyrant. Antoinette Deshoulières’s Genseric, also a historical tragedy, rejects prevailing models of male heroism and of conventional tragic plots. Catherine Durand’s proverb comedies contain a scathing critique of aristocratic mores and give voice to women’s desires for emancipation.
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My Life's Travels and Adventures
An Eighteenth-Century Oculist in the Ottoman Empire and the European Hinterland
Regina Salomea Pilsztynowa
Iter Press, 2020
In her never-finished My Life’s Travels and Adventures, the eighteenth-century Polish doctor Regina Salomea Pilsztynowa plays a myriad of roles, including child bride, wife, mother, lover, adventuress, slave trader, writer, and home-taught physician. She successfully carved out a viable niche for herself, navigating the multicultural, multiethnic, and varied religious environment of Europe’s eastern periphery. Despite limited expectations for female professionals, she became a highly sought after and well-respected practitioner of the medical arts and rose to the position of court physician to Turkish pashas and Hungarian princes, and even to Sultan Mustafa III. My Life’s Travels and Adventures—part memoir, part autobiography, and part travelogue—provides a view into eighteenth-century social, professional, and gender interactions and weaves a rich narrative replete with vignettes of love, travel, and popular superstitions important to our historical, ethnographic, and religious understanding of the era.

This edition brings the entirety of this personal and idiosyncratic memoir to English for the first time.
 
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front cover of From Arcadia to Revolution
From Arcadia to Revolution
The Neapolitan Monitor and Other Writings
Eleonora Fonseca Pimentel
Iter Press, 2019
Eleonora Fonseca Pimentel was a poet, a political writer, a journalist, and a politician. She was the editor, and virtually the only writer of the Monitore Napoletano (Neapolitan Monitor), the journal in which she recorded the events and debates that took place in the short-lived Neapolitan Jacobin Republic of 1799. She sought to influence both government policy and public opinion. As a political analyst she also put forward with this journal one of the first analyses ever of popular culture and its political implications, and confronted the challenge of trying to implement a revolutionary political project in a situation of abject poverty intertwined with a deeply conservative populist mind-set.

The Other Voice in Early Modern Europe: The Toronto Series, Volume 67
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front cover of Othea’s Letter to Hector
Othea’s Letter to Hector
Christine de Pizan
Iter Press, 2017
Othea’s Letter to Hector, one of Christine de Pizan’s most popular works, is at the same time one of her most complex creations. Combining a somewhat Sibylline verse text based on a mythological figure with extensive citation of pagan sapiential authorities, the Bible, and the Church Fathers, it showcases Christine’s extraordinary learning and her innovative approach to didacticism. An appendix provides new insights on her skillful use of patristic sources and creative command of Latin authors.
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front cover of The Faithful Virgins
The Faithful Virgins
E. Polwhele
Iter Press, 2023
The first-ever print edition of a play by one of the first women playwrights in England.

E. Polwhele (c. 1651-c. 1691) was one of the first women to write for the stage in Restoration London. This book presents the first printed edition of Polwhele’s first play, The Faithful Virgins, which until now has existed only in an unsigned manuscript in the Bodleian Library at Oxford University. A tragicomedy apparently performed in London by the Duke's Company ca. 1669–1671, The Faithful Virgins is altogether different in tone from Polwhele's later, better-known prose comedy, The Frolicks; or, The Lawyer Cheated (1671). The introduction to this modern-spelling edition of The Faithful Virgins discusses the play in terms of radical changes in English stage practices following the restoration of the monarchy after England’s civil war and situates Polwhele’s play within the social and political life of seventeenth-century London.
 
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front cover of Saints' Lives and Bible Stories for the Stage
Saints' Lives and Bible Stories for the Stage
A Bilingual Edition
Antonia Pulci
Iter Press, 2010
This fresh translation of five plays securely authored by Antonia Pulci—one of the first published women writers in Renaissance Florence—reveals this gifted dramatist at her finest. Intended primarily for a convent audience, Pulci’s plays give us a fascinating glimpse into how theatrical expressions of female religiosity were animated by both exemplary female saints’ lives and contemporary debates over marriage and virginity. There is much to recommend in this new bilingual presentation. The translations sparkle; and Weaver’s elegant, erudite introduction and her publication of new archival materials not only enrich the historical record concerning Pulci’s life and works but also set it straight.
—Sharon Strocchia
Professor of History, Emory University
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front cover of Poems, Emblems, and The Unfortunate Florinda
Poems, Emblems, and The Unfortunate Florinda
Lady Hester Pulter
Iter Press, 2014
Scholars who study early modern women’s writing have been eager for a full-text edition of the works of Hester Pulter since her manuscript was discovered in the mid-1990s. Now that Alice Eardley has brought together all of Pulter’s writing—poetry, emblems, and a prose romance—in a modern-spelling edition, students and academics will be able to access a remarkable body of work. The introduction does a brilliant job of situating Pulter in various milieux (the Civil War, religion, science) and in assessing the genres in which she worked. Eardley’s edition is clear and comprehensive enough to be useful to a wide audience of non-specialists, but its learned glosses are also illuminating for more experienced readers of early modern texts.
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