front cover of Making Stars
Making Stars
Biography and Celebrity in Eighteenth-Century Britain
Nora Nachumi
University of Delaware Press, 2022
In bringing biography and celebrity together, the essays in Making Stars interrogate contemporary and current understandings of each. Although biography was not invented in the eighteenth century, the period saw the emergence of works that focus on individuals who are interesting as much, if not more, for their everyday, lived experience than for their status or actions. At the same time, celebrity emerged as public fascination for the private lives of publicly visible individuals. Biography and celebrity are mutually constitutive, but in complex and varied ways that this volume unpacks. Contributors to this volume present us a picture of eighteenth-century celebrity that was mediated across multiple sites, demonstrating that eighteenth-century celebrity culture in Britain was more pervasive, diverse and, in many ways, more egalitarian, than previously supposed.
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Writings of Warner Mifflin
Forgotten Quaker Abolitionist of the Revolutionary Era
Gary B. Nash
University of Delaware Press, 2021
In The Writings of Warner Mifflin, Gary Nash and Michael McDowell present the correspondence, petitions, and memorials to state and federal legislative bodies, semi-autobiographical essays, and other materials of the key figure in the U.S. abolitionist movement between the end of the American Revolution and the Jefferson presidency. Virtually unknown to Americans, Mifflin has been brought to life in Nash’s recent biography, Warner Mifflin: Unflinching Quaker Abolitionist (2017). This volume provides an array of insights into the mind of this conscience-bound pacifist Quaker who became instrumental in making Kent County, Delaware, a bastion of free blacks liberated from slavery and a seedbed of a reparationist doctrine that insisted that enslavers owed “restitution” to manumitted Africans and their descendants. Mifflin's writings also show how he became the most skilled lobbyist of the antislavery campaigners who haunted the legislative chambers of North Carolina, Virginia, Maryland, Delaware, and Pennsylvania as well as the halls of the Continental Congress and the First and Second Federal Congresses. An opening introduction and introductions to each of the five chronologically arranged parts of the book provide context for the documents and a narrative of the life of this remarkable American.
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front cover of Retelling the Siege of Jerusalem in Early Modern England
Retelling the Siege of Jerusalem in Early Modern England
Vanita Neelakanta
University of Delaware Press, 2019
This compelling book explores sixteenth- and seventeenth-century English retellings of the Roman siege of Jerusalem and the way they informed and were informed by religious and political developments. The siege featured prominently in many early modern English sermons, ballads, plays, histories, and pamphlets, functioning as a touchstone for writers who sought to locate their own national drama of civil and religious tumult within a larger biblical and post-biblical context. Reformed England identified with besieged Jerusalem, establishing an equivalency between the Protestant church and the ancient Jewish nation but exposing fears that a displeased God could destroy his beloved nation. As print culture grew, secular interpretations of the siege ran alongside once-dominant providentialist narratives and spoke to the political anxieties in England as it was beginning to fashion a conception of itself as a nation.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
 
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front cover of Theology and Literature in the Age of Johnson
Theology and Literature in the Age of Johnson
Resisting Secularism
Melvyn New
University of Delaware Press, 2012
Theology and Literature in the Age of Johnson: Resisting Secularism contains seventeen essays exploring the complex relationships between literary intentions and theological concerns of authors writing in the second half of the eighteenth century. The diversity of literary forms and subjects, from Fielding and Richardson to Burke and Wollstonecraft, is matched by a diversity of approaches and theologies. To argue that the age “resisted secularism” is by no means to argue that resistance was blindly doctrinal or rigidly uniform. The many ways secularism could be resisted is the subject of the collection.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
 
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front cover of England's Asian Renaissance
England's Asian Renaissance
Su Fang Ng
University of Delaware Press, 2022
England's Asian Renaissance explores how Asian knowledges, narratives, and customs inflected early modern English literature. Just as Asian imports changed England's tastes and enriched the English language, Eastern themes, characters, and motifs helped shape the country's culture and contributed to its national identity. Questioning long-standing dichotomies between East and West and embracing a capacious understanding of translatio as geographic movement, linquistic transformation, and cultural grafting, the collection gives pride of place to convergence, approximation, and hybridity, thus underscoring the radical mobility of early modern culture. In so doing, England's Asian Renaissance also moves away from entrenched narratives of Western cultural sovereignty to think anew England's debts to Asia.

Published by the University of Delaware Press. Distributed worldwide by Rutgers University Press.
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Women Warriors in Romantic Drama
Wendy C. Nielsen
University of Delaware Press, 2013

Women Warriors in Romantic Drama examines a recurring figure that appears in French, British, and German drama between 1789 and 1830: the woman warrior. The term itself, “woman warrior,” refers to quasi-historical female soldiers or assassins. Women have long contributed to military campaigns as canteen women. Camp followers ranged from local citizenry to spouses and prostitutes, and on occasion, women assisted men in combat. However, the woman warrior is a romantic figure, meaning a fanciful ideal, despite the reality of women’s participation in select scenes of the French Revolution and the Napoleonic Wars. The central claim of this book is the woman warrior is a way for some women writers (Olympe de Gouges, Christine Westphalen, Karoline von Günderrode, and Mary Robinson) to explore the case for extending citizenship to women. This project focuses primarily on theater for the reason that the stage simulates the public world that female dramatists and their warriors seek to inhabit. Novels and poetry clearly belong to the realm of fiction, but when audiences see women fighting onstage, they confront concrete visions of impossible women. I examine dramas in the context of their performance and production histories in order to answer why so many serious dramas featuring women warriors fail to find applause, or fail to be staged at all. Dramas about women warriors seem to sometimes contribute to the argument for female citizenship when they take the form of tragedy, because the deaths of female protagonists in such plays often provoke consideration about women’s place in society.

Consequently, where we find women playing soldiers in various entertainment venues, farce and satire often seem to dominate, although this book points to some exceptions. Censorship and audience demand for comedies made producing tragedies difficult for female playwrights, who battled additional obstacles to fashioning their careers. I compare male (Edmund Eyre, Heinrich von Kleist) and female writers’ dramatizations of the woman warrior. This analysis shows that the difficult project of getting audiences to take women warriors seriously resembles women writers’ struggles to enter the ostensibly male domains of tragedy and the public sphere.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
 
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