In an impressive blend of biography and literary assessment, John Paul Russo views Alexander Pope’s life as it illuminates the major themes and tendencies of his poetry, and his poetry as it reflects the ideals of the man. His main concern is the interaction of Pope’s growing identity with his continual interest in classical Western poetic and moral traditions. Russo focuses initially on the basic biographical facts that contributed to Pope’s identity as man and as poet. He then shifts his attention to the artistic ideals that from the beginning affected Pope’s conduct of life as well as his work.

Like the miniatures of which Pope was so fond, the book is at once particular in its focus and wide-ranging in its conceptual scope. While drawing on recent feminist, historicist, and materialist criticism of Pope, as well as current theoretical work on the body, it also attends closely to the local ambiguities of the poet’s texts and cultural milieu, details often lost to critical view. The result is a revitalized—and broadened—reading of Pope, and of our understanding of the processes of authorship. By focusing on the process by which ideas of authority and authenticity took shape at specific moments in Pope’s career, Resemblance and Disgrace calls into question distinctions between theoretical abstractions and material details, between literary originality and critical derivation, following Pope’s own example of rewriting intellectual boundaries as creative opportunities.