front cover of Stan Hochman Unfiltered
Stan Hochman Unfiltered
50 Years of Wit and Wisdom from the Groundbreaking Sportswriter
Gloria Hochman
Temple University Press, 2020

The late Philadelphia Daily News sportswriter Stan Hochman was known for his many zingers, such as “Harry Litwack, the stoic Temple coach, stalks the sidelines like a blind man at a nudist colony.” As a reporter, he was more interested in how athletes felt, what their values were, how they lived their lives, or what made them tick than he was about how many runs they scored or punches they landed.

In Stan Hochman Unfiltered, his wife Gloria collects nearly 100 of his best columns from the Daily News about baseball, horse racing, boxing, football, hockey, and basketball (both college and pro), as well as food, films, and even Liz Taylor. Each section is introduced by a friend or colleague, including Garry Maddox, Bernie Parent, Larry Merchant, and Ray Didinger, among others. 

Hochman penned a candid, cantankerous column about whether Pete Rose belongs in the Baseball Hall of Fame; wrote a graphic account of the Muhammad Ali and Joe Frazier fight of the century; and skewered Norman “Bottom Line” Braman, the one-time owner of the Eagles. He also wrote human-interest stories, including features about the importance of kids with special needs playing sports. 

In addition to being a beloved writer, Hochman was also known for his stint on WIP’s radio as the Grand Imperial Poobah, where he would settle callers’ most pressing debates. Hochman long earned the respect and admiration of his subjects, peers, and readers throughout his career, and Stan Hochman Unfiltered is a testament to his enduring legacy.

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front cover of Ten Thousand Nights
Ten Thousand Nights
Highlights from 50 Years of Theatre-Going
Marvin Carlson
University of Michigan Press, 2017
Esteemed scholar and theater aficionado Marvin Carlson has seen an unsurpassed number of theatrical productions in his long and distinguished career. Ten Thousand Nights is a lively chronicle of a half-century of theatre-going, in which Carlson recalls one memorable production for each year from 1960 to 2010.  These are not conventional reviews, but essays using each theatre experience to provide an insight into the theatre and theatre-going at a particular time.  The range of performances covered is broad, from edgy experimental fare to mainstream musicals, most of them based in New York but with stops at major theatre events in Paris, Berlin, Moscow, Milan, and elsewhere. The engagingly written pieces convey a vivid sense not only of each production but also of the particular venue, neighborhood, and cultural context, covering nearly all significant movements, theatre artists, and groups of the late twentieth century. 
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