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Beethoven Essays
Maynard Solomon
Harvard University Press, 1988

Maynard Solomon is the author of a classic biography of Beethoven which has become a standard work throughout the world, having been translated into seven languages. In Beethoven Essays, he continues his exploration of Beethoven’s inner life, visionary outlook, and creativity, in a series of profound studies of this colossal figure of our civilization.

Solomon deftly fuses a variety of investigative approaches, from rigorous historical and ideological studies to imaginative musical and psychoanalytic speculations. Thus, after closely documenting Beethoven’s birth and illegitimacy fantasies, his “Family Romance,” and his pretense of nobility, Solomon offers extraordinary interpretations of the composer’s dreams, deafness, and obsessive relationship to his nephew. And, following his detailed uncovering of a complex network of recurrent patterns in the Ninth Symphony, he considers the narrative and mythic implications of Beethoven’s formal design.

Solomon examines the broad patterns of Beethoven’s creative evolution and processes of composition, the radical modernism of his music, and his intellectual, religious, and utopian strivings. A separate section on the “Immortal Beloved” includes the fullest biography of Antonia Brentano yet published. Closing the volume is Solomon’s translation and annotated edition of Beethoven’s Tagebuch, the moving, intimate diary that the composer kept during the critical period that culminated in his last style. Here, as throughout Beethoven Essays, Solomon offers scholarship that is at the cutting edge of Beethoven research.

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Beethoven Essays
Studies in Honor of Elliot Forbes
Lewis Lockwood
Harvard University Press, 1984
Significant new insights into Beethoven's life and style are offered in this volume in honor of Elliot Forbes, whose revision of Thayer's Life of Beethoven is the standard modern edition of that classic. Essays by James Webster, Martin Staehelin, Alan Tyson, Maynard Solomon, and Michael Ochs look carefully at aspects of Beethoven's career and also deal with Thayer and his work as biographer. Studies of individual works include Edward T. Cone's completion of an unfinished cadenza for the First Piano Concerto and Geoffrey Block's look at sources for the Second Piano Concerto. Sieghard Brandenburg provides an essay on the scherzo of the Fifth Symphony based on an exhaustive scrutiny of its sources. Christopher Reynolds writes on the Violin Sonata Op. 30, no. 1. J. Merrill Knapp contributes an article on the Mass in C major, Op. 86, and Robert Winter discusses the origins of the Missa solemnis, Op. 123.
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