Emilio Carballido was one of the most innovative and accomplished of Mexico's playwrights and one of the outstanding creators in the new Latin American theater. By his mid-forties he had already produced an impressive body of works in two very different veins. On the one hand, he mastered the techniques of the "well-made play." On the other, he developed a richly rewarding vein of fantasy, sometimes poetic, sometimes comic, sometimes macabre—and sometimes all three.

The plays in this volume are in the latter vein, ranging from surrealist farce in "The Intermediate Zone" to the grotesqueries of "The Time and the Place," from tragicomedy in "Theseus" to the dreamlike permutations of "The Golden Thread." But even at his most fantastic, Carballido never loses his remarkable gift for characterization: his peevish Minotaur, his raffish Nahual (were-jaguar) are wholly believable monsters.

Recognized in Mexico as one of the country's most important contemporary dramatists, Emilio Carballido has only recently become known in other countries through his plays and short stories. This translation introduces Carballido as a novelist. In The Norther what makes and breaks human relationships is his central interest as he traces the course of a relationship between a widow and a young man. The characters are created as their emotional and psychological outlines are drawn, and it is in the characterization that the hand of the dramatist is revealed. But it is Carballido's novelistic talent that has made The Norther the object of widely divergent interpretations. The critical conflict aroused by this novel is discussed in an Introduction by the translator, Margaret Sayers Peden.