A comprehensive look into how Macau’s recent decades of gambling-related growth produced one of the wealthiest territories on the planet

Betting on Macau delves into the radical transformation of what was formerly the last remaining European territory in Asia, returned to the People’s Republic of China in 1999 after nearly half a millennium of Portuguese rule. Examining the unprecedented scale of its development and its key role in China’s economic revolution, Tim Simpson follows Macau’s emergence from historical obscurity to become the most profitable casino gaming locale in the world.

 

Identified as a UNESCO World Heritage Site and renowned for its unique blend of Chinese and Portuguese colonial-era architecture, contemporary Macau has metamorphosed into a surreal, hypermodern urban landscape augmented by massive casino megaresorts, including two of the world’s largest buildings. Simpson situates Macau’s origins as a strategic trading port and its ensuing history alongside the emergence of the global capitalist system, charting the massive influx of foreign investment, construction, and tourism in the past two decades that helped generate the territory’s enormous wealth.

 

Presented through a cross section of postcolonial studies and social theory with extensive insight into the global gambling industry, Betting on Macau uncovers the various roots of the territory’s lucrative casino capitalism. In turn, its trenchant analysis provides a distinctive view into China’s broader project of urbanization, its post-Mao economic reforms, and the continued rise of its consumer culture.

Jude is a Las Vegas casino dealer who barely survived the deadly MGM fire in 1980. More than two decades later, he’s still dealing, a tired, middle-aged man, divorced, struggling with debt, and trying to be a good father to his children. Then he loses his job and his car is totaled in an accident. When an attractive woman friend offers to help him get another job, Jude is happy to go along. Gradually, he realizes that his new job is part of an elaborate scheme to cheat a casino and that his own fate and that of his children depend on his finding the courage and ingenuity to extricate himself.

Cold Deck is the exciting story of an ordinary man who finds himself in extraordinary circumstances. Moving from Las Vegas’s mean streets to the insider’s world of casino workers, this is a story of survival set against the greed, fears, and glitz of Sin City.  

The glitter and excitement that tourists associate with casinos is only a facade. To the gaming industry's front-line employees, its dealers, the casino is a far less glamorous environment, a workplace full of emotional tension, physical and mental demands, humor and pathos. Author H. Lee Barnes, who spent many years as a dealer in some of Las Vegas's best-known casinos, shows us this world from the point of view of the table-games dealer. Told in the voices of dozens of dealers, male and female, young and old, Dummy Up and Deal takes us to the dealer's side of the table. We observe the "breaking in" that constitutes a dealer's training, where the hands learn the motions of the game while the mind undergoes the requisite hardening to endure long hours of concentration and the demands of often unreasonable and sometimes abusive players. We discover how dealers are hired and assigned to shifts and tables, how they interact with each other and with their supervisors, and how they deal with players—the winners and the losers, the "Sweethearts" and the "Dragon Lady," the tourists looking for a few thrills and the mobsters showing off their "juice." We observe cheaters on both sides of the table and witness the exploits of such high-rollers as Frank Sinatra and Colonel Parker, Elvis's manager. And we learn about the dealers' lives after-hours, how some juggle casino work with family responsibilities while others embrace the bohemian lifestyle of the Strip and sometimes lose themselves to drugs, drink, or sex. It's a life that invites cynicism and bitterness, that can erode the soul and deaden the spirit. But the dealer's life can also offer moments of humor, encounters with generous and kindly players, moments of pride or humanity or professional solidarity. Barnes writes with the candor of a keen observer of his profession, someone who has seen it all—many times—but has never lost his capacity to wonder, to sympathize, or to laugh. Dummy Up and Deal is a colorful insider's view of the casino industry, a fascinating glimpse behind the glitter into the real world of the casino worker.

Maggie Foltz is a fifty-five-year-old cocktail waitress in a rundown casino in the southern Nevada Mojave Desert. She spends her days serving drinks to lonely old folks playing the slot machines and her nights trying to escape her bitter past. When she befriends Sarah, a young Native American woman who is hired to cook in the casino coffee shop, her life begins to change. Maggie finds herself falling in love with a memory-haunted Vietnam veteran and warily begins to hope that together they can find peace. Then Sarah is mysteriously murdered, and Sarah’s ghost enlists Maggie to accompany her on a quest for the wisdom that she needs in order to move into the next world. The story ranges from smoky casinos into the harsh magnificence of the desert and the reservation where Sarah’s people are trying to preserve their culture and find their own place in a modern world that seems to want them to be either shamans or losers. Sojourner’s characters are compellingly real, and the Mojave setting has rarely been depicted as sensitively or truthfully. This is a memorable story of love, redemption, and solace, told by one of the West’s finest writers.

Las Vegas in Singapore looks at the collision of the histories of Singapore and Las Vegas in the form of Marina Bay Sands, one of Singapore’s two integrated resorts.

The first history begins in colonial Singapore in the 1880s, when British administrators revised gambling laws in response to the political threat posed by Chinese-run gambling syndicates. Following the tracks of these punitive laws and practices, the book moves into the 1960s when the newly independent city-state created a national lottery while criminalizing both organized and petty gambling in the name of nation-building. The second history shifts the focus to corporate Las Vegas in the 1950s when digital technology and corporate management practices found each other on the casino floor. Tracing the emergence of the specialist casino designer, the book reveals how casino development evolved into a highly rationalized spatial template designed to maximize profits. Today an iconic landmark of Singapore, Marina Bay Sands is also an artifact of these two histories, an attempt by Singapore to normalize what was once criminalized in its nationalist history.

Lee Kah-Wee argues that the historical project of the control of vice is also about the control of space and capital. The result is an uneven landscape where the legal and moral status of gambling is contingent on where it is located. As the current wave of casino expansion spreads across Asia, he warns that these developments should not be seen as liberalization but instead as a continuation of the project of concentrating power by modern states and corporations.

Unfolding from the bygone era of 1950s Las Vegas through the turbulent decades that followed, this epic novel examines the universal search for identity and reward in a world where the good life always seems out of reach. The streets of early Las Vegas are a tough place for a boy to grow up. Pete Elkins is fatherless, living in a cramped apartment with his mother, a party-girl with a penchant for falling in love with the wrong kind of man; and his older sister, who has grown up too fast from trying to parent both her brother and their reckless mother. Pete is headed for serious trouble when he is befriended by Willy Bobbins, a casino owner with a murky past and even murkier business practices. But Willy is also deeply compassionate and wise, and he soon becomes a surrogate father for the lonely Pete. Gradually, Pete becomes involved with Willy’s troubled family and comes to know both the scope of his mentor’s power and the depth of his vulnerabilities. 

Special Award of the Jury Winner — 2018 Gourmand World Cookbook Awards 

In only a decade, Macau has exploded from a sleepy backwater to the world’s casino capital. It was bound to happen. Macau, a former Portuguese colony that became a special administrative region within the People’s Republic of China in 1999, was the only place in China where gambling was legal. With a consumer base of 1.3 billion mainland Chinese deprived of casino gambling, and the world’s largest growing consumer class, international corporations rushed in to enter the games. As a result, the casino influx has permanently transformed the Macau peninsula: its ocean reclaimed, hillside excavated, roads congested, air polluted, and glimmering hotel towers tossed into the skyline, dwarfing the 19th century church towers.
 
Essays by a number of experts give a deeper insight on topics ranging from the myth of the Chinese gambler, the role of feng shui in casino design, the city’s struggle with heritage conservation, the politics of land reclamation, and the effect of the casino industry on the public realm. Drawings and photographs in vivid color visualize Macau’s patchwork of distinct urban enclaves: from downtown casinos, their neon-blasting storefronts eclipsing adjacent homes and schools, to the palatial complexes along a new highway, a Las Vegas-style strip. They also reveal how developers go to great lengths to impress the gambler with gimmicks such as fluorescent lighting, botanic gardens, feng shui dragon statues, cast members’ costumes, Chinese art imitations, and crystal chandelier-decked elevators. It is a book that helps readers grasp the complex process of the development of the casino industry and its overall impact on the social and architectural fabric of the first and last colonial enclave in China.

From 1940 to 1989, nearly every hotel on the Las Vegas Strip employed a full-time band or orchestra. After the late 1980s, when control of the casinos changed hands from independent owners to corporations, almost all of these musicians found themselves unemployed. Played Out on the Strip traces this major shift in the music industry through extensive interviews with former musicians. In 1989, these soon-to-be unemployed musicians went on strike. Janis McKay charts the factors behind this strike, which was precipitated by several corporate hotel owners moving to replace live musicians with synthesizers and taped music, a strategic decision made in order to save money. The results of this transitional period in Las Vegas history were both long-lasting and far-reaching for the entertainment industry. With its numerous oral history interviews and personal perspectives from the era, this book will appeal to readers interested in Las Vegas history, music history, and labor issues.

The history of Reno during the first half century is to a great degree the history of Reno’s gaming industry. Between 1931 and 1981, the economy, skyline, and lifestyle of “the Biggest Little City in the World” were strongly influenced by the city’s casinos and the people who created and operated them. In The Rise of the Biggest Little City, longtime Reno gaming executive Dwayne Kling records the fruits of his fourteen years of research into the history of Reno’s casinos, from the backroom (and often illegal) dives of the industry’s beginnings to the elegant casino-hotels of today. Arranged in encyclopedic form with historic photographs (many never before published), the book offers the stories of such famous establishments as Harolds Club, the Cal-Neva, the Sands, and Harrah’s, as well as defunct clubs like the Cedars, the Silver Spur, and the Bank Club. We also find the stories of the men and women who created Reno’s gaming industry—such as James McKay and Bill Graham, who came from the rough-and-tumble saloons of boom-town Tonopah and developed a chain of illegal gambling clubs and brothels into Reno’s first major casino, the Bank Club; the Smith family—Raymond I. “Pappy,” Harold Sr., Raymond A., and Harold Jr.—whose Harolds Club was a prime downtown attraction for over fifty years and brought Reno national fame as a destination for fun and gambling; Bill Bailey, an African-American whose Harlem Club—one of the first integrated casinos in Reno—attracted such show-business luminaries as Louis Armstrong and Pearl Bailey (his cousin) for late-night jam sessions; William Harrah, who parleyed a string of small bingo parlors into a major gaming empire; and Jack Douglass, a slot-route operator in the early days of legal gaming who became a major figure in Reno’s modern casino industry. There are more. Kling records the stories of hundreds of gaming establishments, most of them long forgotten, stretching geographically from the Mount Rose Highway to the north end of town, from Verdi to Sparks; and of dozens of men and women who shaped the industry, for better and for worse. We learn from that Reno was the true pioneer of the gambling industry. It was here that big-name entertainment was first offered in a casino setting; that elegant hotel rooms and fine dining were first offered as amenities of the casino experience; that a casino corporation first traded its stock on the New York Stock Exchange; that ethnic minorities first owned and operated casinos, and first integrated them. The Rise of the Biggest Little City will engage readers with its authoritative account of the rise of modern Reno and of the colorful history that lies beneath today’s neon and glitz.