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Anarchy and Culture
The Aesthetic Politics of Modernism
David Weir
University of Massachusetts Press, 1997
Anarchism is generally understood as a failed ideology, a political philosophy that once may have had many followers but today attracts only cranks and eccentrics. This book argues that the decline of political anarchism is only half the story; the other half is a tale of widespread cultural success.

David Weir develops this thesis in several ways. He begins by considering the place of culture in the political thought of the classical anarchist thinkers William Godwin, Pierre-Joseph Proudhon, Mikhail Bakunin, and Peter Kropotkin. He then shows how the perceived "anarchy" of nineteenth-century society induced writers such as Matthew Arnold, Henry James, and Fyodor Dostoyevsky to turn away from politics and seek unity in the idea of a common culture.

Yet as other late-nineteenth-century writers and artists began to sympathize with anarchism, the prospect of a common culture became increasingly remote. In Weir's view, the affinity for anarchism that developed among members of the artistic avant-garde lies behind much of fin de siècle culture. Indeed, the emergence of modernism itself can be understood as the aesthetic realization of anarchist politics. In support of this contention, Weir shows that anarchism is the key aesthetic principle informing the work of a broad range of modernist figures, from Henrik Ibsen and James Joyce to dadaist Hugo Ball and surrealist Luis Buñuel.

Weir concludes by reevaluating the phenomenon of postmodernism as only the most recent case of the migration of politics into aesthetics, and by suggesting that anarchism is still very much with us as a cultural condition.
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The Anarchy of Black Religion
A Mystic Song
J. Kameron Carter
Duke University Press, 2023
In The Anarchy of Black Religion, J. Kameron Carter examines the deeper philosophical, theological, and religious history that animates our times to advance a new approach to understanding religion. Drawing on the black radical tradition and black feminism, Carter explores the modern invention of religion as central to settler colonial racial technologies wherein antiblackness is a founding and guiding religious principle of the modern world. He therefore sets black religion apart from modern religion, even as it tries to include and enclose it. Carter calls this approach the black study of religion. Black religion emerges not as doctrinal, confessional, or denominational but as a set of poetic and artistic strategies for improvisatory living and gathering. Potentiating non-exclusionary belonging, black religion is anarchic, mystical, and experimental: it reveals alternative relationalities and visions of matter that can counter capitalism’s extractive, individualistic, and imperialist ideology. By enacting a black study of religion, Carter elucidates the violence of religion as the violence of modern life while also opening an alternate praxis of the sacred.
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The Anarchy of Empire in the Making of U.S. Culture
Amy Kaplan
Harvard University Press, 2005

The United States has always imagined that its identity as a nation is insulated from violent interventions abroad, as if a line between domestic and foreign affairs could be neatly drawn. Yet this book argues that such a distinction, so obviously impracticable in our own global era, has been illusory at least since the war with Mexico in the mid-nineteenth century and the later wars against Spain, Cuba, and the Philippines. In this book, Amy Kaplan shows how U.S. imperialism--from "Manifest Destiny" to the "American Century"--has profoundly shaped key elements of American culture at home, and how the struggle for power over foreign peoples and places has disrupted the quest for domestic order.

The neatly ordered kitchen in Catherine Beecher's household manual may seem remote from the battlefields of Mexico in 1846, just as Mark Twain's Mississippi may seem distant from Honolulu in 1866, or W. E. B. Du Bois's reports of the East St. Louis Race Riot from the colonization of Africa in 1917. But, as this book reveals, such apparently disparate locations are cast into jarring proximity by imperial expansion. In literature, journalism, film, political speeches, and legal documents, Kaplan traces the undeniable connections between American efforts to quell anarchy abroad and the eruption of such anarchy at the heart of the empire.

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An Anarchy of Families
State and Family in the Philippines
Alfred W. McCoy
University of Wisconsin Press, 2009
Winner of the Philippine National Book Award, this pioneering volume reveals how the power of the country’s family-based oligarchy both derives from and contributes to a weak Philippine state. From provincial warlords to modern managers, prominent Filipino leaders have fused family, politics, and business to compromise public institutions and amass private wealth—a historic pattern that persists to the present day.
    Edited by Alfred W. McCoy, An Anarchy of Families explores the pervasive influence of the modern dynasties that have led the Philippines during the past century. Exemplified by the Osmeñas and Lopezes, elite Filipino families have formed a powerful oligarchy—controlling capital, dominating national politics, and often owning the media. Beyond Manila, strong men such as Ramon Durano, Ali Dimaporo, and Justiniano Montano have used “guns, goons, and gold” to accumulate wealth and power in far-flung islands and provinces. In a new preface for this revised edition, the editor shows how this pattern of oligarchic control has continued into the twenty-first century, despite dramatic socio-economic change that has supplanted the classic “three g’s” of Philippine politics with the contemporary “four c’s”—continuity, Chinese, criminality, and celebrity.
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Art and Anarchy
Edgar Wind
Northwestern University Press, 1985
Will works of the imagination ever regain the power they once had to challenge and mould society and the individual? This was the question posed by Edgar Wind's influential Reith Lectures delivered in 1960 and later expanded into his book Art and Anarchy. The book examines the various forces that have fashioned the modern view of the art, from mechanization and fear of intellect to connoisseurship and—perhaps the fundamental weakness of our age—the dispassionate acceptance of art. In the course of his discussion, Wind surveyed a wide range of topics in the history of painting, literature, music, and the plastic arts from the Renaissance to modern times.
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Beautiful Democracy
Aesthetics and Anarchy in a Global Era
Russ Castronovo
University of Chicago Press, 2007
The photographer and reformer Jacob Riis once wrote, “I have seen an armful of daisies keep the peace of a block better than a policeman and his club.” Riis was not alone in his belief that beauty could tame urban chaos, but are aesthetic experiences always a social good? Could aesthetics also inspire violent crime, working-class unrest, and racial murder? To answer these questions, Russ Castronovo turns to those who debated claims that art could democratize culture—civic reformers, anarchists, novelists, civil rights activists, and college professors—to reveal that beauty provides unexpected occasions for radical, even revolutionary, political thinking.

Beautiful Democracy explores the intersection of beauty and violence by examining university lectures and course materials on aesthetics from a century ago along with riots, acts of domestic terrorism, magic lantern exhibitions, and other public spectacles. Philosophical aesthetics, realist novels, urban photography, and black periodicals, Castronovo argues, inspired and instigated all sorts of collective social endeavors, from the progressive nature of tenement reform to the horrors of lynching. Discussing Jane Addams, W.E.B. Du Bois, Charlie Chaplin, William Dean Howells, and Riis as aesthetic theorists in the company of Kant and Schiller, Beautiful Democracy ultimately suggests that the distance separating academic thinking and popular wisdom about social transformation is narrower than we generally suppose.
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Flowers in the Dustbin
Culture, Anarchy, and Postwar England
Neil Nehring
University of Michigan Press, 1993
Flowers in the Dustbin looks at the volatile relations between literature, rock music, and youth subcultures in postwar England. Neil Nehring traces the continuities between the original avant-garde of the twenties and thirties and the postwar youth culture, arguing that anarchism never really disappeared from the world. The author shows that British youth groups like the Mods, the Rockers, Punks, and Teddy Boys and the music that inspired them appear increasingly more acute than their literary counterparts, belying conventional assumptions about the relative powers of "high" and "low" culture. By examining literary texts as part of a larger sampling of cultural forms and their uses in everyday life, Flowers in the Dustbin provides a striking illustration of the significance the field of cultural studies holds for studies in English.
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The Fortunes of Permanence
Culture and Anarchy in an Age of Amnesia
Roger Kimball
St. Augustine's Press, 2022

“Cultural instructions.” Everyone who has handled a package of seedlings has encountered that enigmatic advisory. This much water and that much sun, certain tips about fertilizer, soil, and drainage. Planting one sort of flower nearby keeps the bugs away but proximity to another sort makes bad things happen. Young shoots might need stakes, and watch out for beetles, weeds, and unseasonable frosts. It’s a complicated business.

But at least since Cicero introduced the term cultura animi (“cultivation of the mind or spirit”), such “cultural instructions” have applied as much to the realm of civilization as to horticulture. In this wide-ranging investigation into the vicissitudes of culture in the twenty-first century, the distinguished critic Roger Kimball traces the deep filiations between cultivation as a spiritual enterprise and the prerequisites of political freedom. Drawing on figures as various as James Burnham, Richard Weaver, G. K. Chesterton, Rudyard Kipling, John Buchan, Friedrich von Hayek, and Leszek Kolakowski, Kimball traces the interconnections between what he calls the fortunes of permanence and such ambassadors of anarchy as relativism, multiculturalism, and the socialist-utopian imperative.

With his signature blend of wit and erudition, Kimball deftly draws on the resources of art, literature, and political philosophy to illuminate some of the wrong turns and dead ends our culture has recently pursued, while also outlining some of the simple if overlooked alternatives to the various tyrannies masquerading as liberation we have again and again fallen prey to. This rich, rewarding, and intelligent volume bristles with insights into what the nineteenth-century novelist Anthony Trollope called “The Way We Live Now.”

Partly an exercise in cultural pathology, The Fortunes of Permanence is also a forward-looking effort of cultural recuperation. It promises to be essential reading for anyone concerned about the direction of Western culture in an age of anti-Western animus and destructive multicultural fantasy.

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Love, Anarchy, & Emma Goldman
A Biography
Candace Serena Falk
Rutgers University Press, 2019
“What this remarkable book does . . . is to remind us of that passion, that revolutionary fervor, that camaraderie, that persistence in the face of political defeat and personal despair so needed in our time as in theirs.” —Howard Zinn

“Fascinating …With marvelous clarity and depth, Candace Falk illuminates for us an Emma Goldman shaped by her time yet presaging in her life the situation and conflicts of women in our time.” —Tillie Olsen

One of the most famous political activists of all time, Emma Goldman was also infamous for her radical anarchist views and her “scandalous” personal life. In public, Goldman was a firebrand, confidently agitating for labor reform, anarchism, birth control, and women’s independence. But behind closed doors she was more vulnerable, especially when it came to the love of her life. 

Love, Anarchy, & Emma Goldman is an account of Goldman’s legendary career as a political activist. But it is more than that—it is a biography that offers an intimate look at how Goldman’s passion for social reform dovetailed with her passion for one man: Chicago activist, hobo king, and red-light district gynecologist Ben Reitman. Candace Falk takes us into the heart of their tumultuous love affair, finding that even as Goldman lectured on free love, she confronted her own intense jealousy. 
 
As director of the Emma Goldman papers, Falk had access to over 40,000 writings by Goldman—including her private letters and notes—and she draws upon these archives to give us a rare insight into this brilliant, complex woman’s thoughts. The result is both a riveting love story and a primer on an exciting, explosive era in American politics and intellectual life.  
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Love, Anarchy, & Emma Goldman
A Biography
Falk, Candace
Rutgers University Press, 1990
Candace Falk's biography captures Goldman's colorful life as a social and labor reformer, revolutionary, anarchist, feminist, agitator for free love and free speech, and advocate of birth control. And it gives the reader a rare glimpse into Goldman as a woman, alone, searching for the intimacy of a love relationship to match her radiant social vision. Falk explores the clash between Goldman's public vision and private life, focusing on her intimate relationship with Ben Reitman, Chicago's celebrated social reformer, hobo king, and red-light district gynecologist. During this passionate and stormy relationship, Goldman lectured in public about free love and women's independence, while in private she struggled with intense jealousy and longed for the comfort of a secure relationship. Falk's account draws upon a serendipitous discovery of a cache of intimate letters between Goldman and Reitman. Falk then goes beyond Goldman's ten-year relationship with Reitman, following Goldman's inner passions through her years of exile and later life. Written with a literary sensitivity, Falk tells a riveting story, consistently placing Goldman in the context of late nineteenth- and early twentieth-century radicalism.
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Time of Anarchy
Indigenous Power and the Crisis of Colonialism in Early America
Matthew Kruer
Harvard University Press, 2021

A gripping account of the violence and turmoil that engulfed England’s fledgling colonies and the crucial role played by Native Americans in determining the future of North America.

In 1675, eastern North America descended into chaos. Virginia exploded into civil war, as rebel colonists decried the corruption of planter oligarchs and massacred allied Indians. Maryland colonists, gripped by fears that Catholics were conspiring with enemy Indians, rose up against their rulers. Separatist movements and ethnic riots swept through New York and New Jersey. Dissidents in northern Carolina launched a revolution, proclaiming themselves independent of any authority but their own. English America teetered on the edge of anarchy.

Though seemingly distinct, these conflicts were in fact connected through the Susquehannock Indians, a once-mighty nation reduced to a small remnant. Forced to scatter by colonial militia, Susquehannock bands called upon connections with Indigenous nations from the Great Lakes to the Deep South, mobilizing sources of power that colonists could barely perceive, much less understand. Although the Susquehannock nation seemed weak and divided, it exercised influence wildly disproportionate to its size, often tipping settler societies into chaos. Colonial anarchy was intertwined with Indigenous power.

Piecing together Susquehannock strategies from a wide range of archival documents and material evidence, Matthew Kruer shows how one people’s struggle for survival and renewal changed the shape of eastern North America. Susquehannock actions rocked the foundations of the fledging English territories, forcing colonial societies and governments to respond. Time of Anarchy recasts our understanding of the late seventeenth century and places Indigenous power at the heart of the story.

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Tomorrow the Manifold
Essays on Foucault, Anarchy, and the Singularization to Come
Reiner Schürmann
Diaphanes, 2018
This volume tracks the crucial role of Reiner Schürmann’s engagement with the work of Michel Foucault between 1983 and 1991. Drawing on Foucault’s highly original reading of the philosophical tradition, Schürmann traces the status of identity and difference in Foucault’s conception of history to develop a radical phenomenological understanding of anarchy. He examines the fate of philosophy after the critique of the subject and the collapse of the divide between theory and praxis, philosophy and politics.
            Taken together, these pivotal essays introduce the reader to Schürmann’s most urgent concerns and assemble the conceptual tools that go on to lay the groundwork for his final work, Broken Hegemonies, which offers a subversive re-reading of the history of Western metaphysics outside of Foucault’s genealogical approach. To the reader unfamiliar with Schürmann’s work, these texts establish him as one of the most radical thinkers of the late 20th century, whose work might eventually become legible in our present.
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