In this first general theory for the analysis of popular literary formulas, John G. Cawelti reveals the artistry that underlies the best in formulaic literature. Cawelti discusses such seemingly diverse works as Mario Puzo's The Godfather, Dorothy Sayers's The Nine Tailors, and Owen Wister's The Virginian in the light of his hypotheses about the cultural function of formula literature. He describes the most important artistic characteristics of popular formula stories and the differences between this literature and that commonly labeled "high" or "serious" literature. He also defines the archetypal patterns of adventure, mystery, romance, melodrama, and fantasy, and offers a tentative account of their basis in human psychology.

In A Displaced Person—the third book in a trilogy that began with the modern classic The Life and Extraordinary Adventures of Private Ivan Chonkin and continued with Pretender to the Throne—author Vladimir Voinovich turns his satirical eye to the difficult last days of the Soviet Communism he so lampooned. Often absurd, A Displaced Person follows a series of random events that brings Chonkin to the United States, where he becomes a farmer and, eventually, a member of a congressional delegation sent to the Soviet Union in 1989, during perestroika, to discuss agriculture with the Soviet leader Mikhail Gorbachev. A Displaced Person carries on the rich Russian tradition of an essentially comic response to the absurdities inherent in totalitarian regimes.