Following conflicting desires for an Aztec crown, this book explores the possibilities of repatriation.
 
In The Contested Crown, Khadija von Zinnenburg Carroll meditates on the case of a spectacular feather headdress believed to have belonged to Montezuma, emperor of the Aztecs. This crown has long been the center of political and cultural power struggles, and it is one of the most contested museum claims between Europe and the Americas. Taken to Europe during the conquest of Mexico, it was placed at Ambras Castle, the Habsburg residence of the author’s ancestors, and is now in Vienna’s Welt Museum. Mexico has long requested to have it back, but the Welt Museum uses science to insist it is too fragile to travel.
 
Both the biography of a cultural object and a history of collecting and colonizing, this book offers an artist’s perspective on the creative potentials of repatriation. Carroll compares Holocaust and colonial ethical claims, and she considers relationships between indigenous people, international law and the museums that amass global treasures, the significance of copies, and how conservation science shapes collections. Illustrated with diagrams and rare archival material, this book brings together global history, European history, and material culture around this fascinating object and the debates about repatriation.

The Copan Sculpture Museum in western Honduras features the extraordinary stone carvings of the ancient Maya city known as Copan. The city’s sculptors produced some of the finest and most animated buildings and temples in the Maya area, in addition to stunning monolithic statues and altars. The ruins of Copan were named a UNESCO World Heritage site in 1980, and more than 150,000 national and international tourists visit the ancient city each year.

Opened in 1996, the Copan Sculpture Museum was initiated as an international collaboration to preserve Copan’s original stone monuments. Its exhibits represent the best-known examples of building façades and sculptural achievements from the ancient kingdom of Copan. The creation of this on-site museum involved people from all walks of life: archaeologists, artists, architects, and local craftspeople. Today it fosters cultural understanding and promotes Hondurans’ identity with the past.

In The Copan Sculpture Museum, Barbara Fash—one of the principle creators of the museum—tells the inside story of conceiving, designing, and building a local museum with global significance. Along with numerous illustrations and detailed archaeological context for each exhibit in the museum, the book provides a comprehensive introduction to the history and culture of the ancient Maya and a model for working with local communities to preserve cultural heritage.

An archaeological history of the Assyrian Empire’s four capitals.

The Assyrian Empire moved and rebuilt its capital city three times—at Kar-Tukulti-Ninurta, Kalhu, Dur-Šarruken, and Nineveh. Creating Capitals explores why and how Assyria constructed these capitals as well as how they functioned within the empire. Drawing on extensive research, Aris Politopoulos offers a sweeping comparative analysis of these four ancient cities and proposes a new framework for understanding the construction of capitals in human history.

Most of the papers published in this volume were originally presented at a conference of the same name, organised by the editors, and held in Atlanta, Georgia, in November 2003. The Wadi Arabah falls between the two areas of southern Jordan and Negev, and has traditionally been seen as a barrier and border. This book (and the conference it came out of) is an attempt to look at this neglected area anew: bridge, rather than barrier.

Winner, 2022 J. B. Jackson Book Prize
Winner, 2022 Landscape Studies Initiative Award

Most people view cultural heritage sites as static places, frozen in time. In Cultural Landscapes of India, Amita Sinha subverts the idea of heritage as static and examines the ways that landscapes influence culture and that culture influences landscapes. The book centers around imagining, enacting, and reclaiming landscapes as subjects and settings of living cultural heritage. Drawing on case studies from different regions of India, Sinha offers new interpretations of links between land and culture using different ways of seeing—transcendental, romantic, and utilitarian. The idea of cultural landscape can be seen in ancient practices such as circumambulation and immersion in bodies of water that sustain engagement with natural elements. Pilgrim towns, medieval forts, religious sites, and contemporary memorial parks are sites of memory where myth and history converge. Engaging with these spaces allows us to reconstruct collective memory and reclaim not only historic landscapes, but ways of seeing, making, and remembering. Cultural Landscapes of India makes the case for reclaiming iconic landscapes and rethinking conventional approaches to conservation that take into consideration performative landscape as heritage.

To some, the Chalcolithic (4700/4500-3700/3600 BC cal.), as the first period with metallurgy, large sprawling villages, rich mortuary offerings, and cult centres, represents a developmental stage on the road to the urban Bronze Age, the "dawn of history". Others have called it 'the end of prehistory'. More recent scholarship focuses upon the diversification of the subsistence economy, elaborated craft production, and expanded networks for resource acquisition. Many of today's Chalcolithic specialists were taught by biblical archaeologists, such that the culture history paradigm remains deeply embedded. This volume grew out of a workshop held in Madrid in 2006 and aims to kick start a dialogue about how to move beyond culture history and chronology in order to re-engage with larger theoretical discourses. A vast swathe of research in the region ignores these issues and considers theory to be irrelevant. One has the impression that the political realities of the region (including a predilection for biblical archaeology) has left a large proportion of archaeologists in the region, including prehistorians, lost without a map. Contributors to this volume recognize that culture history is the platform upon which current archaeological research is discussed but differ in the degree of emphasis placed on previously defined entities or phases. Delineating levels of difference and similarity between temporal boundaries is critical in this process. The two themes of this volume - culture and chronology - combine the need for theoretical engagement with the establishment of broader, more precise empirical data using explicit classificatory schemes. This is, essentially, the rock and the hard place where much archaeological debate is wedged, and as such the volume will have resonance for scholars of other periods and regions.

This volume provides the most comprehensive overview of archaeological research into the late Pleistocene and early Holocene occupation of the North American Far West in over a decade. It focuses on the relationship between stemmed and fluted point technologies in the region, which has recently risen to the forefront of debate about the initial settlement of the Americas. Established and early career researchers apply a wide range of analytical approaches to explore chronological, geographical, and technological aspects of these tools and what they reveal about the people who made them. While such interrelationships have intrigued archaeologists for nearly a century, until now they have not been systematically examined together in a single curated volume.

Contributions are organized into three main sections: stemmed point technologies, fluted point technologies, and broader interactions. Topics range from regional overviews of chronologies and technologies to site-level findings containing extensive new data. The culmination of many years of work by dozens of researchers, this volume lays new groundwork for understanding technological innovation, diversity, and exchange among early Indigenous peoples in North America.