Connecting past and present, Central American Counterpoetics proposes the concepts of rememory and counterpoetics as decolonial tools for studying the art, popular culture, literature music, and healing practices of Central America and the diaspora in the United States.

Author Karina Alma offers a systemic method and artistic mode for unpacking social and political memory formation that resists dominant histories. Central American Counterpoetics responds to political repression through acts of creativity that prioritize the well-being of anticolonial communities. Building on Toni Morrison’s theory of rememory, the volume examines the concept as an embodied experience of a sensory place and time lived in the here and now. By employing primary sources of image and word, interviews of creatives, and a critical self-reflection as a Salvadoran immigrant woman in academia, Alma’s research breaks ground in subject matter and methods by considering cultural and historical ties across countries, regions, and traditions. The diverse creatives included explore critical perspectives on topics such as immigration, forced assimilation, maternal love, gender violence, community arts, and decolonization.

This collection centers Central American women’s voices within the growing narrative of the Central American diaspora. It provides a tapestry of testimonios—from grandmothers, mothers, daughters, and sisters—who explore what it means to be Central American women in the United States.
 
Through the practice of testimonio, contributors create intergenerational dialogues between mothers and daughters, engage with Indigenous oral traditions, and reflect on the violent histories of war in Guatemala, El Salvador, Honduras, and Nicaragua. The volume is organized around five themes: political histories, migration, gender and sexuality, navigating institutions, and healing. Within each theme contributors tackle a range of issues, including Central American political histories, healing, grief, Indigenous knowledge, memory, trauma, post-traumatic growth, organizing, creativity, and agency.
 
This anthology spans genres such as poetry, essay, and visual art to present diverse perspectives, including Indigenous, Afro-Indigenous, queer, and working-class voices. An intervention that centers gendered experiences and challenges oppressive structures, this volume celebrates the solidarity, cultural memory, and healing found within transnational ties.
 
Contributors
Leisy J. Abrego
Margoth Abrego
Bella
Juanita Cabrera
Jennifer A. Cárcamo
Sandra Castro
Karla Cativo
Kency Cornejo
Gabriela Corona Valencia
Jessica Delgado
Carolina Rivera Escamilla
Rafael Escamilla
Mildred Fuentes-Chung
Diana Gamez
Joanna Beltrán Girón
Ruth Girón
Victoria Gonzalez-Rivera
Claudia D. Hernández
Jessica Hernandez
Leticia Hernández-Linares
Leigh-Anna Hidalgo
Andrea Nikté Juarez Mendoza
Amanda Macal
Carla Macal
Patricia Veliz Macal
Kiara Aileen Machado
Beatriz Maldonado
Jacqueline Munguía
Johanna Perez
Rossana Pérez
Claudia A. Portillo
Suyapa Portillo Villeda
Nalya Rodriguez
Mélida Turcios Lima
Andrea Zelaya