front cover of AFTERLIFE
AFTERLIFE
A GUIDED TOUR OF HEAVEN AND ITS WONDERS
Emanuel Swedenborg
Swedenborg Foundation Publishers, 2008

What happens to us after we die? What is heaven like? How do angels live? In his classic work Heaven and Hell, Swedish visionary Emanuel Swedenborg gives readers a detailed road map to the afterlife, describing the process that our soul goes through after death, the nature of heaven and hell, angels and demons, all in meticulous detail. Afterlife is an abridged version of Heaven and Hell, with passages specially chosen to highlight the essence of Swedenborg's work.

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front cover of ANGELS IN ACTION
ANGELS IN ACTION
WHAT SWEDENBORG SAW AND HEARD
Robert Kirven
Swedenborg Foundation Publishers, 1994

Angels live in communities, wear clothes, and have no wings! So said Emanuel Swedenborg, Swedish scientist and seer who, for the last twenty-seven years of his life, visited heaven and hell almost daily and met angels and evil spirits. Swedenborg's visions and the meaning they can have in our lives are explained in this remarkable book. Author Robert H. Kirven also shows how angels work for us from birth through death and how we can be angels on earth.

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front cover of CONVERSATIONS WITH ANGELS
CONVERSATIONS WITH ANGELS
WHAT SWEDENBORG HEARD IN HEAVEN
DONALD ROSE
Swedenborg Foundation Publishers, 1996

"...an engaging, fascinating contribution to angelic studies."
---Reviewer's Bookwatch

This fresh translation brings together the most remarkable selections from Swedish visionary Emanuel Swedenborg's works about the wisdom imparted to him by angels. These stories reveal the angels' natures, their spiritual loves, their heavenly education, and the true source of wisdom and beauty. These spirits share their knowledge for the good of those on earth, who are themselves created to become angels.

Look for this book's companion piece, Debates with Devils.

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front cover of HEAVEN AND HELL
HEAVEN AND HELL
LARGE-PRINT: THE LARGE-PRINT NEW CENTURY EDITION
Emanuel Swedenborg
Swedenborg Foundation Publishers, 2020

What happens to us when we die? Are heaven and hell real? If so, what are they like? Heaven and Hell contains the answers to these questions as seen by Emanuel Swedenborg (1688-1772).

This new translation of Swedenborg’s most popular work paints a detailed picture of life in the spiritual realms. A Swedish Enlightenment scientist of extraordinary accomplishment, Swedenborg underwent a spiritual crisis that led to an unparalleled series of paranormal experiences. He spent his last twenty-seven years in almost daily experience of heaven and hell, recording his observations and conversations, many of which are reported in Heaven and Hell. This sustained and detailed description of the nonphysical realms has left its impression on the minds of many great thinkers, including Goethe, Blake, Coleridge, Emerson, Borges, and Milosz.

The New Century Edition of the Works of Emanuel Swedenborg is a modern-language, scholarly translation of Swedenborg’s theological works. The series’ easy-to-read style retains the dignity, variety, clarity, and gender-inclusive language of Swedenborg’s original Latin, bringing his thought to life.

This large-print edition contains the text of the translation, but not the introduction, annotations, or other supplemental materials found in the deluxe edition.

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front cover of HEAVEN AND HELL
HEAVEN AND HELL
Emanuel Swedenborg
Swedenborg Foundation Publishers, 2000

What happens to us when we die? Are heaven and hell real? If so, what are they like? Heaven and Hell contains the answers to these questions as seen by Emanuel Swedenborg (1688-1772).

This new translation of Swedenborg’s most popular work paints a detailed picture of life in the spiritual realms. A Swedish Enlightenment scientist of extraordinary accomplishment, Swedenborg underwent a spiritual crisis that led to an unparalleled series of paranormal experiences. He spent his last twenty-seven years in almost daily experience of heaven and hell, recording his observations and conversations, many of which are reported in Heaven and Hell. This sustained and detailed description of the nonphysical realms has left its impression on the minds of many great thinkers, including Goethe, Blake, Coleridge, Emerson, Borges, and Milosz.

This deluxe edition contains an introduction by religious historian Bernhard Lang setting the volume in the context of its time.

The New Century Edition of the Works of Emanuel Swedenborg is a modern-language, scholarly translation of Swedenborg’s theological works. The series’ easy-to-read style retains the dignity, variety, clarity, and gender-inclusive language of Swedenborg’s original Latin, bringing his thought to life. Introductions and annotations by eminent, international scholars place Swedenborg’s writings in their historical context and illuminate obscure references within the text, enabling readers to understand and trace Swedenborg’s influence as never before.
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front cover of HEAVEN AND HELL
HEAVEN AND HELL
PORTABLE: THE PORTABLE NEW CENTURY EDITION
Emanuel Swedenborg
Swedenborg Foundation Publishers, 2020

What happens to us when we die? Are heaven and hell real? If so, what are they like? Heaven and Hell contains the answers to these questions as seen by Emanuel Swedenborg (1688-1772).

This new translation of Swedenborg’s most popular work paints a detailed picture of life in the spiritual realms. A Swedish Enlightenment scientist of extraordinary accomplishment, Swedenborg underwent a spiritual crisis that led to an unparalleled series of paranormal experiences. He spent his last twenty-seven years in almost daily experience of heaven and hell, recording his observations and conversations, many of which are reported in Heaven and Hell. This sustained and detailed description of the nonphysical realms has left its impression on the minds of many great thinkers, including Goethe, Blake, Coleridge, Emerson, Borges, and Milosz.

The New Century Edition of the Works of Emanuel Swedenborg is a modern-language, scholarly translation of Swedenborg’s theological works. The series’ easy-to-read style retains the dignity, variety, clarity, and gender-inclusive language of Swedenborg’s original Latin, bringing his thought to life.

This portable edition contains the text of the translation, but not the introduction, annotations, or other supplemental materials found in the deluxe edition.

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front cover of HEAVEN AND HELL
HEAVEN AND HELL
PORTABLE: THE PORTABLE NEW CENTURY EDITION
Emanuel Swedenborg
Swedenborg Foundation Publishers, 2010

What happens to us when we die? Are heaven and hell real? If so, what are they like? Heaven and Hell contains the answers to these questions as seen by Emanuel Swedenborg (1688-1772).

This new translation of Swedenborg’s most popular work paints a detailed picture of life in the spiritual realms. A Swedish Enlightenment scientist of extraordinary accomplishment, Swedenborg underwent a spiritual crisis that led to an unparalleled series of paranormal experiences. He spent his last twenty-seven years in almost daily experience of heaven and hell, recording his observations and conversations, many of which are reported in Heaven and Hell. This sustained and detailed description of the nonphysical realms has left its impression on the minds of many great thinkers, including Goethe, Blake, Coleridge, Emerson, Borges, and Milosz.

The New Century Edition of the Works of Emanuel Swedenborg is a modern-language, scholarly translation of Swedenborg’s theological works. The series’ easy-to-read style retains the dignity, variety, clarity, and gender-inclusive language of Swedenborg’s original Latin, bringing his thought to life.

This portable edition contains the text of the translation, but not the introduction, annotations, or other supplemental materials found in the deluxe edition.

[more]

front cover of Prophets in Their Own Country
Prophets in Their Own Country
Living Saints and the Making of Sainthood in the Later Middle Ages
Aviad M. Kleinberg
University of Chicago Press, 1992
In this original study of the making of saintly reputations, Aviad M. Kleinberg shows how sainthood, though frequently seen as a personal trait, is actually the product of negotiations between particular individuals and their communities. Employing the methods of history, anthropology, and textual criticism, Kleinberg examines the mechanics of sainthood in daily interactions between putative saints and their audiences. This book will interest historians, anthropologists, sociologists, medievalists, and those interested in the study of religion.

"[A] fascinating and sometimes iconoclastic view of saints in the medieval period." —Sandra R. O'Neal, Theological Studies

"[An] important new book. . . . [And] an excellent piece of scholarship." —Diane L. Mockridge, Method & Theory in the Study of Religion

"[Kleinberg's] style is clear and accessible and his observations insightful; the book is a pleasure to read." —Veronica Lawrence, Theological Book Review

"Original and interesting. . . . [Kleinberg] has made a major contribution." —Anne L. Clark, American Historical Review

"Kleinberg's concern is not just with perceptions of sanctity, but, refreshingly, with what actually happened: and he is especially good on the conflict of the two. . . . [This] is not just a book but a way of thought, and one that promises interesting conversations at all levels from the church porch to the tutorial and the academic conference." —Helen Cooper, Times Literary Supplement

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front cover of Salvation through Temptation
Salvation through Temptation
Maximus the Confessor and Thomas Aquinas on Christ's Victory over the Devil
Benjamin E. Heidgerken
Catholic University of America Press, 2021
Salvation through Temptation describes the development of predominant Greek and Latin Christian conceptions of temptation and of the work of Christ to heal and restore humankind in the context of that temptation, focusing on Maximus the Confessor and Thomas Aquinas as well-developed examples of Greek and Latin thought on these matters. Maximus and Thomas represent two trajectories concerning the woundedness of human emotionality in the wake of the primordial human sin. Heidgerken argues that Maximus stands in essential continuity with earlier Greek ascetic theology, which conceives of the weakness of fallen humankind in demonological categories, so that the Pauline law of sin is bound to external demonic agents that act upon the human mind through thoughts, desires, and sensory impressions. For Thomas, on the other hand, this wound consists primarily of an internal disordering of the faculties that results from the withdrawal of original grace: concupiscence or the fomes peccati. Yet even in this framework, the devil plays a significant role in Thomas’s account of postlapsarian temptation. On the basis of these differing frameworks for human temptation, Heidgerken demonstrates the centrality of Christ’s exemplarity in the Greek account and the centrality of Christ’s moral perfections in the Latin account. As a consequence of these emphases, the Greek tradition of Maximus places distinct limits on the ability of human emotionality (even that of Christ) to be perfected in this life, whereas Thomas’s approach allows Christ to completely embody a perfected form of human emotionality in his earthly life. Reciprocally, Thomas’s account of Christ’s moral perfections and virtue places distinct limits on his affirmation of Christ’s experience of postlapsarian temptation, whereas Maximus’s account allows for Christ to experience interior forms of temptation that more closely mirror the concrete moral experiences and circumstances of fallen human beings. Salvation through Temptation recommends a retrieval of early ascetic theology and demonology as the best contemporary systematic and ecumenically-viable approach to Christ’s temptation and victory over the devil.
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front cover of Tears and Saints
Tears and Saints
E. M. Cioran
University of Chicago Press, 1995
By the mid-1930s, Emil Cioran was already known as a leader of a new generation of politically committed Romanian intellectuals. Researching another, more radical book, Cioran was spending hours in a library poring over the lives of saints. As a modern hagiographer, Cioran "dreamt" himself "the chronicler of these saints' falls between heaven and earth, the intimate knower of the ardors in their hearts, the historian of God's insomniacs." Inspired by Nietzsche's Beyond Good and Evil, Cioran "searched for the origin of tears." He asked himself if saints could be "the sources of tears' better light."

"Who can tell?" he wrote in the first paragraph of this book, first published in Romania in 1937. "To be sure, tears are their trace. Tears did not enter the world through the saints; but without them we would never have known that we cry because we long for a lost paradise." By following in their traces, "wetting the soles of one's feet in their tears," Cioran hoped to understand how a human being can renounce being human. Written in Cioran's characteristic aphoristic style, this flamboyant, bold, and provocative book is one of his most important—and revelatory—works.

Cioran focuses not on martyrs or heroes but on the mystics—primarily female—famous for their keening spirituality and intimate knowledge of God. Their Christianity was anti-theological, anti-institutional, and based solely on intuition and sentiment. Many, such as Catherine of Siena, Teresa of Avila, and Saint John of the Cross, have produced classic works of mystical literature; but Cioran celebrates many more minor and unusual figures as well.

Following Nietzsche, he focuses explicitly on the political element hidden in saints' lives. In his hands, however, their charitable deeds are much less interesting than their thirst for pain and their equally powerful capacity to endure it. Behind their suffering and their uncanny ability to renounce everything through ascetic practices, Cioran detects a fanatical will to power.

"Like Nietzsche, Cioran is an important religious thinker. His book intertwines God and music with passion and tears. . . . [Tears and Saints] has a chillingly contemporary ring that makes this translation important here and now."—Booklist
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front cover of Tiffany's Swedenborgian Angels
Tiffany's Swedenborgian Angels
Stained Glass Windows Representing the Seven Churches from the Book of Revelation
Mary Lou Bertucci
Swedenborg Foundation Publishers, 2011

In 2001, a Swedenborgian minister found a set of seven magnificent stained-glass windows stored in old crates in a barn in rural Pennsylvania. Their story illuminates a fascinating facet of American art history as well as an important set of spiritual teachings.

In 1902, a Swedenborgian church in Glendale, Ohio, commissioned the seven windows as a gift for their sister church in Cincinnati. Each window depicts an angel that represents one of the seven churches described in the book of Revelation. The windows were designed and created in the studios of Louis Comfort Tiffany, and they reflect not only the rich symbolism found in the Bible, but Tiffany’s hallmark color and brilliance. Tiffany’s love of revealing angels in stained glass shines through in every panel.

After their original home was torn down in 1964, the windows were put into storage, only to be rediscovered and painstakingly restored years later. Now a traveling exhibition, the seven angels have been given a new life as shining examples of Tiffany’s art and as a focus for spiritual reflection and meditation.

Tiffany’s Swedenborgian Angels guides the reader not only through the history of the windows, but the spiritual meaning of each one, weaving Swedenborg’s teachings with the luminous imagery of the angels themselves. If you have seen the exhibition, the book allows you to revisit the windows again any time; if you have not, it is a powerful introduction to a vivid piece of spiritual history.

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front cover of Un recorrido por los cielos y sus maravillas
Un recorrido por los cielos y sus maravillas
Emanuel Swedenborg
Swedenborg Foundation Publishers, 2010

This Spanish edition of the English-language Afterlife takes the essence of Emanuel Swedenborg’s classic Heaven and Hell and presents it chronologically, starting with the process of awakening after death and then taking the reader on a journey through both heaven and hell. This shorter format provides an eye-opening introduction to Swedenborg’s philosophy.

“A través de mucha experiencia, se me ha demostrado que cuando somos trasladados del mundo natural al espiritual, lo cual ocurre al morirnos, nos llevamos todo lo que pertenece a nuestro carácter menos el cuerpo terrenal.  Lo que es más, cuando entramos en el mundo espiritual o en nuestra vida después de la muerte, estamos en un cuerpo como cuando estábamos en este mundo.  No parece haber ninguna diferencia, puesto que no sentimos ni vemos que nada haya cambiado. . . . Entonces, cuando nos hemos convertido en espíritus, no tenemos la sensación de que ya no estamos en el cuerpo que habitamos en el mundo, y por consiguiente, no nos damos cuenta de que hemos muerto.”

– Emanuel Swedenborg, Un recorrido por los cielos y sus maravillas

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