front cover of The Baltimore Plot
The Baltimore Plot
The First Conspiracy to Assassinate Abraham Lincoln
Michael J. Kline
Westholme Publishing, 2008

The Complete Story of the First Attempt to Assassinate President Abraham Lincoln

"In a thrilling detective story of conspiracy, treachery and assassination, Michael J. Kline suggests how close the Baltimore plotters came to achieving their goal, and reveals how Lincoln and a few guards outwitted them. Meticulously researched and written with verve, "The Baltimore Plot" takes readers aboard Lincoln's inaugural train for a perilous and unforgettable journey." —James L. Swanson, author of the Edgar Award-winning New York Times bestseller Manhunt: The 12-Day Chase for Lincoln's Killer

On February 11, 1861, the "Lincoln Special" - Abraham Lincoln's private train—began its journey from Springfield, Illinois, to the City of Washington, carrying the president-elect to his inauguration as the sixteenth president of the United States. Considered a "sectional candidate" by the South, and winning the election without the popular vote, Lincoln was so despised that seven states immediately seceded from the Union. Over the next twelve days, Lincoln would speak at numerous stops, including Indianapolis, Columbus, Cleveland, Pittsburgh, Buffalo, Albany, New York, and Philadelphia, expressing his desire to maintain the Union. But as Lincoln made his way east, America's first private detective, Allan Pinkerton, and a separate undercover operation by New York City detectives, uncovered startling evidence of a conspiracy to assassinate Lincoln during his next-to-last stop in Baltimore. Long a site of civil unrest—even Robert E. Lee's father, Henry "Light Horse Harry" Lee, was nearly beaten to death in its streets—Baltimore provided the perfect environment for a strike. The largest city of a border state with secessionist sympathies, Baltimore had been infiltrated by paramilitary groups bent on killing Lincoln, the "Black Republican." The death of the president-elect would, it was supposed, throw the nation into chaos and allow the South to establish a new nation and claim Washington as its capital. Warned in time, Lincoln outfoxed the alleged conspirators by slipping through Baltimore undetected, but at a steep price. Ridiculed by the press for "cowardice" and the fact that no conspirators were charged, Lincoln would never hide from the public again. Four years later, when he sat unprotected in the balcony of Ford's Theatre, the string of conspiracies against his life finally succeeded. One of the great presidential mysteries and long a source of fascination among Lincoln scholars, the Baltimore Plot has never been fully investigated until now. In The Baltimore Plot: The First Conspiracy to Assassinate Abraham Lincoln, Michael J. Kline turns his legal expertise to evaluating primary sources in order to discover the extent of the conspiracy and culpability of the many suspects surrounding the case. Full of memorable characters, including Kate Warne, the first female undercover agent, and intriguing plot twists, the story is written as an unfolding criminal proceeding in which the author allows the reader to determine whether there was a true plot to kill Lincoln and if the perpetrators could have been brought to trial.

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A Coin in Nine Hands
A Novel
Marguerite Yourcenar
University of Chicago Press, 1994
During the space of a day in Rome in 1933, a ten-lira coin passes through the hands of nine people—including an aging artist, a prostitute, and a would-be assassin of Mussolini. The coin becomes the symbol of contact between human beings, each lost in private passions and nearly impenetrable solitude.

"A Coin in Nine Hands has . . . passages that move close to poetry and a story that belongs in both literature and history."—Doris Grumbach, Los Angeles Times Book Review

"What lingers at the end of A Coin in Nine Hands is the shadowiness and puppetlike vagueness of the Dictator, and the compelling specificity of the so-called 'common people' revolving all around him."—Anne Tyler, The New Republic

"Within a few pages we have met half the major characters in this haunting, brilliantly constructed novel. . . . The studied perfection, the structural intricacy and brevity remind one of Camus. Yet by comparison, Yourcenar's prose is lavish, emotional and imagistic."—Cynthia King, Houston Post

"Transcends its specific time and place to become a portrait of vividly delineated characters caught in the vise of a tragically familiar political situation."—Publisher's Weekly

Best known as the author of Memoirs of Hadrian and The Abyss, Marguerite Yourcenar (1903-87) achieved countless literary honors and was the first woman ever elected to the Académie Française.
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German Resistance to Hitler
Peter Hoffmann
Harvard University Press, 1988

Fascination with the evil of the Nazi regime has not diminished in the decades since Hitler assumed power in Germany, but the story of internal resistance to Nazism has not been as fully realized as have the innumerable tales of horror. In this compact book Peter Hoffmann examines the growing recognition by some Germans in the 1930s of the malign nature of the Nazi regime, the ways in which these people became involved in the resistance, and the views of those who staked their lives in the struggle against tyranny and murder.

The earliest postwar accounts of the resistance by survivors and witnesses were followed by a variety of investigations and evaluations. Peter Hoffrnann here presents a complete reconstruction of this baffling and intriguing story. After several decades of study of the German resistance to Nazism, he has unlocked the secrets of its inner history. Hoffmann recounts the methods of Hitler's rise to power in the tumultuous days of January and February 1933, the consolidation of his power as a result of the Röhm Massacre in 1934, and his growing criminality as evidenced by the rape of Czechoslovakia and the pogrom of 1938. The author describes the several attempts in 1938 and during the war years to dislodge Hitler from within; the desperation of the luckless opponents over the carnage of war and the mass murders that threatened to engulf them; and finally, the attempt to assassinate Hitler on July 20, 1944. Throughout, he probes the motives of the resisters. Some, for example, found it difficult to justify assassination, even for the purpose of bringing an end to mass killing. Hoffmann examines and discounts the accusation that the principal motive of those who resisted was to preserve their class privileges. The resisters, he concludes, acted not so much in the hope of personal gain as from a moral obligation to challenge the evils they saw before them.

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On the Road to the Wolf’s Lair
German Resistance to Hitler
Theodore S. Hamerow
Harvard University Press, 1997

In the beginning, they rallied behind Hitler in the national interest of Germany; in the end, they sacrificed their lives to assassinate him. A history of German resistance to Hitler in high places, this book offers a glimpse into one of the most intractable mysteries. Why did high-ranking army officers, civil servants, and religious leaders support Hitler? Why did they ultimately turn against him? What transformed these unlikely men, most of them elitist, militaristic, and fiercely nationalistic, into martyrs to a universal ideal?

The resisters in On the Road to the Wolf's Lair are not the singular souls doomed to failure by the massive Nazi machinery, but those who emerged from the Third Reich itself--those people whose cultural, administrative, and military positions allowed them, ultimately, to form a systematic, organized opposition to the Nazi regime. These were people with a vested interest in the Third Reich, and their slow and painful awakening to its evils makes a dramatic story, marked as much by temporizing and compromise, vacillation and reluctance--a resistance to conscience--as by the intrigue and heroics of political resistance that finally emerged. Hamerow follows these men as, one by one, they find themselves overwhelmed by guilt and contrition over their support of a murderous regime. He shows how their awakened moral reckonings and higher interests overrode lifetime habits and disciplines on the road to "the wolf's lair."

The result is an unsparing history of the German resistance to Hitler--one where the players emerge for the first time as real people with complex motives and evolving characters. Almost a history of the possibility of an emerging collective moral conscience within a destructive environment, the book adds to our understanding of the fall of the Third Reich and of the task of history itself.

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A Sudden Terror
The Plot to Murder the Pope in Renaissance Rome
Anthony F. D'Elia
Harvard University Press, 2009

In 1468, on the final night of Carnival in Rome, Pope Paul II sat enthroned above the boisterous crowd, when a scuffle caught his eye. His guards had intercepted a mysterious stranger trying urgently to convey a warning—conspirators were lying in wait to slay the pontiff. Twenty humanist intellectuals were quickly arrested, tortured on the rack, and imprisoned in separate cells in the damp dungeon of Castel Sant’Angelo.

Anthony D’Elia offers a compelling, surprising story that reveals a Renaissance world that witnessed the rebirth of interest in the classics, a thriving homoerotic culture, the clash of Christian and pagan values, the contest between republicanism and a papal monarchy, and tensions separating Christian Europeans and Muslim Turks. Using newly discovered sources, he shows why the pope targeted the humanists, who were seen as dangerously pagan in their Epicurean morals and their Platonic beliefs about the soul and insurrectionist in their support of a more democratic Church. Their fascination with Sultan Mehmed II connected them to the Ottoman Turks, enemies of Christendom, and the love of the classical world tied them to recent rebellious attempts to replace papal rule with a republic harking back to the glorious days of Roman antiquity.

From the cosmetic-wearing, parrot-loving pontiff to the Turkish sultan, savage in war but obsessed with Italian culture, D’Elia brings to life a Renaissance world full of pageantry, mayhem, and conspiracy and offers a fresh interpretation of humanism as a dynamic communal movement.

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