A SCHOLARLY BOOK REPOSITORY262 start with R start with R
This autobiography follows West Virginia senator Robert C. Byrd’s experiences from his boyhood in the early 1920s to his election in 2000, which won him an unprecedented eighth term in the Senate. Within these pages, Senator Byrd offers commentary on national and international events that occurred throughout his long life in public service.
His journey from the hardscrabble coalfields to the marbled halls of Congress has inspired generations of people in West Virginia and throughout the nation. From reading the stories of the Founding Fathers as a young boy by the light of a kerosene lamp to the swearing of an oath for more than a half-century to guard the US Constitution, Senator Byrd’s life is legendary.
Until his death on June 28, 2010, Byrd stood by his principles, earning the affection of the people of his home state and the respect of Americans from all walks of life. With his beloved Erma ever by his side, Robert C. Byrd never forgot his roots, harkening back to those early lessons that he learned as a child of the Appalachian coalfields.
This new paperback edition includes a foreword by Gaston Caperton, governor of West Virginia from 1989–1997.
This autobiography follows United States Senator Robert C. Byrd’s experiences from his boyhood in the early 1920s to his election in 2000, which won him an unprecedented eighth term in the Senate. Along the way, Senator Byrd offers commentary on national and international events that occurred throughout his long life in public service. Senator Byrd’s journey from the hardscrabble coalfields to the marbled halls of Congress has inspired generations of people in West Virginia and throughout the nation. From reading the stories of the Founding Fathers as a young boy by the light of a kerosene lamp to the swearing of an oath for more than a half-century to guard the United States Constitution, Senator Byrd’s life is legendary. Byrd always stands by his principles, earning the affection of the people of his home state and the respect of Americans from all walks of life. With his beloved Erma ever by his side, Robert C. Byrd has never forgotten his roots, harkening back to those early lessons that he learned as a child of the Appalachian coalfields.
Tracing Weaver’s career through the creation, expansion, and contraction of New Deal liberalism, Wendell E. Pritchett illuminates his instrumental role in the birth of almost every urban initiative of the period, from public housing and urban renewal to affirmative action and rent control. Beyond these policy achievements, Weaver also founded racial liberalism, a new approach to race relations that propelled him through a series of high-level positions in public and private agencies working to promote racial cooperation in American cities. But Pritchett shows that despite Weaver’s efforts to make race irrelevant, white and black Americans continued to call on him to mediate between the races—a position that grew increasingly untenable as Weaver remained caught between the white power structure to which he pledged his allegiance and the African Americans whose lives he devoted his career to improving.
In this book, Harriet Hyman Alonso unravels Sherwood's inner struggle and portrays his political journey. Relying largely on his letters, diaries, plays, films, essays, and biography of Roosevelt and Harry Hopkins, she traces Sherwood's obsession with the world of politics and its effects on his life and art, from his experience as a soldier in World War I to the Cold War. She also describes his participation in the Algonquin Round Table, his friendships and working relationships with such notables as Alfred Lunt, Lynn Fontanne, Edna Ferber, Spencer Tracy, Harry Hopkins, and Franklin D. Roosevelt, his two marriages and uneasy relationship with his daughter, and his leadership role in the Broadway community.
Alonso brings together history, theater and film studies, and peace studies in this interdisciplinary political biography. In the process, she illuminates major currents in U.S. foreign policy, society, and culture from 1896 to 1955—the years of the remarkable life of Robert E. Sherwood.
Even with just forty-one recordings to his credit, Robert Johnson (1911-38) is a towering figure in the history of the blues. His vast influence on twentieth-century American music, combined with his mysterious death at the age of twenty-seven, still encourage the speculation and myth that have long obscured the facts about his life. The most famous legend depicts a young Johnson meeting the Devil at a dusty Mississippi crossroads at midnight and selling his soul in exchange for prodigious guitar skills.
Barry Lee Pearson and Bill McCulloch examine the full range of writings about Johnson and weigh the conflicting accounts of Johnson's life story against interviews with blues musicians and others who knew the man. Their extensive research uncovers a life every bit as compelling as the fabrications and exaggerations that have sprung up around it. In examining the bluesman's life and music, and the ways in which both have been reinvented and interpreted by other artists, critics, and fans, Robert Johnson: Lost and Found charts the cultural forces that have mediated the expression of African American artistic traditions.
The centerpiece of the book is the remarkable political partnership that formed between Robert and John. As the manager of John's political campaigns Robert proved himself "hard as nails" (in his father's admiring words), relentless in securing his brother's victory and unforgiving in overseeing his brother's presidency. Hilty marshals a great deal of evidence to show that while they did not always see eye to eye -- Lyndon Johnson's selection as John's running mate being a notable disagreement -- Robert and John discussed virtually every issue, gauging the likely political effects of every position. Robert was so close to the President that insiders called him "number one and a-half"; their consultations were so intimate that they spoke in a kind of code, barely intelligible to those around them. In Hilty's evocative but unsentimental recounting of the political crises of the Kennedy Administration, Robert and John prove to have been more calculating and astute leaders than today's pundits allow. Theirs was a partnership that was unprecedented and, thanks to an act signed into law by Lyndon Johnson, is never to be equaled.
The Kennedy family's story seems to have been lived in the public eye and Americans apparently never tire of the photographs and familiar anecdotes. Most of the written accounts, however, either highlight the multiple tragedies and scandals, preserve the latter-day Camelot myth, or follow the elusive traces of some conspiracy.
In contrast, Hilty's concern is for historical perspective -- for accuracy, plausibility, and thoroughness. With facts and reasoned conclusions, he challenges the stories about the Kennedys in relation to Marilyn Monroe, J. Edgar Hoover, and Martin Luther King, Jr. that have passed into American folklore. He develops a portrait of Robert Kennedy as a complex public figure, a man of centrist political allegiances and firm moral convictions who easily adapted to the crusader's role in working for Joseph McCarthy or pursuing James Hoffa for racketeering. Hilty's great care in sifting through the evidence and weighing competing theories gives us a sense of Kennedy as a public servant whose dedication to social justice intensified after he was in office and further deepened after his brother's assassination.
Even as he took charge of family matters and supported Jacqueline during the long ordeal of the state funeral, Robert's own crushing pain was evident to the world. It was then that "Bobby" ceased being a disparaging term and became a mark of respect and affection.
Lowell's charismatic personality, compelling poetry, and literary fame attracted lovers and friends who were both frightened and excited by his aura of brilliance and danger. He loved the idea of falling in love, and in his recurring manic episodes he needed women at the center of his emotional and artistic life. Each affair became an intense dramatic episode. Though he idealized his loves and encouraged their talents, his frenetic affairs and tortured marriages were always conducted on his own terms. Robert Lowell in Love tells the story of the poet in the grip of love and gives voice to the women who loved him, inspired his poetry, and suffered along with him.
The author bases her analysis of Motherwell on the artist’s own writings and readings, as well as on extensive conversations and interviews with him. She considers his work and interests in relation to those of other Abstract Expressionists as well as to the work of the Surrealists. Her book highlights his deep attraction to France and French literature and art, and his concern with the idea of elegy and the tragedy of the Spanish Civil War. His singularly American spirit provided him with a manner of painting and thinking unique among the Abstract Expressionists, as well as with a distinctive and highly personal filter through which to interpret his fascination with European literature and history.
Zimbabwe’s President Robert Mugabe sharply divides opinion and embodies the contradictions of his country’s history and political culture. As a symbol of African liberation and a stalwart opponent of white rule, he was respected and revered by many. This heroic status contrasted sharply, in the eyes of his rivals and victims, with repeated cycles of gross human rights violations. Mugabe presided over the destruction of a vibrant society, capital flight, and mass emigration precipitated by the policies of his government, resulting in his demonic image in Western media.
This timely biography addresses the coup, led by some of Mugabe’s closest associates, that forced his resignation after thirty-seven years in power. Sue Onslow and Martin Plaut explain Mugabe’s formative experiences as a child and young man; his role as an admired Afro-nationalist leader in the struggle against white settler rule; and his evolution into a political manipulator and survivalist. They also address the emergence of political opposition to his leadership and the uneasy period of coalition government. Ultimately, they reveal the complexity of the man who stamped his personality on Zimbabwe’s first four decades of independence.
From improving upon Edison’s Kinetoscope to cocreating the first movie camera in Britain to building England’s first film studio and launching the country’s motion-picture industry, Paul played a key part in the history of cinema worldwide. It’s not only Paul’s story, however, that historian Ian Christie tells here. Robert Paul and the Origins of British Cinema also details the race among inventors to develop lucrative technologies and the jumbled culture of patent-snatching, showmanship, and music halls that prevailed in the last decade of the nineteenth century. Both an in-depth biography and a magnificent look at early cinema and fin-de-siècle Britain, Robert Paul and the Origins of British Cinema is a first-rate cultural history of a fascinating era of global invention, and the revelation of one of its undervalued contributors.
In this captivating and complex portrait of an American sports legend, Russell Sullivan confirms Rocky Marciano's place as a symbol and cultural icon of his era. As much as he embodied the wholesome, rags-to-riches patriotism of a true American hero, he also reflected the racial and ethnic tensions festering behind the country's benevolent facade.
Spirited, fast-paced, and rich in detail, Rocky Marciano is the first book to place the boxer in the context of his times. Capturing his athletic accomplishments against the colorful backdrop of the 1950s fight scene, Sullivan examines how Marciano's career reflected the glamour and scandal of boxing as well as tenor of his times.
Representative both in subject and approach, the selections reach back to Arapaho and pioneer times before the park was established and move forward to span its entire first century. The voices that speak to us are distinctive: among them are Irish sportsman Windham Thomas Wyndham-Quin, the Fourth Earl of Dunraven; British travel writer Isabella Bird; mountaineer Frederick Chapin; naturalist Enos Mills; iconic ranger Jack Moomaw and his fictional counterpart, Dorr Yeager’s Bob Flame; and contemporary nature writers Anne Zwinger and SueEllen Campbell—to mention but a few. Some tell us about the past, recalling moments of personal triumph and tragedy. Other voices are quieter; some are more polemic. All capture and share a part of the national treasure that is Rocky Mountain National Park.
The first of its kind, this original collection is a rich literary and historical compendium of the best that has been written about Rocky Mountain National Park. As such it provides an indispensable introduction to the nation’s twelfth national park.
Part of the National Park Reader series, edited by Lance Newman and David Stanley
Beginning with his 1934 Field Guide to the Birds, Roger Tory Peterson introduced literally millions of people to the pleasures of observing birds in the wild. His field guide, which has gone through five editions and sold more than four million copies, fostered an appreciation for the natural world that set the stage for the contemporary environmental movement. When Rachel Carson's Silent Spring sounded a warning about the threat to birds and their habitats in the 1960s, the Peterson field guides had already prepared the public and the scientific community to heed the warning and fight to save habitat and protect endangered species—a result that Peterson wholeheartedly approved.
In this authoritative, highly readable biography of Roger Tory Peterson (1908-1996), Douglas Carlson creates a fascinating portrait of the complex, often conflicted man behind the brand name. He describes how Peterson's obsession with birds began in boyhood and continued throughout a multifaceted career as a painter, writer, educator, environmentalist, and photographer. Carlson traces Peterson's long struggle to become both an accomplished bird artist and a scientific naturalist—competing goals that drove Peterson to work to the point of exhaustion and that also deprived him of many aspects of a normal personal life. Carlson also records Peterson's many lasting achievements, from the phenomenal success of the field guides, to the bird paintings that brought him renown as "the twentieth century's Audubon," to the establishment of the Roger Tory Peterson Institute to carry on his work in conservation and education.
Richard Bailey's narrative, calm and impartial yet spiked with wit and suspense, captures perfectly the slightly haunted and overwrought air of Victorian rural America, calling on newspaper accounts, interviews, and eyewitness reports of the day. Inevitably, the quiet accumulation of details builds to a story that transcends its individual events to touch on the universal themes of any age.
Rogue Scholar is about the evil of one man who lived a life of deception and crime. Yet in a larger sense it is also the portrait of a condemned soul in its final hours, an examination of the death penalty, and a reminder that media sensationalism is nothing new.
The longtime political columnist for the Chicago Sun-Times, Neal covered Jane M. Byrne's election in 1979 as the city's first woman mayor and Harold Washington's 1983 triumph as Chicago's first African American mayor. Even people who are not interested in politics are drawn to Neal's column because of his hard-hitting style and lucid insights. Rolling on the River is the first published collection of his work.
In these pages, you'll meet the state legislator who never met a special interest he did not like, an alderman groveling to a mob boss, and the prosecutor who gained notoriety as a publicity hound. Of a junketing congressman, Neal writes: "Instead of sending out a congressional newsletter, [he] ought to be sending his constituents 'Wish you were here' postcards of sandy beaches."
Neal's beat is politics, but his interests are rich and varied. He also writes about sports, music, literature, and film with a point of view that is fresh and original. Neal shows how Muhammad Ali became the heavyweight champion who transcended sports and how Sid Luckman changed football. He writes of Kenny Washington's importance in breaking professional football's color barrier and Steve Prefontaine's courage in taking on the little gray men of the sports establishment. Neal chronicles Paul Robeson's struggles: "His name became a great whisper. . . . The injustices against Paul Robeson have not been righted."
Nobel laureate Saul Bellow tells Neal that comedy is the bright hope of American fiction because it is too difficult for writers in this country to grasp the worst of the human condition. Neal tells why Frank Sinatra called Chicago his kind of town and also shows how the city inspires the poetry of Gwendolyn Brooks.
Neal, a former White House correspondent, shares his perspective as one of the few reporters to have interviewed Ronald Reagan in four different decades. He recalls spending an evening with Richard M. Nixon, defends Harry Truman's most controversial decision, and writes from Ireland of John F. Kennedy's enduring legacy in the nation of his ancestors. Neal portrays William Jefferson Clinton as the "world's oldest teenager."
With vivid imagery, Neal makes his subjects come alive. Mayor Richard M. Daley is likened to Forrest Gump, and the legendary boxing announcer Ben Bentley is hailed as the last of the Damon Runyon characters.
Tough but fair. Illuminating. Compassionate. That's the best of Steve Neal.
Romaine Brooks: A Life introduces much fresh information from Langer's decades of research on Brooks and establishes this groundbreaking artist's centrality to feminism and contemporary sexual politics as well as to visual culture.
Through this investigation, we encounter a number of idiosyncratic personalities. They include the vestal virgin Claudia; Cornelia, a matron; the passionate Fulvia; a mime known as "Lycoris"; the politician Livia; the martyr and writer Vibia Perpetua; a hostess named Helena Augusta; the intellectual Hypatia; and the saint Melania the Younger. Unlike their silent female counterparts, these women stood out in a culture where it was terribly difficult and odd to do so.
With flashes of humor and close attention to detail, Ashley describes a broad range of activities and experiences in the small village of Deerfield and the surrounding towns of the Connecticut River valley. Articulate as well as observant, this former schoolteacher conveys a sense of immediacy that brings even the most mundane daily events to life. He discusses medical theory and practice, revolutionary politics, farming, his family, his circle of friends, and amusements ranging from singing and dancing to sleigh riding and bouts of drunkenness. He also writes about his love life, including a dalliance with the older sister of his fiancee, Polly Williams, while the latter is away visiting relatives in the Berkshires.
For Ashley, personal relationships and politics were the prominent issues of 1773 and 1774, as events in Massachusetts drew the province toward rebellion. He discusses the gathering of angry mobs in response to the so-called Intolerable Acts, the stoppage of the courts in Hampshire County, the anarchy that ensued, and the persecution of loyalists, with or without the sanction of law. When the revolution breaks out in April 1775, he describes the departure of companies of minutemen as they set out for Boston to challenge the British Army.
Six months later, in November 1775, the journal abruptly ends. By then, however, Elihu Ashley had already bequeathed to posterity an extraordinary firsthand account of life in rural New England in the years immediately preceding the War of Independence.
The rebels of the Romantic period speak more directly to the issues of today than any other group of writers of the past. Mary Wollstonecraft exposed the problem of women's rights; her husband William Godwin protested against war, economic and social imbalances, and cruel penal practices; their daughter Mary Shelley produced the original science fiction, Frankenstein, and introduced into the novel radical social and antireligious views. Shelley campaigned in Ireland for Irish separation, wrote pamphlets on parliamentary reform, and propounded an egalitarian world; Byron addressed himself to problems of social injustice and lost his life as a result of his participation in the Greek war of independence. Leigh Hunt, the first radical, crusading journalist, battled all forms of injustice from child labor to army flogging; Thomas Love Peacock's lively, satiric novels excoriated sham.
Their rebellion carried into their personal lives: Mary Wollstonecraft, Shelley, and Byron openly flouted the laws of marital relations, and several adopted unconventional dress. The rebels paid dearly for their public and private views. Shelley was deprived of his children, Byron was driven into exile, and Leigh Hunt was imprisoned.
The lives and works of these major Romantics are sketched in a concise and lively way in these twelve essays, which are derived from Shelley and His Circle, Volumes I through IV. The collection provides a cohesive picture of some of the Romantics whose lives interlocked in the early 1800's.
Contributors. Elizabeth Alexander, Romare Bearden, Mary Lee Corlett, Rachel DeLue, David C. Driskell, Brent Hayes Edwards, Ralph Ellison, Henri Ghent, Farah Jasmine Griffin, Harry Henderson, Kobena Mercer, Toni Morrison, Albert Murray, Robert G. O’Meally, Richard Powell, Richard Price, Sally Price, Myron Schwartzman, Robert Burns Stepto, Calvin Tomkins, John Edgar Wideman, August Wilson
This is a guidebook to Rome for those interested in both la dolce vita and what the ancient Romans called the vita beata—the good life. Philosopher Scott Samuelson offers a thinker’s tour of the Eternal City, rooting ideas from this philosophical tradition within the geography of the city itself. As he introduces the city’s great works of art and its most famous sites—the Colosseum, the Forum, the Campo de’ Fiori—Samuelson also gets to the heart of the knotty ethical and emotional questions they pose. Practicing philosophy in place, Rome as a Guide to the Good Life tackles the profound questions that most tours of Rome only bracket. What does all this history tell us about who we are?
In addition to being a thoughtful philosophical companion, Samuelson is also a memorable tour guide, taking us on plenty of detours and pausing to linger over an afternoon Negroni, sample four classic Roman pastas, or explore the city’s best hidden gems. With Samuelson’s help, we understand why Rome has inspired philosophers such as Lucretius and Seneca, poets and artists such as Horace and Caravaggio, filmmakers like Fellini, and adventurers like Rosa Bathurst. This eclectic guidebook to Roman philosophy is for intrepid wanderers and armchair travelers alike—anyone who wants not just a change of scenery, but a change of soul.
Roosevelt the Reformer sheds light on an important chapter in the biography of the flamboyant 26th president of the United States. From 1889 to 1895—before he was a Rough Rider in the Spanish–American War and before he oversaw the building of the Panama Canal and won the 1906 Nobel Peace Prize—“Teddy” Roosevelt served as one of three civil service commissioners. This was a significant period of his life because he matured politically and learned how to navigate through Washington politics. He sparred with powerful cabinet officers and congressmen and survived their attempts to destroy him. He cultivated important friendships and allegiances, flourished intellectually, and strengthened his progressive views of social justice, racial theory, and foreign relations. It was a period altogether significant to the honing of administrative talent and intellectual acuity of the future president.
Richard White Jr. situates young Roosevelt within the exciting events of the Gilded Age, the Victorian era, and the gay nineties. He describes Roosevelt's relationships with family, friends, colleagues, and adversaries. Many of these people, such as Henry Cabot Lodge, Cecil Spring-Rice, Alfred Mahan, Henry Adams, and John Hay would significantly influence Roosevelt when he later occupied the White House. White explores TR's accomplishments in civil service reform, the effect of the commission experience on his presidency a decade later, and his administrative legacy.
In addition to Harvard University’s immense collection of Roosevelt
correspondence, White drew from original sources such as the Civil Service Commission files in the National Archives, the Library of Congress, the National Park Service Roosevelt Historical Site at Sagamore Hill, and the records of the National Civil Service Reform League.
Roots and Wings recounts Virginia Tanner’s remarkable career as a dancer, artist, and educator. From her early experiences assisting at Evelyn Davis’s dance school in Washington, DC, to the creation of the Tanner Dance Program at the University of Utah, her influence on the field was pervasive. She channeled children’s energy, sharpened their senses, and encouraged youthful, authentic dance expression.
Manley’s extensive archival research and personal interviews depict Virginia Tanner as an innovative dance artist and ambitious leader in the field of modern dance. While exploring Tanner’s story, Roots and Wings emphasizes the value of unique instructional methodologies for teaching dance to young children and the vital role the arts play in children’s lives. Tanner’s work endures, continuing to echo with sensitivity and spirit in young dancers throughout the United States and abroad.
Rosa Bonheur: The Artist's (Auto)Biography brings this extraordinary woman to life in a unique blend of biography and autobiography. Coupling her own memories with Bonheur's first-person account, Anna Klumpke, a young American artist who was Bonheur's lover and chosen portraitist, recounts how she came to meet and fall in love with Bonheur. Bonheur's account of her own life story, set nicely within Klumpke's narrative, sheds light on such topics as gender formation, institutional changes in the art world, governmental intervention in the arts, the social and legal regulation of dress codes, and the perceived transgressive nature of female sexual companionship in a repressive society, all with the distinctive flavor of Bonheur's artistic personality.
Gretchen van Slyke's translation provides a rare glimpse into the unconventional life of this famous French painter, and renders accessible for the first time in English this public statement of Bonheur's artistic credo. More importantly, whether judged by her century's standards (or perhaps even our own), it details a story of lesbian love that is bold, unconventional, and courageous.
"The remarkable life of Rosa Bonheur, one of the most highly decorated artists and certainly the best known female artist of her time in nineteenth-century France, is long overdue for further scrutiny." --Therese Dolan, Temple University
Gretchen van Slyke is Associate Professor of French, University of Vermont.
This is the life story of Rosa Cavalleri, an Italian woman who came to the United States in 1884, one of the peak years in the nineteenth-century wave of immigration. A vivid, richly detailed account, the narrative traces Rosa’s life in an Italian peasant village and later in Chicago. Marie Hall Ets, a social worker and friend of Rosa’s at the Chicago Commons settlement house during the years following World War I, meticulously wrote down her lively stories to create this book.
Rosa was born in a silk-making village in Lombardy, a major source of north Italian emigration; she first set foot in the United States at the Castle Garden immigrant depot on the tip of Manhattan. Her life in this country was hard and Ets chronicles it in eloquent detail—Rosa endures a marriage at sixteen to an abusive older man, an unwilling migration to a Missouri mining town, and the unassisted birth of a child, and manages to escape from a husband who tried to force her into prostitution. Rosa’s exuberant personality, remarkable spirit, and ability as a storyteller distinguish this book, a unique contribution to the annals of U.S. immigration.
Through meticulous archival research, Hull shows how the intellectual battles of the day took place against a network of private and public relationships and demonstrates how Pound's and Llewellyn's ideas of jurisprudence sprang from a kind of intellectual bricolage, the pragmatic assemblage of parts rather than the development of a unified whole, that is peculiarly American. Humorous, engaging, and provocative, Roscoe Pound and Karl Llewellyn uncovers the roots of American jurisprudence in the lives of two of its most compelling figures.
Born on a farm near Anahuac, Texas, in 1875 and possessed of only a fourth-grade education, Ross Sterling was one of the most successful Texans of his generation. Driven by a relentless work ethic, he become a wealthy oilman, banker, newspaper publisher, and, from 1931 to 1933, one-term governor of Texas. Sterling was the principal founder of the Humble Oil and Refining Company, which eventually became the largest division of the ExxonMobil Corporation, as well as the owner of the Houston Post.
Eager to "preserve a narrative record of his life and deeds," Ross Sterling hired Ed Kilman, an old friend and editorial page editor of the Houston Post, to write his biography. Though the book was nearly finished before Sterling's death in 1949, it never found a publisher due to Kilman's florid writing style and overly hagiographic portrayal of Sterling.
In this volume, by contrast, editor Don Carleton uses the original oral history dictated by Ross Sterling to Ed Kilman to present the former governor's life story in his own words. Sterling vividly describes his formative years, early business ventures, and active role in developing the Texas oil industry. He also recalls his political career, from his appointment to the Texas Highway Commission to his term as governor, ending with his controversial defeat for reelection by "Ma" Ferguson. Sterling's reminiscences constitute an important primary source not only on the life of a Texan who deserves to be more widely remembered, but also on the history of Houston and the growth of the American oil industry.
Tina Ontiveros was born into timber on both sides of the family. Her mother spent summers driving logging trucks for her family’s operation, and her father was the son of an itinerant logger, raised in a variety of lumber towns, as Tina herself would be.
A story of growing up in turmoil, rough house recounts a childhood divided between a charming, mercurial, abusive father in the forests of the Pacific Northwest and a mother struggling with small-town poverty. It is also a story of generational trauma, especially for the women—a story of violent men and societal restrictions, of children not always chosen and frequently raised alone.
Ontiveros’s father, Loyd, looms large. Reflecting on his death and long absence from her life, she writes, “I had this ridiculous hope that I would get to enjoy a functional relationship with my father, on my own terms, now that I was an adult.” In searingly honest, straightforward prose, rough house is her attempt to carve out this relationship, to understand her father and her family from an adult perspective.
While some elements of Ontiveros’s story are universal, others are indelibly grounded in the logging camps of the Pacific Northwest at the end of the twentieth century, as the lumber industry shifted and contracted. Tracing her childhood through the working-class towns and forests of Washington and Oregon, Ontiveros explores themes of love and loss, parents and children, and her own journey to a different kind of adulthood.
In this book, Sarah Watts probes this dark side of the Rough Rider, presenting a fascinating psychological portrait of a man whose personal obsession with masculinity profoundly influenced the fate of a nation. Drawing on his own writings and on media representations of him, Watts attributes the wide appeal of Roosevelt's style of manhood to the way it addressed the hopes and anxieties of men of his time. Like many of his contemporaries, Roosevelt struggled with what it meant to be a man in the modern era. He saw two foes within himself: a fragile weakling and a primitive beast. The weakling he punished and toughened with rigorous, manly pursuits such as hunting, horseback riding, and war. The beast he unleashed through brutal criticism of homosexuals, immigrants, pacifists, and sissies—anyone who might tarnish the nation's veneer of strength and vigor. With his unabashed paeans to violence and aggressive politics, Roosevelt ultimately offered American men a chance to project their longings and fears onto the nation and its policies. In this way he harnessed the primitive energy of men's desires to propel the march of American civilization—over the bodies of anyone who might stand in its way.
Written with passion and precision, this powerful revisioning of an American icon will forever alter the way we see Theodore Roosevelt and his political legacy.
"A superb scholarly study of how Roosevelt built his political base on the aspiration and fears of men in a rapidly changing nation and world."—Charles K. Piehl, Library Journal
"A thought-provoking and innovative study of the dark side of Roosevelt's personality. . . . [Watt's] arguments are clear, passionate, and thoroughly supported."—Elizabeth A. Bennion, Journal of Interdisciplinary History
Viewing our past through the eyes of maturity can reveal insights that our younger selves could not see. Lessons that eluded us become apparent. Encounters that once felt like misfortunes now become understood as valued parts of who we are. We realize what we’ve learned and what we have to teach. And we’re encouraged to chart a future that is rich with purpose.
In A Round of Golf with My Father, William Damon introduces us to the “life review.” This is a process of looking with clarity and curiosity at the paths we’ve traveled, examining our pasts in a frank yet positive manner, and using what we’ve learned to write purposeful next chapters for our lives.
For Damon, that process began by uncovering the mysterious life of his father, whom he never met and never gave much thought to. What he discovered surprised him so greatly that he was moved to reassess the events of his own life, including the choices he made, the relationships he forged, and the career he pursued.
Early in his life, Damon was led to believe that his father had been killed in World War II. But the man survived and went on to live a second life abroad. He married a French ballerina, started a new family, and forged a significant Foreign Service career. He also was an excellent golfer, a bittersweet revelation for Damon, who wishes that his father had been around to teach him the game.
We follow Damon as he struggles to make sense of his father’s contradictions and how his father, even though living a world apart, influenced Damon’s own development in crucial ways. In his life review, Damon uses what he learned about his father to enhance his own newly emerging self-knowledge.
Readers of this book may come away inspired to conduct informal life reviews for themselves. By uncovering and assembling the often overlooked puzzle pieces of their pasts, readers can seek present-day contentment and look with growing optimism to the years ahead.
Rows of Memory tells his story and the story of his family and other migrant farm laborers like them, people who endured dangerous, dirty conditions and low pay, surviving because they took care of each other. Facing racism both on the road and at home, they lived a largely segregated life only occasionally breached by friendly employers.
Despite starting school late and leaving early every year and having to learn English on the fly, young Saúl succeeded academically. At the same time that Mexican Americans in South Texas upended the Anglo-dominated social order by voting their own leaders into local government, he upended his family’s order by deciding to go to college. Like many migrant children, he knew that his decision to pursue an education meant he would no longer be able to help feed and clothe the rest of his family. Nevertheless, with his parents’ support, he went to college, graduating in 1967 and, after a final display of his skill with a short hoe for his new friends, abandoned migrant labor for teaching.
In looking back at his youth, Sánchez invites us to appreciate the largely unrecognized and poorly rewarded strength and skill of the laborers who harvest the fruits and vegetables we eat. A first-person portrait of life on the bottom rung of the food system, this coming-of-age tale illuminates both the history of Latinos in the United States and the human consequences of industrial agriculture.
Arguing that being, seeming, and appearing were crucial to Victoria's "rule," Homans explores the variability of Victoria's agency and of its representations using a wide array of literary, historical, and visual sources. Along the way she shows how Victoria provided a deeply equivocal model for women's powers in and out of marriage, how Victoria's dramatic public withdrawal after Albert's death helped to ease the monarchy's transition to an entirely symbolic role, and how Victoria's literary self-representations influenced debates over political self-representation.
Homans considers versions of Victoria in the work of Elizabeth Barrett Browning, George Eliot, John Ruskin, Margaret Oliphant, Lewis Carroll, Alfred Lord Tennyson, and Julia Margaret Cameron.
One of the most gifted of America’s writers, James Rufus Agee (1909–1955), spent a third of his short life in Tennessee, yet no biographical treatment until this one has so fully explored his roots in the state. In Rufus, Paul F. Brown draws deeply on a trove of journals, letters, interviews, and contemporaneous newspaper accounts, to produce a captivating portrait of Agee’s boyhood.
Brown meticulously delineates Agee’s family history, his earliest years as a sensitive child growing up in Knoxville’s Fort Sanders neighborhood, and the traumatic event that marked his sixth year: his father’s death in an automobile accident. Young Rufus—as his family always called him—revered his father and would use his memories of the tragedy to create his most enduring work of fiction, the Pulitzer Prize–winning A Death in the Family. Just a few years after his father was killed, Agee’s mother placed him in the St. Andrew’s School for Mountain Boys near Sewanee, Tennessee, where he would meet his mentor and lifelong friend, Father James Flye; these experiences would inspire Agee’s poignant novella, The Morning Watch. Another year in Knoxville followed, and then his mother, newly remarried, whisked him away to New England, where he would complete his education at Phillips Exeter Academy and Harvard.
Brown’s account deftly reconstructs various settings the young Agee encountered—including not only turn-of-the-century Knoxville and St. Andrew’s but also the mountain hamlet of LaFollette, his father’s hometown—and the complex family relationships that swirled around the young writer-to-be. Brown also explores Knoxville’s belated discovery of its famous son, initiated when Hollywood came to town in 1962 to film All the Way Home, an adaptation of A Death in the Family. Notable commemorations—including academic seminars, a public park, and a street named in Agee’s honor—would come later as the writer’s posthumous reputation bloomed. And now, with Rufus, we have the definitive account of how it all began.
Drawing on early modern literature and historical documents, this study investigates the various political, discursive, and symbolic measures employed to negotiate and support female sovereignty by both early modern writers and the rulers themselves. The detailed analysis of the women's responses--or inability to respond--to these strictures underscores the relationship between early modern authors and sovereigns and the complex and vexed situation of European women rulers.
Contributors are Tracy Adams, Anne J. Cruz, Éva Deák, Mary C. Ekman, Catherine L. Howey, Elizabeth Ketner, Carole Levin, Sandra Logan, Magdalena S. Sánchez, Mihoko Suzuki, and Barbara F. Weissberger.
Emily Pifer’s debut memoir, The Running Body, wrestles and reckons with power and agency, language and story, body dysphoria and beauty standards, desire and addiction, loss and healing. Pifer employs multiple modes of storytelling—memoir, meditation, and cultural analysis—interweaving research, argument, and experience as she describes how, during her time as a collegiate distance runner, she began to run more while eating less. Many around her, including her coaches, praised her for these practices. But as she became faster, and as her body began to resemble the bodies that she had seen across start-lines and on the covers of running magazines, her bones began to fracture. Pifer tells her story alongside the stories of her teammates, competitors, and others as they all face trouble regarding their bodies.
Through the lens of long-distance running, Pifer examines the effects of idolization and obsession, revealing the porous boundaries between what counts as success and what is considered failure. While grounded in truth, The Running Body interrogates its relationship to magical thinking, the stories we tell ourselves, and the faultiness of memory. Fractures, figurative and literal, run through the narrative as Pifer explores the ways bodies become entangled in stories.
The Running Body was selected by Steve Almond as the winner of the 2021 Autumn House Nonfiction Prize.
2022 Belmont Award for the Best Book on Country Music, International Country Music Conference/Belmont University
New and expanded biography of one of country music’s most celebrated singer-songwriters.
Merle Haggard enjoyed numerous artistic and professional triumphs, including more than a hundred country hits (thirty-eight at number one), dozens of studio and live album releases, upwards of ten thousand concerts, induction into the Country Music Hall of Fame, and songs covered by artists as diverse as Lynryd Skynyrd, Elvis Costello, Tammy Wynette, Bobby "Blue" Bland, Willie Nelson, the Grateful Dead, and Bob Dylan.
In The Running Kind, a new edition that expands on his earlier analysis and covers Haggard's death and afterlife as an icon of both old-school and modern country music, David Cantwell takes us on a revelatory journey through Haggard’s music and the life and times out of which it came. Covering the breadth of his career, Cantwell focuses especially on the 1960s and 1970s, when Haggard created some of his best-known and most influential music: songs that helped invent the America we live in today. Listening closely to a masterpiece-crowded catalogue (including “Okie from Muskogee,” “Sing Me Back Home,” “Mama Tried,” and “Working Man Blues,” among many more), Cantwell explores the fascinating contradictions—most of all, the desire for freedom in the face of limits set by the world or self-imposed—that define not only Haggard’s music and public persona but the very heart of American culture.
In part a gripping biography of this Australian expatriate, Rustic Cubism chronicles Dangar's personal battles and the tumult of the World War II era during her tempestuous tenure at Moly-Sabata. Dangar dedicated herself to the colony's aims by working in the region's village potteries, combining their vernacular elements with Gleizes' design methods to arrive at a type of rustic Cubism. Her work there would ultimately be rewarded; her pieces can today be found in the Musée des Arts Décoratifs in Paris, the Musée d'Art Moderne de la Ville de Paris, the Museo Internazionale delle Ceramiche in Faenza, the National Gallery of Australia, Canberra, and many other museums.
Rustic Cubism places Dangar at the heart of Moly-Sabata's alternative art movement—one that, in its nostalgic present, attempted to construct a culture based on the distant past. Generously illustrated with photographs of the art and social milieu of the period, this captivating and original narrative makes a considerable contribution to our understanding of French modernism and early twentieth-century cultural politics as well as of the life of a most talented and intriguing female artist.
Renowned for her innovative wire sculptures, Japanese American artist Ruth Asawa (1926–2013) was a teenager in Southern California when Japan bombed Pearl Harbor and the United States entered World War II. Japanese Americans on the West Coast were forcibly removed from their homes. Asawa’s family had to abandon their farm, her father was incarcerated, and she and the rest of her family were sent to a concentration camp. Asawa nurtured her dreams of becoming an artist while imprisoned and eventually made her way to the experimental Black Mountain College in North Carolina.
This graphic biography by Sam Nakahira, developed in consultation with Asawa’s youngest daughter, Addie Lanier, chronicles the genesis of Asawa as an artist—from the horror of Pearl Harbor to her transformative education at Black Mountain College to building a life in San Francisco, where she would further develop and refine her groundbreaking wire sculpture.
Asawa never sought fame, preferring to work on her own terms: for her, art and life were one. Featuring lively illustrations and photographs of Asawa’s work, this retelling of her young adult years demonstrates the power of making art.
Ages thirteen and up
Ruth Bader Ginsburg’s lifelong effort to reshape the language of American law has had profound consequences: she has shifted the rhetorical boundaries of jurisprudence on a wide range of fundamental issues from equal protection to reproductive rights. Beginning in the early 1970s, Ginsburg led a consequential attack on sexist law in the United States. By directly confronting the patriarchal voice of the law, she pointedly challenged an entrenched genre of legal language that silenced the voices and experiences of American women and undermined their status as equal citizens. On the United States Supreme Court, Justice Ginsburg continues to challenge the traditional scripts of legal discourse to insist on a progressive vision of the Constitution and to demand a more inclusive and democratic body of law.
This illuminating work examines Justice Ruth Bader Ginsburg’s contributions in reshaping the rhetoric of the law (specifically through the lens of watershed cases in women’s rights) and describes her rhetorical contributions—beginning with her work in the 1970s as a lawyer and an advocate for the ACLU’s Women’s Rights Project through her tenure as a Supreme Court justice. Katie L. Gibson examines Ginsburg’s rhetoric to argue that she has dramatically shifted the boundaries of legal language. Gibson draws from rhetorical theory, critical legal theory, and feminist theory to describe the law as a rhetorical genre, arguing that Ginsburg’s jurisprudence can appropriately be understood as a direct challenge to the traditional rhetoric of the law.
Ruth Bader Ginsburg stands as an incredibly important figure in late twentieth- and early twenty-first-century feminism. While a growing number of admirers celebrate Justice Ginsburg’s voice of dissent today, Ginsburg’s rhetorical legacy reveals that she has long articulated a sharp and strategic voice of judicial dissent. This study contributes to a more complete understanding of her feminist legacy by detailing the unique contributions of her legal rhetoric.
Poet, anthropologist, feminist—Ruth Fulton Benedict was all of these and much more. Born into the last years of the Victorian era, she came of age during the Progressive years and participated in inaugurating the modern era of American life. Ruth Benedict: Stranger in This Land provides an intellectual and cultural history of the first half of the twentieth century through the life of an important and remarkable woman.
As a Lyricist poet, Ruth Benedict helped define Modernism. As an anthropologist, she wrote the classic Patterns of Culture and at one point was considered the foremost anthropologist in the United States—the first woman ever to attain such status. She was an intellectual and an artist living in a time when women were not encouraged to be either. In this fascinating study, Margaret Caffrey attempts to place Benedict in the cultural matrix of her time and successfully shows the way in which Benedict was a product of and reacted to the era in which she lived.
Caffrey goes far beyond providing simple biographical material in this well-written interdisciplinary study. Based on exhaustive research, including access for the first time to the papers of Margaret Mead, Benedict's student and friend, Caffrey is able to put Benedict's life clearly in perspective. By identifying the family and educational influences that so sharply influenced Benedict's psychological makeup, the author also closely analyzes the currents of thought that were strong when Victorianism paralleled the Modernism that figured in Benedict's life work. The result is a richly detailed study of a gifted woman.
This important work will be of interest to students of Modernism, poetry, and women's studies, as well as to anthropologists.
Before he achieved his dream of being an internationally known rock personality, Ryan Adams had a band in Raleigh, North Carolina. Whiskeytown led the wave of insurgent-country bands that came of age with No Depression magazine in the mid-1990s, and for many people it defined the era. Adams was an irrepressible character, one of the signature personalities of his generation, and as a singer-songwriter he blew people away with a mature talent that belied his youth. David Menconi witnessed most of Whiskeytown’s rocket ride to fame as the music critic for the Raleigh News & Observer, and in Ryan Adams, he tells the inside story of the singer’s remarkable rise from hardscrabble origins to success with Whiskeytown, as well as Adams’s post-Whiskeytown self-reinvention as a solo act.
Menconi draws on early interviews with Adams, conversations with people close to him, and Adams’s extensive online postings to capture the creative ferment that produced some of Adams’s best music, including the albums Strangers Almanac and Heartbreaker. He reveals that, from the start, Ryan Adams had an absolutely determined sense of purpose and unshakable confidence in his own worth. At the same time, his inability to hold anything back, whether emotions or torrents of songs, often made Adams his own worst enemy, and Menconi recalls the excesses that almost, but never quite, derailed his career. Ryan Adams is a fascinating, multifaceted portrait of the artist as a young man, almost famous and still inventing himself, writing songs in a blaze of passion.
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