In this first general theory for the analysis of popular literary formulas, John G. Cawelti reveals the artistry that underlies the best in formulaic literature. Cawelti discusses such seemingly diverse works as Mario Puzo's The Godfather, Dorothy Sayers's The Nine Tailors, and Owen Wister's The Virginian in the light of his hypotheses about the cultural function of formula literature. He describes the most important artistic characteristics of popular formula stories and the differences between this literature and that commonly labeled "high" or "serious" literature. He also defines the archetypal patterns of adventure, mystery, romance, melodrama, and fantasy, and offers a tentative account of their basis in human psychology.

The four novels of Leon Forrest are one of the major glories of contemporary African-American fiction. From the intense inwardness of There Is a Tree More Ancient than Eden to the epic comedy of Divine Days, Forrest's work presents a vision of African-American culture which is unique in its complexity and depth.

The Six-Gun Mystique Sequel is a revised and considerably expanded edition of The Six-Gun Mystique, a pioneering study of the Western as a popular genre that has been widely influential since its original publication in 1970.
    In this expanded version, Cawelti revises his analysis of the structural characteristics of the Western novel and film, synthesizing much of the rich discussion of the Western genre that has appeared since The Six-Gun Mystique's original publication. To this structural analysis he adds a new account of the genre's history and its relationship to the myths of the West that have played such an influential role in American history. The Six-Gun Mystique Sequel concludes with an exploration of the continuing influence of Western themes and symbols on many aspects of postmodern American culture, and an assessment of the critical tradition that has developed around the Western genre. The appendices of the book are also revised and expanded to include useful lists of the most important Western novels and films, as well as the best critical and historical studies of different aspects of the genre.

Why has the spy story become such a popular form of entertainment in our time? In this fascinating account of the genre's evolution, John G. Cawelti and Bruce A. Rosenberg explore the social, political, and artistic sources of the spy story's wide appeal. They show how, in a time of bewildering political and corporate organization, the spy story has become increasingly relevant, the secret agent hero expressing the feelings of divided and ambiguous loyalties with which many individuals face the modern world.

In addition to a general history of the genre, Cawelti and Rosenberg present in-depth analyses of the work of certain writers who have given the spy story its shape, among them John Buchan, Eric Ambler, Graham Greene, Ian Fleming, and John le Carré. The Spy Story also includes an extensive appendix, featuring a literary and historical bibliography of espionage and clandestinity, a list of the best spy novels and films, a catalog of major spy writers and their heroes, and a selection of novels on espionage themes written by major twentieth-century authors and public figures.

Written in a lively style that reflects the authors' enthusiasm for this intriguing form, The Spy Story will be read with pleasure by devotees of the genre as well as students of popular culture.