According to ancient Egyptian lore, the goddess Bast, who protected her worshippers from disease and hard luck, had the figure of a woman and the head of a cat. Egyptians loved their feline companions, including them in family portraits, mummifying them alongside their owners, and creating exquisite works of sculpture around their graceful forms. 

Four thousand years later, the cat continues to charm us. Katharine M. Rogers traces our relationship with this curious creature in Cat, an entertaining look at one of the most popular pets in the world. From the domestic cat’s emergence in ancient Egypt to its enormous popularity in the contemporary United States, Rogers uncovers the feline’s cultural history in all its numerous forms: rat-catcher, witch’s familiar, and even the inscrutable creature that inspired Lewis Carroll and Edgar Allan Poe. As Rogers demonstrates, our fascination with cats lies in their uncanny ability to embody just about any character—from sweet to ferocious, affectionate to independent, eerie to elegant. 

Cat will be relished by anyone who appreciates these lovable companions and their amazing ability to bring joy to our lives.

The Cat and the Human Imagination is a fascinating historical survey of the changing cultural attitudes towards cats and the myriad ways that they have been depicted in literature and art. Feline images have permeated civilization since the time of the ancient Egyptians, and during this time the status of the cat has changed dramatically. The book examines the changing images-- fertility goddess, sly little predator, agent of Satan, avenging witness, aristocrat, friend, spirit of the home, bloodthirsty killer, seductive female--and relates them to the contexts in which they arose. It also analyzes how human attitudes towards cats seem to have evolved in parallel with attitudes towards animals, towards authority, and towards gender.
Western literature and visual art have reflected this change, developing from bare sketches to richly varied expressions of feline personality and human interaction with cats. Katharine M. Rogers seeks out the cats who make appearances in an impressive range of literary and artistic works, providing the first critical look at the symbolic functioning of cat characters in Poe's "The Black Cat," Dickens's Bleak House, and Zola's Therese Raquin, among other literary works. The historical and artistic range covered is impressive, creating a rich compendium that is the ideal book for the cat lover seeking a refreshingly substantial and scholarly work about this fascinating animal.
"This book is a classic-- something every cat-loving intellectual will have to own. (No one, of course, ever really owns a cat--but everyone should own this book.) It's the kind of book you want to quote from at the vet's, or cocktail parties, or whenever you get the urge to convert a dog lover to the true faith." --Emily Toth, Louisiana State University
Katharine M. Rogers is Professor Emerita of English, City University of New York. Her previous books include Feminism in Eighteenth-Century England and Frances Burney: The World of "Female Difficulties."

This collection of stories from celebrated author Dilip Kumar offers a distinct perspective on everyday life in the South Indian cities of Coimbatore and Chennai. The stories set in the Sowcarpet neighborhood of Chennai give readers a glimpse into the orthodox world of Gujarati Vaishnavas, transplants from the northwestern region of Kutch, who find themselves living usually at odds—and occasionally in harmony—with the Tamil-speaking community.
 
The volume is introduced by its award-winning translator, Martha Ann Selby, who worked closely with the author. The universal appeal of these stories is rooted in their utterly truthful local specificity as they explore complex themes of abduction and restoration, humiliation and despair, and related issues of identity and wholeness. Known by Tamil readers for his description and detail, Dilip Kumar also writes with humor and a deep compassion for his characters, highlighting their strengths in the face of degradation and strife. His perspective and insight build on his own status as a northerner in this southern setting for whom Tamil is a second language—much like his characters.