front cover of Curators and Culture
Curators and Culture
The Museum Movement in America, 1740-1870
Joel J. Orosz
University of Alabama Press, 1990

This volume argues that a small, loosely connected group of men constituted an informal museum movement in America from about 1740 to 1870.

As they formed their pioneer museums, these men were guided not so much by European examples, but rather by the imperatives of the American democratic culture, including the Enlightenment, the simultaneous decline of the respectability and rise of the middle classes, the Age of Egalitarianism, and the advent of professionalism in the sciences. Thus the pre-1870 American museum was neither the frivolous sideshow some critics have imagined, nor the enclave for elitists that others have charged. Instead, the proprietors displayed serious motives and egalitarian aspirations.

The conflicting demands for popular education on the one hand and professionalism on the other were a continuing source of tension in American museums after about 1835, but by 1870 the two claims had synthesized into a rough parity. This synthesis, the "American Compromise," has remained the basic model of museums in America down to the present. Thus, by 1870, the form of the modern American museum as an institution which simultaneously provides popular education and promotes scholarly research was completely developed.

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front cover of The Microscope and the Eye
The Microscope and the Eye
A History of Reflections, 1740-1870
Jutta Schickore
University of Chicago Press, 2007
The microscope’s technical capabilities and uses expanded dramatically in the early nineteenth century, when it emerged as an important tool for medical education and played a key role in the development of the cell theory, among other advancements. Focusing on the decades surrounding this crucial period, Jutta Schickore weaves a fascinating story of microscopy by tracing the entwined history of the eye and the optical instrument.

Concentrating on Great Britain and the German lands—home to the period’s most significant developments in microscopy—The Microscope and the Eye examines debates about such subjects as the legitimacy of human trespassing on the microcosm and the nature of light. Schickore also explores the microscope’s role in investigations of the finer structure of the eye and the workings of nerve fibers and the microscopists’ reflections on vision, illusion, artifacts, and the merits of instruments. Fully considering the epistemological, metaphysical, and methodological implications of this centuries-old relationship, The Microscope and the Eye will be an important contribution to the history of the life sciences, vision studies, and scientific methodology.
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