A SCHOLARLY BOOK REPOSITORY
The responses in At a Breezy Time of Day are occasioned when someone writes or phones with a request for an interview. There may be a common theme but often side questions come up. We are curious about what someone has to say – about sports, about God, about Plato, about education, about books, about just about anything. Usually central questions occur. The same question can be answered in different ways. We often have more to say on a given topic than we do say on our first being asked about it.
These interviews appeared in various on-line and printed sources. Having them collected in one text makes the interview form itself seem more substantial. Interviews too often seem to be passing, ephemeral things, but often we want to hold on to them. There is something more existential about them. Yet there is also something more lightsome about them also. The truth of things seems more bearable when it is spoken, when it has a human voice.
So, as the title of this collection intimates, we begin with the very first interview in the Garden of Eden. We touch many places and issues. The interview always has somewhere even in its written form the touch of the human voice. The one who interviews invites us to speak, to tell us what we hold, why we hold it. Interviews are themselves part of that engagement in conversation that defines our kind in its search for a full knowledge of what is.
We know that when we have said the last word, much remains to be said. We can rejoice both in what we know, and in what we know that we do not know. I believe it was Socrates who, in an earlier form of interview at the end of The Apology, alerted us to be aware of what we know and to await the many other interviews that we hope to carry on with so many others of our kind in the Isles of the Blessed.
A member of the Gruppe 47 writers’ group which sought to renew German-language literature after World War II, Ilse Aichinger (1921–2016) achieved great acclaim as a writer of fiction, poetry, prose, and radio drama. The vignettes in At No Time each begin in recognizable situations, often set in Vienna or other Austrian cities, but immediately swerve into bizarre encounters, supernatural or fantastical situations. Precisely drawn yet disturbingly skewed, they are both naturalistic and disjointed, like the finest surrealist paintings. Created to be experienced on the page or on the radio rather than the stage, they echo the magic realism of her short stories. Even though they frequently take a dark turn, they remain full of humor, agility, and poetic freedom.
Maverick gay poetic icon Thom Gunn (1929–2004) and his body of work have long dared the British and American poetry establishments either to claim or disavow him. To critics in the UK and US alike, Gunn demonstrated that formal poetry could successfully include new speech rhythms and open forms and that experimental styles could still maintain technical and intellectual rigor. Along the way, Gunn’s verse captured the social upheavals of the 1960s, the existential possibilities of the late twentieth century, and the tumult of post-Stonewall gay culture.
The first book-length study of this major poet, At the Barriers surveys Gunn’s career from his youth in 1930s Britain to his final years in California, from his earliest publications to his later unpublished notebooks, bringing together some of the most important poet-critics from both sides of the Atlantic to assess his oeuvre. This landmark volume traces how Gunn, in both his life and his writings, pushed at boundaries of different kinds, be they geographic, sexual, or poetic. At the Barriers will solidify Gunn’s rightful place in the pantheon of Anglo-American letters.
Beginning in the 1880s, the US government implemented programs to eliminate “vice” among the Tohono O’odham and to encourage the morals of the majority culture as the basis of a process of “Americanization.” During the next fifty years, tribal norms interacted with—sometimes conflicting with and sometimes reinforcing—those of the larger society in ways that significantly shaped both government policy and tribal experience. This book examines the mediation between cultures, the officials who sometimes developed policies based on personal beliefs and gender biases, and the native people whose lives were impacted as a result. These issues are brought into useful relief by comparing the experiences of the Tohono O’odham on two sides of a border that was, from a native perspective, totally arbitrary.
At the Borders of Sleep is a unique exploration of the connections between literature and the liminal states between waking and sleeping—from falling asleep and waking up, to drowsiness and insomnia, to states in which sleeping and waking mix. Delving into philosophy as well as literature, Peter Schwenger investigates the threshold between waking and sleeping as an important and productive state between the forced march of rational thought and the oblivion of unconsciousness.
While examining literary representations of the various states between waking and sleeping, At the Borders of Sleep also analyzes how writers and readers alike draw on and enter into these states. To do so Schwenger reads a wide range of authors for whom the borders of sleep are crucial, including Marcel Proust, Stephen King, Paul Valéry, Fernando Pessoa, Franz Kafka, Giorgio de Chirico, Virginia Woolf, Philippe Sollers, and Robert Irwin. Considering drowsiness, insomnia, and waking up, he looks at such subjects as the hypnagogic state, the experience of reading and why it is different from full consciousness, the relationships between insomnia and writing and why insomnia is often a source of creative insight, and the persistence of liminal elements in waking thought. A final chapter focuses on literature that blurs dream and waking life, giving special attention to experimental writing.
Ultimately arguing that, taking place on the edges of consciousness, both the reading and writing of literature are liminal experiences, At the Borders of Sleep suggests new ways to think about the nature of literature and consciousness.
From popular culture to politics to classic novels, quintessentially American texts take their inspiration from the idea of infinity. In the extraordinary literary century inaugurated by Ralph Waldo Emerson, the lyric too seemed to encounter possibilities as limitless as the U.S. imagination. This raises the question: What happens when boundlessness is more than just a figure of speech? Exploring new horizons is one thing, but actually looking at the horizon itself is something altogether different. In this carefully crafted analysis, James von der Heydt shines a new light on the lyric craft of Emily Dickinson, Robert Frost, Elizabeth Bishop, and James Merrill and considers how their seascape-vision redefines poetry's purpose.
Emerson famously freed U.S. literature from its past and opened it up to vastness; in the following century, a succession of brilliant, rigorous poets took the philosophical challenges of such freedom all too seriously. Facing the unmarked horizon, Emersonian poets capture—and are captured by—a stark, astringent version of human beauty. Their uncompromising visions of limitlessness reclaim infinity's proper legacy—and give American poetry its edge. Von der Heydt's book recovers the mystery of their world.
Based on 260 surveys and 47 in-depth interviews, this study combines quantitative and qualitative research to explore the level and characteristics of immigrant incorporation in Beardstown and Monmouth. It assesses the advancement of immigrants in the immigration/ residency/citizenship process, the immigrants’ level of cultural integration (via language, their connectedness with other members of society, and their relationships with neighbors), the degree and characteristics of discrimination against immigrants in these two towns, and the extent to which immigrants participate in different social and political activities and trust government institutions.
Immigrants in new destinations are likely to be poorer, to be less educated, and to have weaker English-language skills than immigrants in traditional destinations. Studying how this population negotiates the obstacles to and opportunities for incorporation is crucial.
At the Corner of a Dream offers extensive documentation of Shehab’s powerful street paintings. It also chronicles the stories of the people she meets along her journeys and includes her observations from the streets of each new city she visits. Shehab’s work is a manifesto, a cry for freedom and dignity, and a call to never stop dreaming.
This memoir relates previously untold stories about major Civil Rights campaigns that helped put an end to voting rights violations and Jim Crow education; explains how Green has helped urban school districts improve academic achievement levels; and explains why this history should inform our choices as we attempt to reform and improve American education. Green’s quest began when he helped the Kennedy Administration resolve a catastrophic education-related impasse and has continued through his service as one of the participants at an Obama administration summit on a current academic crisis.
It is commonly said that education is the new Civil Rights battlefield. Green’s memoir, At the Crossroads of Fear and Freedom: The Fight for Social and Educational Justice, helps us understand that educational equity has always been a central objective of the Civil Rights movement.
This kaleidoscopic biography offers readers a compelling microhistory of a revolutionary moment in art and politics through its portrait of an enigmatic but influential figure: Ivan Aksyonov authored the first book-length study about Pablo Picasso, translated Elizabethan drama, and was a literary adviser to Vsevolod Meyerhold, as well as a teacher of Sergei Eisenstein in Meyerhold’s institute and an important critic, before dying in 1935. Lars Kleberg traces Aksyonov’s influences, interlocutors, and creative output in multiple genres and media to bring a complicated and fascinating character back to life. Kleberg invites us to reconsider the avant-garde and to understand the political and artistic ferment of the revolutionary era and its aftermath in new, deeper ways.
At the Desert's Green Edge weaves the Pima view of the plants found in their environment with memories of their own history and culture, creating a monumental testament to their traditions and way of life. Rea first discusses the Piman people, environment, and language, then proceeds to share their botanical knowledge in entries for 240 plants that systematically cover information on economic botany, folk taxonomy, and linguistics. The entries are organized according to Pima life-form categories such as plants growing in water, eaten greens, and planted fruit trees. All are anecdotal, conveying the author's long personal involvement with the Pimas, whether teaching in their schools or learning from them in conversations and interviews.
At the Desert's Green Edge is an archive of otherwise unavailable plant lore that will become a benchmark for botanists and anthropologists. Enhanced by more than one hundred brush paintings of plants, it is written to be equally useful to nonspecialists so that the Pimas themselves can turn to it as a resource regarding their former lifeways. More than an encyclopedia of facts, it is the Pimas' own story, a witness to a changing way of life in the Sonoran Desert.
David Koker's diary is one of the most notable accounts of life in a German concentration camp written by a Jew during the years of the Holocaust. First brought to attention when the Dutch historian Jacob Presser-Koker's history teacher in high school-quoted from Koker's diary in his monumental history, published in English as The Destruction of the Dutch Jews (1968), the diary itself became a part of the Dutch literary canon when it was published in 1977 as Dagboek geschreven in Vught (Diary Written in Vught). It has remained in print ever since, and is notable for its literary qualities, weaving poetry and powerful observations of the emotional life of a camp prisoner, including reflections after an in-person visit by Heinrich Himmler. Surprisingly, the book has never before been translated into English.
During his time in the Vught concentration camp, the 21-year-old David recorded on an almost daily basis his observations, thoughts, and feelings. He mercilessly probed the abyss that opened around him and, at times, within himself. David's diary covers almost a year, both charting his daily life in Vught as it developed over time and tracing his spiritual evolution as a writer. Until early February 1944, David was able to smuggle some 73,000 words from the camp to his best friend Karel van het Reve, a non-Jew.
With an informative introduction, annotation, and list of dramatis personae by Robert Jan van Pelt, At the Edge of the Abyss offers an immediate and wholly original look into the life of a concentration camp prisoner.
Combining science writing, environmental history, and first-hand accounts from a longtime resident, At the Glacier’s Edge offers a unique narrative natural history of Long Island. Betsy McCully tells the story of how the island was formed at the end of the last ice age, how its habitats evolved, and how humans in the last few hundred years have radically altered and degraded its landscape. Yet as she personally recounts the habitat losses and species declines she has witnessed over the past few decades, she describes the vital efforts that environmental activists are making to restore and reclaim this land—from replanting salt marshes, to preserving remaining grasslands and forests, to cleaning up the waters. At the Glacier’s Edge provides an in-depth look at the flora, fauna and geology that make Long Island so special.
Delving into the everyday lives of real, everyday people, Walt Harrington skillfully draws the reader into an intimate relationship with the men and women profiled in this powerful collection of stories--people like V. I. Smith, a homicide detective; Deane Guy, a stock car racer; Jackie Jordan, a social worker in family services; and Sheri D'Amato, a girls' soccer coach.
Originally appearing in the Washington Post Magazine, these stories, which capture a cross section of Americans, stand out in the field of journalism because of the unique way in which Walt Harrington uses unheralded, individual lives to elaborate on the great human issues of the day. In "Mothers and Daughters" three generations of women discuss how society affected the choices they made and who they became. "The Mystery of Goodness" follows a Harvard-educated lawyer who handles death-row cases for very little money because he feels the system is unfair to African Americans. In "To Have and Have Not" a young couple with two small children struggle to make ends meet. Harrington describes in detail the creation of a poem by Rita Dove, then United States Poet Laureate, in "The Shape of Her Dreaming."
Harrington has adeptly combined sociology and journalism into beautiful prose. As "literary journalism," the stories employ scene, dialogue, and physical description within a narrative framework. At the same time, they also adhere to all the traditional journalistic standards of accuracy, fairness, and balance. As a result, At the Heart of It represents a subgenre that is rarely practiced and seldom understood even within the profession of journalism.
All of these stories are snapshots, pieces of everyday life in America that are intended to be a mirror held to the lives of readers. These are not stories about which you can remain neutral; even the most casual readers will be moved by the glimpses Walt Harrington provides us of ourselves.
Against the common view, which restricts the range of reason to logic and truth-theory alone, Romano advocates "big-hearted rationality," including in it what is only ostensibly its opposite, that is, sensibility, and locating in sensibility itself the roots of the categorical forms of thought. Contrary to what was claimed by the "linguistic turn," language is not a self-enclosed domain; it cannot be conceived in its specificity unless it is led back to its origin in the pre-predicative or pre-linguistic structure of experience itself.
The state is often regarded as an abstract and neutral bureaucratic entity. Against this common sense idea, At the Heart of the State argues that it is also a concrete and situated reality, embodied in the work of its agents and inscribed in the issues of its time.
The result of a five-year investigation conducted by ten scholars, this book describes and analyses the police, the court system, the prison apparatus, the social services, and mental health facilities in France. Combining genealogy and ethnography, its authors show that these state institutions do not simply implement laws, rules and procedures: they mobilise values and affects, judgements and emotions. In other words, they reflect the morality of the state.
Of immense interest to both social scientists and political theorists, this work will make an important contribution to the ever expanding literature on the contemporary state.
Jetté’s study focuses on the “hearth” of this contact: French Prairie, so named for the French-Indian families who resettled the homeland of the Ahantchuyuk Kalapuyans. Although these families sought a middle course in their relations with their various neighbors, their presence ultimately contributed to the Anglo-American colonization of the region. By establishing farming and husbandry operations in the valley, the French-Indian settlers enhanced the Willamette Valley’s appeal as a destination of choice for the Anglo-Americans who later emigrated to the Pacific Northwest via the Oregon Trail.
Upon these emigrants’ arrival, the social space for the people of the “crossed races” diminished considerably, as the Anglo-Americans instituted a system of settler colonialism based on racial exclusion. Like their Native kin, the French-Indian families pursued various strategies to navigate the changing times and Jetté’s study of French Prairie takes on the relationships among all three: the French-Indian families, the indigenous peoples, and the Anglo-American settlers.
With At the Hearth of the Crossed Races, Jetté delivers a social history that deepens our understanding of the Oregon Country in the nineteenth century. This history of French Prairie provides a window into the multi-racial history of the Pacific Northwest and offers an alternative vision of early Oregon in the lives of the biracial French-Indian families whose community challenged notions of white supremacy, racial separation, and social exclusion.
As German-language literature turned in the mid-nineteenth century to the depiction of the profane, sensual world, a corresponding anxiety emerged about the terms of that depiction—with consequences not only for realist poetics but also for the conception of the material world itself. At the Limit of the Obscene examines the roots and repercussions of this anxiety in German realist and postrealist literature. Through analyses of works by Adalbert Stifter, Gustav Freytag, Theodor Fontane, Arno Holz, Gottfried Benn, and Franz Kafka, Erica Weitzman shows how German realism’s conflicted representations of the material world lead to an idea of the obscene as an excess of sensual appearance beyond human meaning: the obverse of the anthropocentric worldview that German realism both propagates and pushes to its crisis. At the Limit of the Obscene thus brings to light the troubled and troubling ontology underlying German realism, at the same time demonstrating how its works continue to shape our ideas about representability, alterity, and the relationship of human beings to the non-human well into the present day.
At the Moon’s Inn, first published in 1941, provides a fictional account of De Soto’s famous Spanish expedition to La Florida and through the southeastern United States between 1539 and 1543. The novel begins in Spain in 1538, where De Soto and his chief lieutenants, veterans of the campaigns in South America, pledge themselves to a new enterprise to explore and exploit La Florida. The narrative follows them on their voyage to Cuba, where they rest and obtain additional supplies, then set sail for the area now known as Tampa Bay. Lytle’s brilliant historical novel takes the readers with the conquistadores through the hot, humid land, where despite their advantage in military technology they found they must rely on the Indians for food. The author explores the cultural confrontation that seriously weakened the Indians, while the Spaniards’ dreams of gold gradually turned to hopes of survival in the hostile environment.
Drawing his facts from the 1939 United States De Soto Commission Report and from the surviving historical chronicles of the expedition, Lytle weaves a fascinating tale that brings to life the history of Spanish efforts to establish a controlling presence in the New World during the first half of the 16th century.
In his introduction, Douglas Jones places At the Moon’s Inn within the context of the documentary record, as well as within the framework of its distinguished author’s career.
At the Movies, Film Reviewing, and Screenwriting discusses the interplay between film criticism and screenwriting, providing a different view on how reviewers engage with story and dialogue. Steven Maras draws on Pierre Bourdieu’s theories of cultural taste to examine film reviewing as a key site of cultural production, analyzing ten years of television scripts from At the Movies (2004–2014). Hosted by Australia’s most influential film critics Margaret Pomeranz and David Stratton, this long-running program shaped public discourse on cinema and left an indelible mark on Australian screen culture.
Studying the program’s broadcast scripts, this book addresses how film reviewing operates as both critique and storytelling. Of particular interest to media scholars, screenwriting researchers, and cinephiles alike, it provides fresh insights into the evolving role of criticism in contemporary screen culture. Engaging and deeply researched, this work rightfully emphasizes the cultural significance of movie criticism in film culture in Australia and beyond.
A captivating retelling—newly translated—of the rise and fall of the Minoan civilization interwoven with some of ancient Greece’s most enduring myths
At the Palaces of Knossos is a vivid reimagining of ancient Crete, blending history and mythology into an epic tale of heroism, love, and destiny. Set against the grandeur of the Minoan court, the novel brings to life the legendary stories of Theseus, the Minotaur, Ariadne, Daedalus, and Icarus.
The story follows Theseus, the prince of Athens, who arrives in Crete as part of the annual tribute of young Athenians sent to feed the monstrous Minotaur. Determined to end this brutal cycle, he infiltrates the labyrinthine palace of Knossos, where he crosses paths with Princess Ariadne. Struggling between loyalty to her people and her love for the courageous stranger, Ariadne risks everything to help Theseus in his quest.
Through the eyes of palace attendants, acrobats, and the inventor Daedalus and his son Icarus, Kazantzakis transports readers into the splendor of Minoan culture—its sacred rituals, breathtaking bull-leaping ceremonies, and vibrant city life. But as Theseus prepares to face his destiny, a tragic chain of events unfolds, leading to heartbreak, betrayal, and the downfall of a once-mighty civilization.
Rich with philosophical depth and lyrical prose, At the Palaces of Knossos is more than a mythological retelling—it is a meditation on power, freedom, and the eternal struggle between fate and human will. Perfect for fans of historical fiction and Greek mythology, this novel offers a compelling journey into one of the ancient world’s most fascinating eras.
The nation's first vice president, John Adams, called his job "the most insignificant office ever the invention of man contrived or his imagination conceived." And many of the forty-four men who succeeded him in the office have said much worse. Perhaps the biggest problem is that the job has a fancy title, but few responsibilities. Other than presiding over the Senate, the vice president of the United States has no constitutional duties. In fact, it is not even clear that the founders of the republic ever intended that the vice president would succeed to the presidency upon the death of an incumbent.
Yet, despite the relative obscurity of the position, few politicians turn down the opportunity to serve as vice president of the United States. Being elected vice president is often a stepping-stone to the presidency. Since World War II, five vice presidents—Harry Truman, Richard Nixon, Lyndon Johnson, Gerald Ford, and George Bush—have gone on to become president. While it may not be glamorous, the vice presidency is an important training ground for national leadership.
The essays in this book trace the evolution of the vice presidency in the twentieth century from Theodore Roosevelt to Dan Quayle. The first five chapters tell the stories of a colorful collection of the men chosen because of their native states or their political acumen, but not their leadership abilities. The next four chapters form a mosaic of tragedy. Richard Nixon rose from the vice presidency to the presidency only to be forced from office. Lyndon Johnson's tenure ended unhappily because of the prolonged fighting in Vietnam. Hubert Humphrey was humiliated as vice president by a man who should have known better. And Spiro Agnew was rousted from the office by petty greed.
The following four chapters tell the story of a new vice presidency. Nelson Rockefeller, Walter Mondale, George Bush, and Dan Quayle redefined the job that not many people wanted but that few could refuse. In a particularly valuable essay, Quayle reflects on the checkered past of his predecessors, gives credit to Walter Mondale for rehabilitating the vice presidency, and tells of his working relationship with George Bushþoffering a unique glimpse of an office that is quickly becoming the second most powerful in the nation.
Addressing the future of the office, Richard E. Neustadt provides a detailed analysis of the nucleus of vice presidential powerþproximity to the president. To whit, we have Neustadt's maxim: "The power and influence of a vice president is inversely proportional to the political distance between that vice president and his president. The greater the distance the less the power."
At the President's Side includes anecdotal and informative essays by presidential scholars John Milton Cooper Jr., Robert H. Ferrell, Elliot A. Rosen, Richard S. Kirkendall, Richard Norton Smith, Robert Dallek, Joel K. Goldstein, John Robert Greene, and Steven M. Gillon. Also included are incisive commentaries by such Washington insiders as Hugh Sidey, R. W. Apple Jr., James Cannon, and Chase Untermeyer. This book will inform and entertain general readers and also challenge scholars interested in the presidency and the vice presidency.
Combining rich ethnographic descriptions with clear theoretical analyses, At the Risk of Being Heard considers the paradoxical challenges and opportunities confronting indigenous peoples at the dawn of the twenty-first century. In the face of state-sanctioned violence, indigenous peoples encounter considerable risks when asserting their rights, especially to self-determination. Yet, if they remain silent or absent from new arenas of power, hiding in marginalized homelands or cultural practices, they risk being invisible to those allies that would aid them in their struggles for survival.
At the Risk of Being Heard offers needed insights for individuals working on issues of governance, sustainable development, resource management, globalization, and indigenous affairs. It will undoubtedly appeal to undergraduate and graduate students in anthropology, sociology, history, political science, peace studies, and to those students in courses that explore relationships among postcolonial states, indigenous peoples, and human rights.
Bartholomew Dean is Assistant Professor of Anthropology, University of Kansas. Jerome M. Levi is Associate Professor of Anthropology, Carleton College.
In At the Table, Miller shares the essential techniques she developed for the James Beard Foundation’s Chefs Boot Camp for Policy and Change. Readers will learn how to focus their philanthropic efforts; pinpoint their audience and develop their argument; recruit allies and support action; and maybe most importantly, grab people’s attention in a crowded media landscape.
Miller also shares the moving stories of chefs who used these skills to create lasting change. Tom Colicchio became one of the word’s most respected voices on ending hunger. Bakers Against Racism recruited more than 3,000 people to participate in their global bake sales. Chefs from around the country pushed Congress to provide financial relief to the restaurant industry at the height of the COVID-19 pandemic.
At the Table is filled with inspiration for anyone who has ever wanted to make a difference outside the four walls of their restaurant. And most importantly, it offers proven methods to become a successful advocate. You don’t have to be a celebrity chef to change the food system; you just need the will and the tools in this unique guide.
Adolescents embody the best hopes of American society. Their vital role in shaping our future lends particular significance to their success in negotiating the passage from childhood to adulthood, while their intensity and visibility often make them barometers of social change. It is all the more remarkable, then, that this critical period has only recently captured the full attention of researchers.
At the Threshold presents the long-awaited findings of the Carnegie Foundation study on adolescence. It offers a comprehensive overview of what investigators are learning about normal development and provides an interdisciplinary synthesis of research into the biological, social, and psychological changes occurring during this key stage in the life span. While focusing on the contexts of adolescent life—social and ethnic, family and school, leisure and work—it also addresses how researchers are doing in the effort to understand the intersection of processes that initiate and sustain adolescent development and to characterize the extraordinary changes that occur during these years.
Contrary to popular belief, large numbers of young people continue to mature into productive members of society. At the Threshold seeks to allow professionals and nonprofessionals alike important access to the reality of normal adolescent experience. The authors recognize that only if we begin to understand and clearly articulate the parameters of successful adolescent development can we hope to intervene with those individuals whose lives seem aimed toward unsatisfactory futures.
Children’s literature has spent decades on the psychiatrist’s couch, submitting to psychoanalysis by scores of scholars and popular writers alike. Freud in Oz turns the tables, suggesting that psychoanalysts owe a significant and largely unacknowledged debt to books ostensibly written for children. In fact, Kenneth B. Kidd argues, children’s literature and psychoanalysis have influenced and interacted with each other since Freud published his first case studies.
In Freud in Oz, Kidd shows how psychoanalysis developed in part through its engagement with children’s literature, which it used to articulate and dramatize its themes and methods, turning first to folklore and fairy tales, then to materials from psychoanalysis of children, and thence to children’s literary texts, especially such classic fantasies as Peter Pan and Alice’s Adventures in Wonderland. He traces how children’s literature, and critical response to it, aided the popularization of psychoanalytic theory. With increasing acceptance of psychoanalysis came two new genres of children’s literature—known today as picture books and young adult novels—that were frequently fashioned as psychological in their forms and functions.
Freud in Oz offers a history of reigning theories in the study of children’s literature and psychoanalysis, providing fresh insights on a diversity of topics, including the view that Maurice Sendak and Bruno Bettelheim can be thought of as rivals, that Sendak’s makeover of monstrosity helped lead to the likes of the Muppets, and that “Poohology” is its own kind of literary criticism—serving up Winnie the Pooh as the poster bear for theorists of widely varying stripes.
Contributors provide critical and disparate snapshots—some more theoretical and abstract, some more experiential and concrete—of debates on, and investments in, Wittig’s theoretical legacy. Judith Butler analyzes Wittig’s “particular” universalism and offers a careful exposition of her worldview. Diane Griffin Crowder studies Wittig within a context of materialist inquiry that has often been ignored or misunderstood. Robyn Wiegman examines the complex nature of memorialization and inquires into Wittig’s place in contemporary queer theory. Seth Clark Silberman, calling attention to Wittig’s fiction, reverses the usual ascendancy of critique over narrative fiction and produces a formally innovative, if willfully “parasitic,” account of Wittig’s claim on the contributor’s imagination as he watches his mother slowly die of cancer. Alice Jardine, who situates Wittig as a disruptive and disorienting force in a mother-centered feminism, provides an autobiographically charged review of the recent history of feminism, queer studies, and the still uneasy relations between them. The issue also includes a detailed introduction by Brad Epps and Jonathan Katz; a brief personal reflection by Sandra K. Soto, a close friend and colleague of Wittig’s; and two texts by Wittig, one critical (with a foreword by Sande Zeig) and the other creative, both previously unavailable in English.
Contributors. Judith Butler, Diane Griffin Crowder, Brad Epps, Alice Jardine, Jonathan Katz, Seth Clark Silberman, Sandra K. Soto, Robyn Wiegman, Monique Wittig, Sande Zeig
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