front cover of James Baldwin's Turkish Decade
James Baldwin's Turkish Decade
Erotics of Exile
Magdalena J. Zaborowska
Duke University Press, 2008
Between 1961 and 1971 James Baldwin spent extended periods of time in Turkey, where he worked on some of his most important books. In this first in-depth exploration of Baldwin’s “Turkish decade,” Magdalena J. Zaborowska reveals the significant role that Turkish locales, cultures, and friends played in Baldwin’s life and thought. Turkey was a nurturing space for the author, who by 1961 had spent nearly ten years in France and Western Europe and failed to reestablish permanent residency in the United States. Zaborowska demonstrates how Baldwin’s Turkish sojourns enabled him to re-imagine himself as a black queer writer and to revise his views of American identity and U.S. race relations as the 1960s drew to a close.

Following Baldwin’s footsteps through Istanbul, Ankara, and Bodrum, Zaborowska presents many never published photographs, new information from Turkish archives, and original interviews with Turkish artists and intellectuals who knew Baldwin and collaborated with him on a play that he directed in 1969. She analyzes the effect of his experiences on his novel Another Country (1962) and on two volumes of his essays, The Fire Next Time (1963) and No Name in the Street (1972), and she explains how Baldwin’s time in Turkey informed his ambivalent relationship to New York, his responses to the American South, and his decision to settle in southern France. James Baldwin’s Turkish Decade expands the knowledge of Baldwin’s role as a transnational African American intellectual, casts new light on his later works, and suggests ways of reassessing his earlier writing in relation to ideas of exile and migration.

[more]

front cover of Japanese and Americans
Japanese and Americans
Cultural Parallels and Paradoxes
Charles Cleaver
University of Minnesota Press, 1976
Japanese and Americans was first published in 1976.Long periods of residence, study, and teaching in Japan have given Professor Cleaver an opportunity to observe its culture and to compare it with that of the United States, where he is a specialist in American studies. He reaches the conclusion that differences in the two cultures have been emphasized so much that similarities have been overlooked. Further, he points out, when differences have been discovered, a moral judgment has often been implied. In this book he provides a balanced view which will, it is hoped, contribute to a better understanding between the two countries.Since an exhaustive comparison of the two cultures is out of the question within the limits of a single volume, he has chosen the method of an oil prospector, drilling down here and there, where science or hunch suggests there might be a payoff. In his study he uses the word culture in the manner of the anthropologist as meaning the whole way of life. He places more emphasis, however, than the ordinary anthropologist does on the clues which the arts provide. Thus, among the subjects he discusses at some length are fictional writing and architecture. Among his other subjects are political and military nationalism, international economic reputations of the two countries, attitudes toward nature, and the organization of work and leisure. In his concluding chapter he discusses current tendencies toward local and international loyalties as opposed to those which are national, and the growing interest in cultural nationalism which accompanies a distrust of political and military nationalism. Finally, he makes a plea for an international community with cultural diversity.
[more]


Send via email Share on Facebook Share on Twitter