front cover of Instructions, Abject & Fuming
Instructions, Abject & Fuming
Julianna Baggott
Southern Illinois University Press, 2017
In this inventive collection, Julianna Baggott invites readers to reconsider basic assumptions about language, faith, motherhood, and love. With a sharply honed voice featuring parentheticals that often comment on and sometimes undercut what has come before, these poems whirl through contemporary America, engaging with topics as diverse and timely as Russian mail-order brides, Internet bullying, and school shootings.

Alongside her cultural commentary, the speaker frankly confronts love and sex, as well as the beauty and brutality of having children. Still other poems reflect questions and considerations of faith: the speaker ponders St. Thomas in a pet store and imagines Jesus explaining to God how it feels to have a body.

Baggott’s use of obsolete Old English words subverts common language and creates new ways of interrogating the world around us. There is heartache on these pages, but Baggott also offers humor, such as a complaint about a lover’s eating habits or an extended discourse on a baby’s rattle. Baggott’s latest proves to be a rollicking book sui generis.
 
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front cover of Lizzie Borden in Love
Lizzie Borden in Love
Poems in Women's Voices
Julianna Baggott
Southern Illinois University Press, 2006

Women’s voices offering an intimate view into women’s lives

Lizzie Borden in Love, a collection of poems by national bestselling author Julianna Baggott, offers poignant commentary in the voices of women as varied as Mary Todd Lincoln and Monica Lewinsky. The poems often focus on a particular moment in life: Katherine Hepburn discovers the dead body of her brother in an attic, or painter Mary Cassatt mourns the failure of her eyesight. Sometimes heartbreaking, sometimes ecstatic, the poems in this collection never fail the trust of the subjects of their intimate portrayals

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front cover of This Country of Mothers
This Country of Mothers
Julianna Baggott
Southern Illinois University Press, 2001

A mosaic of memories, the poems of This Country of Mothers recollect Julianna Baggott’s experiences as both mother and daughter. With wit, compassion, aggression, and anxiety, Baggott examines her maternal history. She recalls moments of creation and destruction in her life, times of elation and of desperation that mold her as both a woman and a poet. This affecting study of motherhood is framed in issues of Catholicism and of poetry itself, challenging and espousing the roles of both. Throughout her poems, Baggott’s personal experiences embrace universal themes to birth poems in a language and style that is both powerfully feminine and accessibly human.

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