front cover of Muncie, India(na)
Muncie, India(na)
Middletown and Asian America
Himanee Gupta-Carlson
University of Illinois Press, 2018
Muncie, Indiana, remains the epitome of an American town. Yet scholars built the image of so-called typical communities across the United States on an illusion. Their decades of studies ignored the racial, ethnic, and religious diversity and tensions woven into the American communities that Muncie supposedly embodied. Himanee Gupta-Carlson puts forth an essential question: what do nonwhites, non-Christians, and/or non-natives mean when they call themselves American? A daughter in one of Muncie's first Indian American families, Gupta-Carlson merges personal experience, the life histories of others, and critical analysis to explore the answers. Her stories of members of Muncie's South Asian communities unearth the silences imposed by past studies while challenging the body of scholarship in fundamental ways. At the same time, Gupta-Carlson shares personal memories and experiences that illuminate her place within the historical, political, and socio-cultural currents she engages in her work. It also reveals how that work informs and transforms her as a scholar and a person. As meditative as it is insightful, Muncie, India(na) invites readers to feel the truth of the fascinating stories behind one woman's revised portrait of an American community.
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front cover of Women in the Silent Cinema
Women in the Silent Cinema
Histories of Fame and Fate
Annette Förster
Amsterdam University Press, 2016
This magisterial book offers comprehensive accounts of the professional itineraries of three women in the silent film in the Netherlands, France and North America. Annette Förster presents a careful assessment of the long career of Dutch stage and film actress Adriënne Solser; an exploration of the stage and screen careers of French actress and filmmaker Musidora and Canadian-born actress and filmmaker Nell Shipman; an analysis of the interaction between the popular stage and the silent cinema from the perspective of women at work in both realms; fresh insights into Dutch stage and screen comedy, the French revue and the American Northwest drama of the 1910s; and much more, all grounded in a wealth of archival research.
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