A dual biography crafted around the famous encounter between the French philosopher who wrote about power and the Russian empress who wielded it with great aplomb.

In October 1773, after a grueling trek from Paris, the aged and ailing Denis Diderot stumbled from a carriage in wintery St. Petersburg. The century’s most subversive thinker, Diderot arrived as the guest of its most ambitious and admired ruler, Empress Catherine of Russia. What followed was unprecedented: more than forty private meetings, stretching over nearly four months, between these two extraordinary figures. Diderot had come from Paris in order to guide—or so he thought—the woman who had become the continent’s last great hope for an enlightened ruler. But as it soon became clear, Catherine had a very different understanding not just of her role but of his as well. Philosophers, she claimed, had the luxury of writing on unfeeling paper. Rulers had the task of writing on human skin, sensitive to the slightest touch.

Diderot and Catherine’s series of meetings, held in her private chambers at the Hermitage, captured the imagination of their contemporaries. While heads of state like Frederick of Prussia feared the consequences of these conversations, intellectuals like Voltaire hoped they would further the goals of the Enlightenment.

In Catherine & Diderot, Robert Zaretsky traces the lives of these two remarkable figures, inviting us to reflect on the fraught relationship between politics and philosophy, and between a man of thought and a woman of action.

The relationships between philosophy and aesthetics and between philosophy and politics are especially pressing issues today. Those who explore these themes will applaud the publication—for the first time in English—of this important collection, one that reveals the scope and force of Philippe Lacoue-Labarthe’s reflections on mimesis, subjectivity, and representation in philosophical thought.

This coherent and rigorous body of work reflects the author’s complex and subtle treatment of mimesis in the history of philosophy from Plato to Heidegger. It contains close critical analyses of works by Plato, Diderot, Hölderlin, Reik, Girard, and Heidegger, and moves through topics such as music, autobiography, tragedy, and the problem of historical and political self-definition.

Because Lacoue-Labarthe deals with issues that cross disciplinary lines, his work will appeal to readers interested in philosophy as it relates to politics, history, and aesthetics, especially literature. By showing that the concept of mimesis is an integral part of philosophical reasoning, he provides a challenging approach to many of Heidegger’s ideas, and contributes to the poststructuralist (or postmodem) attempt to rethink the notions of reference and representation. This approach challenges readers to redefine their understanding of history and politics.

One of the most gifted and active of the younger French philosophers, Lacoue-Labarthe is a respected peer of Jacques Derrida, who has provided an extensive introduction to the book especially for American readers. Those who are familiar with Derrida’s writings will appreciate the opportunity to see his questions approached in an entirely different style by Lacoue-Labarthe, resulting in productive new insights.