2021 — Honorable Mention, Best Fiction Book Translation – International Latino Book Awards, Latino Literacy Now

Winner of the Tusquets Prize in 2015 and previously translated into French, German, Dutch, Polish, and Portuguese, Alberto Barrera Tyszka’s Patria o muerte is now available in English.

​President Hugo Chávez’s cancer looms large over Venezuela in 2012, casting a shadow of uncertainty and creating an atmosphere of secrets, lies, and upheaval across the country. This literary thriller follows the connected lives of several Caracas neighbors consumed by the turmoil surrounding the Venezuelan president’s impending death.

Retired oncologist Miguel Sanabria, seeing the increasingly combustible world around him, feels on constant edge. He finds himself at odds with his wife, an extreme anti-Chavista, and his radical Chavista brother. These feelings grow when his nephew asks him to undertake the perilous task of hiding cell-phone footage of Chávez in Cuba. Fredy Lecuna, an unemployed journalist, takes a job writing a book about Chávez’s condition, which requires him to leave for Cuba while his landlord attempts to kick his wife and son out of their apartment. Nine-year-old María, long confined to an apartment with a neurotic mother intensely fearful of the city’s violence, finds her only contact with the outside world through a boy she messages online.

Populism and Performance in the Bolivarian Revolution of Venezuela explains how supporters of the emergent socialism of Hugo Chávez negotiated terms of national belonging and participatory democracy through performance. By foregrounding populism as an embodied act, Angela Marino draws attention to repertoires of populism that contributed to what is arguably the most significant social movement in the Americas since the Cuban Revolution.

Based on ethnographic and archival research, Marino focuses on performances of the devil figure, tracing this beloved trickster through religious fiestas, mid-century theater and film, and other media as it both antagonizes and unifies a movement against dictatorship and neoliberalism. She then demonstrates that performance became a vehicle through which cultural producers negotiated boundaries of inclusion and exclusion in ways that overcame the simplistic logic of good versus evil, us versus them. The result is a nuanced insight into the process of building political mobilization out of crisis and through monumental times of change.

The book will interest readers of Latin American politics, cultural studies, political science, and performance studies by providing a vital record of the revolution, with valuable insights into its internal dynamics and lessons towards building a populist movement of the left in contentious times.

Venezuela’s Bolivarian Democracy brings together a variety of perspectives on participation and democracy in Venezuela. An interdisciplinary group of contributors focuses on the everyday lives of Venezuelans, examining the forms of participation that have emerged in communal councils, cultural activities, blogs, community media, and several other forums. The essays validate many of the critiques of democracy under Chávez, as well as much of the praise. They show that while government corporatism and clientelism are constant threats, the forms of political and cultural participation discussed are creating new discourses, networks, and organizational spaces—for better and for worse. With open yet critical minds, the contributors seek to analyze Venezuela’s Bolivarian democratic experience through empirical research. In doing so, they reveal a nuanced process, a richer and more complex one than is conveyed in international journalism and scholarship exclusively focused on the words and actions of Hugo Chávez.

Contributors
Carolina Acosta-Alzuru
Julia Buxton
Luis Duno Gottberg
Sujatha Fernandes
María Pilar García-Guadilla
Kirk A. Hawkins
Daniel Hellinger
Michael E. Johnson
Luis E. Lander
Margarita López-Maya
Elizabeth Gackstetter Nichols
Coraly Pagan
Guillermo Rosas
Naomi Schiller
David Smilde
Alejandro Velasco

Chavistas are the local leaders and activists in Venezuela’s Bolivarian Revolution, working to establish democracy through government-sponsored social missions, community self-governance, and popular collectives. We Are the State! tells the story of their grassroots activism. In perspectives gleaned from participant observation with barrio residents in workplaces, communal kitchens, city-wide forums, and grassroots meetings and assemblies, as well as family and recreational events, anthropologist Cristobal Valencia vividly recounts tensions between activists, local officials, and the wealthy opposition.

The author offers an anthropological analysis of the state, social movements, and democracy as lived experiences of the poor, gendered, and racialized residents of two parishes in Caracas, Venezuela, and Afro-Venezuelan communities nearby. Ethnographic research reveals the shift in relationships of power and the evolving political practices among the Chavistas, the Chávez government, and the opposition. Examining the subjective experiences of barrio residents in everyday processes of state formation, this book provides a new perspective on the Chavistas, arguing that they are a broad-based social movement and driving force behind a revolution struggling to transfer state power to organized civil society.

Through his intense engagement with the constantly changing social, political, and economic dynamics, Valencia dramatically challenges top-down understandings of the state and power in Venezuela. He shows the unequal relationships between sectors of civil society, and he shows state formation as a process enmeshed in the struggles for social justice, demonstrating that the state is a sociopolitical entity that acts through civil society, rather than above it.

In this vivid ethnography of social movements in the barrios, or poor shantytowns, of Caracas, Sujatha Fernandes reveals a significant dimension of political life in Venezuela since President Hugo Chávez was elected. Fernandes traces the histories of the barrios, from the guerrilla insurgency, movements against displacement, and cultural resistance of the 1960s and 1970s, through the debt crisis of the early 1980s and the neoliberal reforms that followed, to the Chávez period. She weaves barrio residents’ life stories into her account of movements for social and economic justice. Who Can Stop the Drums? demonstrates that the transformations under way in Venezuela are shaped by negotiations between the Chávez government and social movements with their own forms of historical memory, local organization, and consciousness.

Fernandes portrays everyday life and politics in the shantytowns of Caracas through accounts of community-based radio, barrio assemblies, and popular fiestas, and the many interviews she conducted with activists and government officials. Most of the barrio activists she presents are Chávez supporters. They see the leftist president as someone who understands their precarious lives and has made important changes to the state system to redistribute resources. Yet they must balance receiving state resources, which are necessary to fund their community-based projects, with their desire to retain a sense of agency. Fernandes locates the struggles of the urban poor within Venezuela’s transition from neoliberalism to what she calls “post-neoliberalism.” She contends that in contemporary Venezuela we find a hybrid state; while Chávez is actively challenging neoliberalism, the state remains subject to the constraints and logics of global capital.