An insight into the struggles of paid domestic workers in Latin America through an exploration of films, texts, and digital media produced since the 1980s in collaboration with them or inspired by their experiences.

Paid domestic work in Latin America is often undervalued, underpaid, and underregulated. Exploring a wave of Latin American cultural texts since the 1980s that draw on the personal experiences of paid domestic work or intimate ties to domestic employees, Paid to Care offers insights into the struggles domestic workers face through an analysis of literary testimonials, documentary and fiction films, and works of digital media.

From domestic workers’ experiences of unionization in the 1980s to calls for their rights to be respected today, the cultural texts analyzed in Paid to Care provide additional insight into public debates about paid domestic work. Rachel Randall examines work made in Brazil, Argentina, Chile, Mexico, Peru, and Uruguay. The most recent of these texts respond to the Covid-19 pandemic, which put many domestic workers’ health and livelihoods at risk. Engaging with the legal histories of domestic work in multiple distinct national contexts, Randall demonstrates how the legacy of colonialism and slavery shapes the profession even today. Focusing on personal or coproduced cultural representations of domestic workers, Paid to Care explores complex ethical issues relating to consent, mediation, and appropriation.

For more than twenty years, Linda J. Seligmann walked the streets of Peru in city and countryside alike, talking to the women who work in the informal and open-air markets in Cuzco's Andean highlands. Her combination of ethnographic analysis, insightful and human vignettes, and superb photographs offers a humane yet incisive portrait of the women's lives against the backdrop of globalization and other powerful forces.

In Peruvian Street Lives, Seligmann argues that the sometimes invisible and informal economic, social, and political networks market women establish may appear disorderly and chaotic, but in fact often keep dysfunctional economies and corrupt bureaucracies from utterly destroying the ability of citizens to survive from day to day. Seligmann asks why the constructive efforts of market women to make a living provoke such negative social perceptions from some members of Peruvian society, who see them as symbols and actual catalysts of social disorder. At the same time, Seligmann shows how market women eke out a living, combat discrimination, and transgress racial and gender ideologies within the rich and expressive cultural traditions they have developed.

A rich, long-term ethnography of women seafood traders in Mexico.

The "shrimp ladies," locally known as changueras in southern Sinaloa, Mexico, sell seafood in open-air markets, forming an extralegal but key part of the economy built around this "pink gold.” Over time, they struggled to evolve from marginalized peddlers to local icons depicted in popular culture, even as they continue to work at an open-air street market.

Pink Gold documents the shrimp traders' resilience and resourcefulness, from their early conflicts with the city, state, and federal authorities and forming a union, to carving out a physical space for a seafood market, and even engaging in conflicts with the Mexican military. Drawing from her two decades of fieldwork, María L. Cruz-Torres explores the inspiring narrative of this overlooked group of women involving grassroots politics, trans-border and familial networking, debt and informal economic practices, personal sacrifices, and simple courage. She argues that, amid intense economic competition, their success relies on group solidarity that creates interlocking networks of mutual trust, or confianza, that in turn enable them to cross social and political boundaries that would typically be closed to them. Ultimately, Pink Gold offers fresh insights into issues of gender and labor, urban public space, the street economy, commodities, and globalization.

The Indigenous Canela inhabit a vibrant multispecies community of nearly 3,000 people and over 300 types of cultivated and wild plants living together in Maranhão State in the Brazilian Cerrado (savannah), a biome threatened with deforestation and climate change. In the face of these environmental threats, Canela women and men work to maintain riverbank and forest gardens and care for their growing crops, whom they consider to be, literally, children. This nurturing, loving relationship between people and plants—which offers a thought-provoking model for supporting multispecies survival and well-being throughout the world—is the focus of Plant Kin.

Theresa L. Miller shows how kinship develops between Canela people and plants through intimate, multi-sensory, and embodied relationships. Using an approach she calls “sensory ethnobotany,” Miller explores the Canela bio-sociocultural life-world, including Canela landscape aesthetics, ethnobotanical classification, mythical storytelling, historical and modern-day gardening practices, transmission of ecological knowledge through an education of affection for plant kin, shamanic engagements with plant friends and lovers, and myriad other human-nonhuman experiences. This multispecies ethnography reveals the transformations of Canela human-environment and human-plant engagements over the past two centuries and envisions possible futures for this Indigenous multispecies community as it reckons with the rapid environmental and climatic changes facing the Brazilian Cerrado as the Anthropocene epoch unfolds.

Focusing on the Bororo people of west-central Brazil, this book addresses the construction of self-identity through interethnic interaction. By presenting the images the Bororo have of themselves as well as the images of others who have interacted with them, Brazilian anthropologist Sylvia Caiuby Novaes argues convincingly that Bororo self-images are constructed with the aid of a peculiar looking-glass—it is in the images of others that they see themselves.

Incorporating contributions from psychology, psychoanalysis, linguistics, and semiotics, Play of Mirrors focuses on symbols, images, discourse, and meanings rather than solely on the problem of acculturation. It thus reflects the thinking of a new generation of Brazilian anthropologists who have shifted their focus from native communities as isolated entities to an examination of their embeddedness within broader national and international arenas.

Pleasure-based politics in Puerto Rican and Cuban pop culture

Joy is a politicized form of pleasure that goes beyond gratification to challenge norms of gender, sexuality, race, and class. Kristie Soares focuses on the diasporic media of Puerto Rico and Cuba to examine how music, public activist demonstrations, social media, sitcoms, and other areas of culture resist the dominant stories told about Latinx joy. As she shows, Latinx creators compose versions of joy central to social and political struggle and at odds with colonialist and imperialist narratives that equate joy with political docility and a lack of intelligence. Soares builds her analysis around chapters that delve into gozando in salsa music, precise joy among the New Young Lords Party, choteo in the comedy ¿Qué Pasa U.S.A.?, azúcar in the life and death of Celia Cruz, dale as Pitbull’s signature affect, and Alexandria Ocasio-Cortez’s use of silliness to take seriously political violence.

Daring and original, Playful Protest examines how Latinx creators resist the idea that joy only exists outside politics and activist struggle.

Black women in the department of Chocó, Colombia, respond to the violence endemic to their region with activism and storytelling. Tania Lizarazo focuses on members of COCOMACIA, a Black farmers’ association that defends communities and territories along the nation’s Pacific lowlands’ rivers. Drawing on the life stories of members, Lizarazo explains how Chocó’s Black Colombian women answered firsthand experiences of violence with a dedication to survival and activism. Survival amid armed conflict proves to be an embodied practice. Day by day, the women imagine what memory, peace, and justice could look like when the bloodshed ends. Though peace may seem impossible, wishing and working for a better world motivates these women to steadily dismantle the scaffolding of violence built around their lives.

A merger of eyewitness accounts and theory, Postconflict Utopias explores the links between lived knowledge and survival while revealing the power unleashed when women ask the simple question, “Why not?”

A study of the modes of predation used by and against the Sanema people of Venezuela.

Predation is central to the cosmology and lifeways of the Sanema-speaking Indigenous people of Venezuelan Amazonia, but it also marks their experience of modernity under the socialist “Bolivarian” regime and its immense oil wealth. Yet predation is not simply violence and plunder. For Sanema people, it means a great deal more: enticement, seduction, persuasion. It suggests an imminent threat but also opportunity and even sanctuary.

Amy Penfield spent two and a half years in the field, living with and learning from Sanema communities. She discovered that while predation is what we think it is—invading enemies, incursions by gold miners, and unscrupulous state interventions—Sanema are not merely prey. Predation, or appropriation without reciprocity, is essential to their own activities. They use predatory techniques of trickery in hunting and shamanism activities, while at the same time, they employ tactics of manipulation to obtain resources from neighbors and from the state. A richly detailed ethnography, Predatory Economies looks beyond well-worn tropes of activism and resistance to tell a new story of agency from an Indigenous perspective.

Pre-Mamom Pottery Variation and the Preclassic Origins of the Lowland Maya summarizes archaeological researchers’ current views on the adoption and first use of pottery across the Maya lowlands. Covering the early Middle Preclassic period, when communities began using and producing pottery for the first time (roughly 1000–600 BC), through to the establishment of a recognizably Maya tradition, termed the Mamom ceramic sphere (about 600–300 BC), the book demonstrates that the adoption was broadly contemporary, with variation in how the new technology was adapted locally.
 
Analyzing ceramics found at sites in Belize, Petén (Guatemala), and Mexico, the contributors provide evidence that the pre-Mamom expansion of pottery resulted from increased dependence on maize agriculture, exploitation of limestone caprock, and greater reliance on a preexisting system of long-distance exchange. The chapters describe the individual experiences of new potting communities at various sites across the region. They are supplemented by appendixes presenting key chronological data as well as the principal types and varieties of pre-Mamom ceramic complexes across the various spheres: Xe, Eb, Swasey, Cunil, and Ek.
 
A significant amount of new material has been excavated in the last decade, changing what is known about the early Middle Preclassic period and making Pre-Mamom Pottery Variation and the Preclassic Origins of the Lowland Maya a first read of the early ceramic prehistory of the Maya lowlands. It will be a valuable resource for students and scholars interested in the archaeology of the Maya lowlands, Mesoamerican social complexity, and ceramic technology.
 
Contributors: E. Wyllys Andrews V, Jaime Awe, George J. Bey III, Ronald L. Bishop, Michael G. Callaghan, Ryan H. Collins, Kaitlin Crow, Sara Dzul Góngora, Jerald Ek, Tomás Gallareta Negrón, Bernard Hermes, Takeshi Inomata, Betsy M. Kohut, Laura J. Kosakowsky, Wieslaw Koszkul, Jon Lohse, Michael Love, Nina Neivens, Terry Powis, Duncan C. Pring, Kathryn Reese-Taylor, Prudence M. Rice, Robert M. Rosenswig, Kerry L. Sagebiel, Donald A. Slater, Katherine E. South, Lauren A. Sullivan, Travis Stanton, Juan Luis Velásquez Muñoz, Debra S. Walker, Michal Wasilewski, Jaroslaw Źrałka
 

In The Prestes Column, Jacob Blanc offers a new interpretation of the legendary rebellion, in which a band of rebel officers and soldiers marched fifteen thousand miles through the vast interior regions of Brazil between 1924 and 1927. Blanc’s analysis of the Prestes Column is a showcase of what he calls “interior history.” At a pivotal moment in national politics, the long march of the column came to embody the constructed duality of Brazil’s interior: a space that was seen by coastal elites as simultaneously backward—in relation to the more modern coast—and dormant, an expanse of untapped potential waiting to be brought into the nation. Drawing on a range of materials, from officers’ memoirs and local eyewitness accounts to physical memorials and government archives, Blanc’s framework of interior history helps explain the column’s initial rise to fame and also its enduring legacy across the twentieth century, offering a new approach for the study of space and nation.