front cover of Albert Luthuli
Albert Luthuli
Robert Trent Vinson
Ohio University Press, 2018

In an excellent addition to the Ohio Short Histories of Africa series, Robert Trent Vinson recovers the important but largely forgotten story of Albert Luthuli, Africa’s first Nobel Peace Prize winner and president of the African National Congress from 1952 to 1967. One of the most respected African leaders, Luthuli linked South African antiapartheid politics with other movements, becoming South Africa’s leading advocate of Mahatma Gandhi’s nonviolent civil disobedience techniques. He also framed apartheid as a crime against humanity and thus linked South African antiapartheid struggles with international human rights campaigns.

Unlike previous studies, this book places Luthuli and the South African antiapartheid struggle in new global contexts, and aspects of Luthuli’s leadership that were not previously publicly known: Vinson is the first to use new archival evidence, numerous oral interviews, and personal memoirs to reveal that Luthuli privately supported sabotage as an additional strategy to end apartheid. This multifaceted portrait will be indispensable to students of African history and politics and nonviolence movements worldwide.

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René Magritte
The Artist’s Materials
Catherine Defeyt
J. Paul Getty Trust, The
The first book-length material study of the works of Belgian Surrealist René Magritte.
 
René Magritte (1898–1967) is the most famous Belgian artist of the twentieth century and a celebrated representative of the Surrealist movement. Much has been written about his practices, artistic community, and significance within the history of modernism, but little has been documented regarding his process.
 
This volume examines fifty oil paintings made by Magritte between 1921 and 1967, now held at the Royal Museums of Fine Arts of Belgium. This technical study of his works using noninvasive scientific imaging and chemical analysis reveals the artist’s painting materials, his habit of overpainting previous compositions, and the origins and mechanisms of surface and pigment degradation. Of interest to conservators, scientists, curators, and enthusiasts of twentieth-century art, this book expands our understanding of Magritte the artist and provides new and useful findings that will inform strategies for the future care of his works.
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The Short American Century
A Postmortem
Andrew J. Bacevich
Harvard University Press, 2012

Writing in Life magazine in February 1941, Henry Luce memorably announced the arrival of “The American Century.” The phrase caught on, as did the belief that America’s moment was at hand. Yet as Andrew J. Bacevich makes clear, that century has now ended, the victim of strategic miscalculation, military misadventures, and economic decline. To take stock of the short American Century and place it in historical perspective, Bacevich has assembled a richly provocative range of perspectives.

What did this age of reputed American preeminence signify? What caused its premature demise? What legacy remains in its wake? Distinguished historians Jeffry Frieden, Akira Iriye, David Kennedy, Walter LaFeber, Jackson Lears, Eugene McCarraher, Emily Rosenberg, and Nikhil Pal Singh offer illuminating answers to these questions. Achievement and failure, wisdom and folly, calculation and confusion all make their appearance in essays that touch on topics as varied as internationalism and empire, race and religion, consumerism and globalization.

As the United States grapples with protracted wars, daunting economic uncertainty, and pressing questions about exactly what role it should play in a rapidly changing world, understanding where the nation has been and how it got where it is today is critical. What did the forging of the American Century—with its considerable achievements but also its ample disappointments and missed opportunities—ultimately yield? That is the question this important volume answers.

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