A searching account of nineteenth-century salvage anthropology, an effort to preserve the culture of “vanishing” Indigenous peoples through dispossession of the very communities it was meant to protect.

In the late nineteenth century, anthropologists, linguists, archaeologists, and other chroniclers began amassing Indigenous cultural objects—crafts, clothing, images, song recordings—by the millions. Convinced that Indigenous peoples were doomed to disappear, collectors donated these objects to museums and universities that would preserve and exhibit them. Samuel Redman dives into the archive to understand what the collectors deemed the tradition of the “vanishing Indian” and what we can learn from the complex legacy of salvage anthropology.

The salvage catalog betrays a vision of Native cultures clouded by racist assumptions—a vision that had lasting consequences. The collecting practice became an engine of the American museum and significantly shaped public education and preservation, as well as popular ideas about Indigenous cultures. Prophets and Ghosts teases out the moral challenges inherent in the salvage project. Preservationists successfully maintained an important human inheritance, sometimes through collaboration with Indigenous people, but collectors’ methods also included outright theft. The resulting portrait of Indigenous culture reinforced the public’s confidence in the hierarchies of superiority and inferiority invented by “scientific” racism.

Today the same salvaged objects are sources of invaluable knowledge for researchers and museum visitors. But the question of what should be done with such collections is nonetheless urgent. Redman interviews Indigenous artists and curators, who offer fresh perspectives on the history and impact of cultural salvage, pointing to new ideas on how we might contend with a challenging inheritance.

Public Spectacles in Roman and Late Antique Palestine introduces readers to the panoply of public entertainment that flourished in Palestine from the first century BCE to the sixth century CE. Drawing on a trove of original archaeological and textual evidence, Zeev Weiss reconstructs an ancient world where Romans, Jews, and Christians intermixed amid a heady brew of shouts, roars, and applause to watch a variety of typically pagan spectacles.

Ancient Roman society reveled in many such spectacles—dramatic performances, chariot races, athletic competitions, and gladiatorial combats—that required elaborate public venues, often maintained at great expense. Wishing to ingratiate himself with Rome, Herod the Great built theaters, amphitheaters, and hippodromes to bring these forms of entertainment to Palestine. Weiss explores how the indigenous Jewish and Christian populations responded, as both spectators and performers, to these cultural imports. Perhaps predictably, the reactions of rabbinic and clerical elites did not differ greatly. But their dire warnings to shun pagan entertainment did little to dampen the popularity of these events.

Herod’s ambitious building projects left a lasting imprint on the region. His dream of transforming Palestine into a Roman enclave succeeded far beyond his rule, with games and spectacles continuing into the fifth century CE. By then, however, public entertainment in Palestine had become a cultural institution in decline, ultimately disappearing during Justinian’s reign in the sixth century.

Among Mesoamericanists, the agricultural basis of the ancient Maya civilization of the Yucatan Peninsula has been an important topic of research—and controversy. Interest in the agricultural system of the Maya greatly increased as new discoveries showed that the lowland Maya were not limited to slash-and-burn technology, as had been previously believed, but used a variety of more sophisticated agricultural techniques and practices, including terracing, raised fields, and, perhaps, irrigation. Because of the nature of the data and because this form of agricultural technology had been key to explanations of state formation elsewhere in Mesoamerica, raised-field agriculture became a particular focus of investigation.

Pulltrouser Swamp conclusively demonstrates the existence of hydraulic, raised-field agriculture in the Maya lowlands between 150 B.C. and A.D. 850. It presents the findings of the University of Oklahoma's Pulltrouser SwampProject, an NSF-supported interdisciplinary study that combined the talents of archaeologists, anthropologists, geographers, paleobotanists, biologists, and zoologists to investigate the remains of the Maya agricultural system in the swampy region of northern Belize.

By examining soils, fossil pollen and other plant remains, gastropods, relic settlements, ceramics, lithics, and other important evidence, the Pulltrouser Swamp team has clearly demonstrated that the features under investigation are relics of Maya-made raised and channelized fields and associated canals. Other data suggest the nature of the swamps in which the fields were constructed, the tools used for construction and cultivation, the possible crops cultivated, and at least one type of settlement near the fields, with its chronology. This verification of raised fields provides dramatic evidence of a large and probably organized workforce engaged in sophisticated and complex agricultural technology. As record of this evidence, Pulltrouser Swamp is a work of seminal importance for all students and scholars of New World prehistory.