front cover of Boredom, Shanzhai, and Digitisation in the Time of Creative China
Boredom, Shanzhai, and Digitisation in the Time of Creative China
Jeroen de Kloet
Amsterdam University Press, 2019
With its emergence as a global power, China aspires to transform from *made in China* to *created in China*. Mobilised as a crucial source for solid growth and *soft power*, creativity has become part of the new China Dream. Boredom, Shanzhai, and Digitisation in the Time of Creative China engages with the imperative of creativity by aligning it to three interrelated phenomena: boredom, shanzhai, and digitisation. How does creativity help mitigate boredom? Does boredom incubate creativity? How do shanzhai practices and the omnipresence of fake goods challenge notions of the original and the authentic? Which spaces for expressions and contestations has China’s fast-developing digital world of Weixin, Taobao, Youku, and Internet Plus Policy opened up? Are new technologies serving old interests? Essays, dialogues, audio-visual documents, and field notes, from thinkers, researchers, practitioners, and policy-makers, examine what is going on in China now, ultimately to tease out its implication to our understanding of *creativity*.
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Boredom
The Literary History of a State of Mind
Patricia Meyer Spacks
University of Chicago Press, 1994
This book offers a witty explanation of why boredom both haunts and motivates the literary imagination. Moving from Samuel Johnson to Donald Barthelme, from Jane Austen to Anita Brookner, Spacks shows us at last how we arrived in a postmodern world where boredom is the all-encompassing name we give our discontent. Her book, anything but boring, gives us new insight into the cultural usefulness—and deep interest—of boredom as a state of mind.
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Fada
Boredom and Belonging in Niger
Adeline Masquelier
University of Chicago Press, 2019
Niger most often comes into the public eye as an example of deprivation and insecurity. Urban centers have become concentrated areas of unemployment filled with young men trying, against all odds, to find jobs and fill their time with meaningful occupations. At the heart of Adeline Masquelier’s groundbreaking book is the fada—a space where men gather to escape boredom by talking, playing cards, listening to music, and drinking tea. As a place in which new forms of sociability and belonging are forged outside the unattainable arena of work, the fada has become an integral part of Niger’s urban landscape. By considering the fada as a site of experimentation, Masquelier offers a nuanced depiction of how young men in urban Niger engage in the quest for recognition and reinvent their own masculinity in the absence of conventional avenues to self-realization. In an era when fledgling and advanced economies alike are struggling to support meaningful forms of employment, this book offers a timely glimpse into how to create spaces of stability, respect, and creativity in the face of diminished opportunities and precarity.
 
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Melancholy and Society
Wolf Lepenies
Harvard University Press, 1992

Rare is the person who has never known the feelings of apathy, sorrow, and uselessness that characterize the affliction known as melancholy. In this book, one of Europe's leading intellectuals shows that melancholy is not only a psychological condition that affects individuals but also a social and cultural phenomenon that can be of considerable help in understanding the modern middle class. His larger topic is, in fact, modernity in general.

Lepenies focuses not on what melancholy is but on what it means when people claim to be melancholy. His aim is to examine the origin and spread of the phenomenon with relation to particular social milieux, and thus he looks at a variety of historical manifestations: the fictional utopian societies of the Renaissance, the ennui of the French aristocracy in the seventeenth century, the cult of inwardness and escapism among the middle class in eighteenth-century Germany. In each case he shows that the human condition is shaped by historical and societal forces--that apathy, boredom, utopian idealism, melancholy, inaction, and excessive reflection are the correlates of class-wide powerlessness and the failure of purposeful efforts.

Lepenies makes inventive use of an extraordinary range of sociological, philosophical, and literary sources, from Robert Burton's Anatomy of Melancholy to the ideas of contemporary theorists such as Robert K. Merton and Arnold Gehlen. His study gains added richness from its examination of writers whose works express the melancholy of entire social classes--writers such as La Rochefoucauld, Goethe, and Proust. In his masterly analysis of these diverse ideas and texts, he illuminates the plight of people who have been cast aside by historical change and shows us the ways in which they have coped with their distress. Historians, sociologists, psychologists, students of modern literature, indeed anyone interested in the problems of modernity will want to read this daring and original book.

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On Boredom
Essays in Art and Writing
Edited by Rye Dag Holmboe and Susan Morris
University College London, 2021
An idiosyncratic volume featuring artwork and essays on the history of boredom.

What do we mean when we say that we are bored? Contributors to this volume, which include artists, art historians, psychoanalysts, and a novelist, examine boredom in its manifold and uncertain reality. Each part of the book takes up a crucial moment in the history of boredom and presents it in a new light, taking the reader from the trials of the consulting room to the experience of hysteria in the nineteenth century. The book pays particular attention to boredom’s relationship with the sudden and rapid advances in technology that have occurred in recent decades, specifically technologies of communication, surveillance, and automation. On Boredom is idiosyncratic for its combination of image and text, and the artworks included in its pages—featuring Mathew Hale, Martin Creed, and Susan Morris—help turn this volume into a material expression of boredom itself. It will appeal to readers in the fields of art history, literature, cultural studies, and visual culture.
 
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Out of My Skull
The Psychology of Boredom
James Danckert and John D. Eastwood
Harvard University Press, 2020

A Behavioral Scientist Notable Book of the Year
A Guardian “Best Book about Ideas” of the Year


No one likes to be bored. Two leading psychologists explain what causes boredom and how to listen to what it is telling you, so you can live a more engaged life.

We avoid boredom at all costs. It makes us feel restless and agitated. Desperate for something to do, we play games on our phones, retie our shoes, or even count ceiling tiles. And if we escape it this time, eventually it will strike again. But what if we listened to boredom instead of banishing it?

Psychologists James Danckert and John Eastwood contend that boredom isn’t bad for us. It’s just that we do a bad job of heeding its guidance. When we’re bored, our minds are telling us that whatever we are doing isn’t working—we’re failing to satisfy our basic psychological need to be engaged and effective. Too many of us respond poorly. We become prone to accidents, risky activities, loneliness, and ennui, and we waste ever more time on technological distractions. But, Danckert and Eastwood argue, we can let boredom have the opposite effect, motivating the change we need. The latest research suggests that an adaptive approach to boredom will help us avoid its troubling effects and, through its reminder to become aware and involved, might lead us to live fuller lives.

Out of My Skull combines scientific findings with everyday observations to explain an experience we’d like to ignore, but from which we have a lot to learn. Boredom evolved to help us. It’s time we gave it a chance.

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A Philosophy of Boredom
Lars Svendsen
Reaktion Books, 2005
It has been described as a "tame longing without any particular object" by Schopenhauer, "a bestial and indefinable affliction" by Dostoevsky, and "time's invasion of your world system" by Joseph Brodsky, but still very few of us today can explain precisely what boredom is. A Philosophy of Boredom investigates one of the central preoccupations of our age as it probes the nature of boredom, how it originated, how and why it afflicts us, and why we cannot seem to overcome it by any act of will.

Lars Svendsen brings together observations from philosophy, literature, psychology, theology, and popular culture, examining boredom's pre-Romantic manifestations in medieval torpor, philosophical musings on boredom from Pascal to Nietzsche, and modern explorations into alienation and transgression by twentieth-century artists from Beckett to Warhol. A witty and entertaining account of our dullest moments and most maddening days, A Philosophy of Boredom will appeal to anyone curious to know what lies beneath the overwhelming inertia of inactivity.
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The Space of Boredom
Homelessness in the Slowing Global Order
Bruce O'Neill
Duke University Press, 2017
In The Space of Boredom Bruce O'Neill explores how people cast aside by globalism deal with an intractable symptom of downward mobility: an unshakeable and immense boredom. Focusing on Bucharest, Romania, where the 2008 financial crisis compounded the failures of the postsocialist state to deliver on the promises of liberalism, O'Neill shows how the city's homeless are unable to fully participate in a society that is increasingly organized around practices of consumption. Without a job to work, a home to make, or money to spend, the homeless—who include pensioners abandoned by their families and the state—struggle daily with the slow deterioration of their lives. O'Neill moves between homeless shelters and squatter camps, black labor markets and transit stations, detailing the lives of men and women who manage boredom by seeking stimulation, from conversation and coffee to sex in public restrooms or going to the mall or IKEA. Showing how boredom correlates with the downward mobility of Bucharest's homeless, O'Neill theorizes boredom as an enduring affect of globalization in order to provide a foundation from which to rethink the politics of alienation and displacement.
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Young Men, Time, and Boredom in the Republic of Georgia
Martin Frederiksen
Temple University Press, 2016

In the midst of societal optimism, how do young men cope with the loss of a vibrant future? Young Men, Time, and Boredom in the Republic of Georgia provides a vivid exploration of the tension between subjective and societal time and the ways these tensions create experiences of marginality among under- or unemployed young men in the Republic of Georgia.

Based on long-term ethnographic fieldwork, Martin Demant Frederiksen shows how the Georgian state has attempted to make the so-called post-Soviet transition a thing of the past as it creates new ideas about the future. Yet some young men in the regional capital of Batumi do not feel that they are part of the progression these changes create. Instead, they feel marginalized both by space and time—passed over and without prospects.


This distinctive case study provides empirical evidence for a deeper understanding of contemporary societal developments and their effects on individual experiences. 

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