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The Affection in Between
From Common Sense to Sensing in Common
April Flakne
Ohio University Press, 2022
Exposing a fundamental but forgotten capacity to sense with others, this fresh approach to ethics centers on expressive, moving bodies in everyday affective encounters. Common sense has yet to yield its golden promise: robust selves, a stable sense of reality, and bonds of solidarity. The Affection in Between argues that reimagining common sense involves tackling two intractable philosophical puzzles together: the problems of sensory integration and of “other minds.” Construing common sense as either an individual cognitive capacity or a communal body of beliefs and practices, as our tradition of philosophical and political thought has done for too long, constricts possibilities of self and other, ethics and politics. Neither register alone can evade political manipulation and deliver common ground between confident yet unavoidably porous selves. April Flakne begins with a novel interpretation of the neglected Aristotelian concept of sunaisthesis, an embodied, interactive capacity to create overlapping meaning through the cultivation of a sensibility that is neither individual nor communal but unfolds between bodies in movement. Bolstering Aristotle’s concept with classical and contemporary phenomenology, including critical phenomenology, empirical theories of social cognition, and affect theory, Flakne offers fresh answers to a pressing and legitimate skepticism about selfhood and the role that ethics might play in countering disorientation and manufactured division. Through an exploration of the intimate experiences of birth, death, caregiving, and mourning, Flakne brings the ethical and political aspects of interembodied interaction home and into lived experience.
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Bonds of Affection
Civic Charity and the Making of America--Winthrop, Jefferson, and Lincoln
Matthew S. Holland
Georgetown University Press, 2007

Notions of Christian love, or charity, strongly shaped the political thought of John Winthrop, Thomas Jefferson, and Abraham Lincoln as each presided over a foundational moment in the development of American democracy. Matthew Holland examines how each figure interpreted and appropriated charity, revealing both the problems and possibilities of making it a political ideal.

Holland first looks at early American literature and seminal speeches by Winthrop to show how the Puritan theology of this famed 17th century governor of the Massachusetts Colony (he who first envisioned America as a "City upon a Hill") galvanized an impressive sense of self-rule and a community of care in the early republic, even as its harsher aspects made something like Jefferson's Enlightenment faith in liberal democracy a welcome development . Holland then shows that between Jefferson's early rough draft of the Declaration of Independence and his First Inaugural Jefferson came to see some notion of charity as a necessary complement to modern political liberty.

However, Holland argues, it was Lincoln and his ingenious blend of Puritan and democratic insights who best fulfilled the promise of this nation's "bonds of affection." With his recognition of the imperfections of both North and South, his humility in the face of God's judgment on the Civil War, and his insistence on "charity for all," including the defeated Confederacy, Lincoln personified the possibilities of religious love turned civic virtue.

Weaving a rich tapestry of insights from political science and literature and American religious history and political theory, Bonds of Affection is a major contribution to the study of American political identity. Matthew Holland makes plain that civic charity, while commonly rejected as irrelevant or even harmful to political engagement, has been integral to our national character.

The book includes the full texts of Winthrop's speech "A Model of Christian Charity"; Jefferson's rough draft of the Declaration and his First Inaugural; and Lincoln's Second Inaugural.

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Bonds of Affection
Thoreau on Dogs and Cats
Wesley T. Mott
University of Massachusetts Press, 2005
How many a man has dated a new era in his life from the reading of a book, wrote Henry David Thoreau in Walden. Today that book continues to provoke, inspire, and change lives all over the world, and each rereading is fresh and challenging. Yet as Thoreau's countless admirers know, there is more to the man than Walden. An engineer, poet, teacher, naturalist, lecturer, and political activist, he truly had multiple lives to lead, and each one speaks forcefully to us today.Sponsored by the Thoreau Society, the brief, handsomely presented books in this series offer the thoughts of a great writer on a variety of topics, some that we readily associate with him, some that may be surprising. Each volume includes selections from his familiar published works as well as from less well known lectures, letters, and journal entries. The books include original engravings by renowned illustrator and book artist Barry Moser.
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Fantasy, Fashion, and Affection
Editions of Robert Herrick's Poetry for the Common Reader, 1810–1968
Jay Gertzman
University of Wisconsin Press, 1986
Robert Herrick (1591–1674) achieved fame only in the nineteenth century. The book features approximately fifty reproductions of illustrations of Hesperides.
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The Roman Stoics
Self, Responsibility, and Affection
Gretchen Reydams-Schils
University of Chicago Press, 2005
Roman Stoic thinkers in the imperial period adapted Greek doctrine to create a model of the self that served to connect philosophical ideals with traditional societal values. The Roman Stoics-the most prominent being Marcus Aurelius-engaged in rigorous self-examination that enabled them to integrate philosophy into the practice of living. Gretchen Reydams-Schils's innovative new book shows how these Romans applied their distinct brand of social ethics to everyday relations and responsibilities.

The Roman Stoics reexamines the philosophical basis that instructed social practice in friendship, marriage, parenting, and community. From this analysis emerge Stoics who were neither cold nor detached, as the stereotype has it, but all too aware of their human weaknesses. In a valuable contribution to current discussions in the humanities on identity, autonomy, and altruism, Reydams-Schils ultimately conveys the wisdom of Stoics to the citizens of modern society.
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Subjects of Affection
Rights of Resistance on the Early Modern French Stage
Anna Rosensweig
Northwestern University Press, 2021
Subjects of Affection offers an alternative to the modern model of human rights in an unexpected archive: the monarchist tragedies that shaped Louis XIV’s absolutist France. Pairing political theory with performance studies, Anna Rosensweig argues that the right of resistance, largely thought to have disappeared from French political thought in the aftermath of the religious wars of the sixteenth century, actually endured throughout the seventeenth century as a conceptual framework embedded and embodied in tragic drama.

Contemporary scholars have critiqued the modern rights paradigm for its failure to acknowledge the ways in which individual rights depend upon state protection and national belonging. Through a reappraisal of early modern French tragedy, Rosensweig provides a corrective to accounts of human rights that begin with the French Revolution, exploring previously unrecognized models for collective action that had emerged during the religious wars. Subjects of Affection reveals how French tragedy sustained these models of collective action by binding together individuals and groups through affect. Rosensweig places sixteenth-century political treatises in dialogue with dramas by Robert Garnier, Jean Rotrou, Pierre Corneille, and Jean Racine that were performed and published between 1550 and 1700. In so doing, she demonstrates how these tragedies, through their poetics and performance potential, stage a subject of rights whose collective constitution differs from the individualism of our modern rights framework. Through fresh insights and incisive readings, Subjects of Affection explores a form of political subjectivity that locates political power in connection to others—from staged characters and choruses to unseen collectives.
 
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