BiblioVault - Books about 1838-1865

Lee's Last Casualty

The Life and Letters of Sgt. Robert W. Parker, Second Virginia Cavalry

Catherine M. Wright

University of Tennessee Press, 2008

The letters assembled in this extraordinarily rich collection were written by Robert W. Parker, an enlisted Confederate cavalryman who is thought to have been the last man killed in action in the Army of Northern Virginia during the Civil War. He is representative of the Confederate Everyman: a modest farmer in the antebellum years, his patriotic fervor spurred him at the beginning of the war to enlist in the Confederate Army, in which he served until his death during the last charge at Appomattox Court House on April 9, 1865.

Parker fought in most of the major campaigns in Virginia, including the 1862 Valley Campaign, the 1862 Peninsula Campaign, the 1863 Maryland Campaign, and the 1864 Overland Campaign. In letters to his wife Rebecca back home in Bedford County, Virginia, Parker described his life as an enlisted soldier in the Second Regiment Virginia Cavalry. His letters reveal how local communities worked together to provide the necessary stuff of war to soldiers, from food and clothing to moral support. They also show the importance of correspondence and religion in sustaining Confederate morale and nationalism.

Catherine Wright provides a valuable introduction that illuminates not only these particular letters but also the many roles of correspondence during the Civil War. She points out how women-in this case, Parker's wife and his mother-made sure that men in the ranks understood that more than politics or manly honor was at stake in fighting the Yankees. Parker believed that the war was a supreme test in which God would look deep into the souls of Northerners and Southerners. His private beliefs informed his public views on how Southerners should act as citizens of a Confederate nation. People of all classes, Parker reasoned, had to give themselves to country and to God if Southern armies were to succeed on the battlefield. Parker's steadfastness was surely due in part to the words of his family, who instilled in him “just cause” to continue fighting.

Anyone with an interest in how a typical soldier experienced the Civil War will find these letters both absorbing and enlightening.

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The Lincoln Murder Conspiracies

William Hanchett

University of Illinois Press, 1983

Outlaw Style

Poems

R. T. Smith

University of Arkansas Press, 2007

Outlaw Style is a collection of narrative and lyric poems, many of them in the tradition of Robert Browning’s dramatic monologues. While gothic imagery, humor, and nineteenth-century diction and reference alternate and interweave, the four thematic currents that converge in the collection are music, race, spirituality, and the impact of monstrosity on somewhat innocent bystanders. Poems like “Dar He,” “Scuppernongs,” and “Plantation of the Mad” address the history of American racial intolerance with muted horror, while the final series of poems explores the roots and impact of traditional music, from unsettling songs of the Carter Family through Delta Blues and the haunting ballad “Strange Fruit.” The collection also features poems, such as “Shepherd Ollie Strawbridge on the Chicken Business,” which question the nature of spirituality; and the central section, “The Booth Prism,” performs a kind of séance in which the author channels the voices of many of the people—from Anna Surratt Tonry to Booth’s lovers and siblings—whose lives were altered by contact with Lincoln’s assassin. Throughout Outlaw Style formal and vernacular rhythms stand in counterpoint, images of violence excavate a stark and troubling beauty, and history and mystery fuse and feud, as the landscape and culture of the American South are presented for interrogation and understanding.

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Right or Wrong, God Judge Me

THE WRITINGS OF JOHN WILKES BOOTH

John W. Booth

University of Illinois Press, 1997

Superbly edited and annotated, this collection of the writings of John Wilkes Booth constitutes a major new primary source that contributes to scholarship on Abraham Lincoln, the Civil War, and nineteenth-century theater history. The nearly seventy documents--more than half published here for the first time--include love letters written during the summer of 1864, when Booth was conspiring against Lincoln, explicit statements of Booth's political convictions, and the diary he kept during his futile twelve-day flight after the assassination.

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