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Far from being secondary considerations in Chinese Marxism, aesthetics and culture are in fact principal concerns. In this respect, such Marxists are similar to their Western counterparts, although Europeans have had little understanding of the Chinese experience. Liu traces the genealogy of aesthetic discourse in both modern China and the West since the era of classical German thought, showing where conceptual modifications and divergences have occurred in the two traditions. He examines the work of Mao Zedong, Lu Xun, Li Zehou, Qu Qiubai, and others in China, and from the West he discusses Kant, Schiller, Schopenhauer, and Marxist theorists including Horkheimer, Adorno, Benjamin, and Marcuse. While stressing the diversity of Marxist positions within China as well as in the West, Liu explains how ideas of culture and aesthetics have offered a constructive vision for a postrevolutionary society and have affected a wide field of issues involving the problems of modernity.
Forcefully argued and theoretically sophisticated, this book will appeal to students and scholars of contemporary Marxism, cultural studies, aesthetics, and modern Chinese culture, politics, and ideology.
Combining literary studies, the history of science, and visual culture studies, Heinrich analyzes the rhetoric and iconography through which medical missionaries transmitted to the West an image of China as “sick” or “diseased.” He also examines the absorption of that image back into China through missionary activity, through the earliest translations of Western medical texts into Chinese, and even through the literature of Chinese nationalism. Heinrich argues that over time “scientific” Western representations of the Chinese body and culture accumulated a host of secondary meanings, taking on an afterlife with lasting consequences for conceptions of Chinese identity in China and beyond its borders.
In Against Exclusion, Audrey Wu Clark dramatically reframes Asian American resistance via the lives of five early Chinese American public figures. In contrast to later activists who sought to defy stereotypes, Ah Toy, Mary Tape, Wong Chin Foo, Yan Phou Lee, and Yung Wing deployed the model minority and yellow peril tropes to make themselves visible during a period of rampant anti-Chinese violence and legal exclusion. In making themselves visible, they sought to expose and dismantle the contradictory exceptionalism of nineteenth-century US liberalism that both required and “disavowed” the deaths of Chinese Americans. In examining these figures and the ways in which they fought their exclusion as Chinese Americans—via court cases, autobiographical writings, journalism, and other forms of activism—Clark contributes to prevailing scholarly conversations about stereotypes of Asian Americans but contextualizes them in the nineteenth century. She traces the twinned emergences of the model minority and the yellow peril, excavating the exceptionalism with which Chinese Americans were racialized and subject to death—whether by lynching, other forms of driving out, or loss of citizenship or rights—and mapping its reverberations into the present day.
Now nearly ten years later as our fascination with post-Deng China continues to develop, Shen's story and the updated material he provides are weighted with increasing significance. Coupled with much of the recent analysis, Shen's firsthand account vividly contextualizes the Chinese government's opposition to democracy and offers meaningful insight into a country that promises to occupy an increasingly prominent position in the world.
"A cause for celebration . . . an important contribution to China's newly discovered historical memory." --New York Times Book Review
Shen Tong is a doctoral student in political sociology at Boston University and the founder of the Democracy for China Fund, which aims to support and publicize dissent networks in China. Marianne Yen is a former New York correspondent for the Washington Post.
Ambivalent Desires carefully investigates Chinese danmei creators’ and fans’ everyday affective experiences in the dynamic yet ambivalent boys love cultural ecology of China. Emerging in mainland China in the late 1990s and flourishing in the 2010s, danmei, also known as boys love fiction, is a genre that features male-male romances or erotica. This book offers a rich, empirically grounded account of danmei, examining the complex and embodied lived experiences of those producing and consuming male homoeroticism and framing ambivalence as an ongoing queer feminist project.
Proposing a novel theoretical framework of “the grammar of ambivalences,” Liang Ge seeks to understand how desires, affects, and queer feminist politics operate within and against the everyday heteropatriarchal and party-state conditions of postsocialist China. Ambivalent Desires attends simultaneously to the backward-looking normativities infused within danmei culture and the forward-facing transformative potential it generates, refusing the reductive binary of resistance versus escapism that has structured much existing scholarship.
Throughout his life, Clarence Adams exhibited self-reliance, ambition, ingenuity, courage, and a commitment to learning—character traits often equated with the successful pursuit of the American Dream. Unfortunately, for an African American coming of age in the 1930s and 1940s, such attributes counted for little, especially in the South.
Adams was a seventeen-year-old high school dropout in 1947 when he fled Memphis and the local police to join the U.S. Army. Three years later, after fighting in the Korean War in an all-black artillery unit that he believed to have been sacrificed to save white troops, he was captured by the Chinese. After spending almost three years as a POW, during which he continued to suffer racism at the hands of his fellow Americans, he refused repatriation in 1953, choosing instead the People's Republic of China, where he hoped to find educational and career opportunities not readily available in his own country.
While living in China, Adams earned a university degree, married a Chinese professor of Russian, and worked in Beijing as a translator for the Foreign Languages Press. During the Vietnam War he made a controversial anti-war broadcast over Radio Hanoi, urging black troops not to fight for someone else's political and economic freedoms until they enjoyed these same rights at home.
In 1966, having come under suspicion during the Chinese Cultural Revolution, he returned with his wife and two children to the United States, where he was subpoenaed to appear before the House Committee on Un-American Activities to face charges of “disrupting the morale of American fighting forces in Vietnam and inciting revolution in the United States.” After these charges were dropped, he and his family struggled to survive economically. Eventually, through sheer perseverance, they were able to fulfill at least part of the American Dream. By the time he died, the family owned and operated eight successful Chinese restaurants in his native Memphis.
The Japanese army’s brutal four-month occupation of the city of Nanking during the 1937 Sino-Japanese War is known, for good reason, as “the rape of Nanking.” As they slaughtered an estimated three hundred thousand people, the invading soldiers raped more than twenty thousand women—some estimates run as high as eighty thousand. Hua-ling Hu presents here the amazing untold story of the American missionary Minnie Vautrin, whose unswerving defiance of the Japanese protected ten thousand Chinese women and children and made her a legend among the Chinese people she served.
Vautrin, who came to be known in China as the “Living Goddess” or the “Goddess of Mercy,” joined the Foreign Christian Missionary Society and went to China during the Chinese Nationalist Revolution in 1912. As dean of studies at Ginling College in Nanking, she devoted her life to promoting Chinese women’s education and to helping the poor.
At the outbreak of the war in July 1937, Vautrin defied the American embassy’s order to evacuate the city. After the fall of Nanking in December, Japanese soldiers went on a rampage of killing, burning, looting, rape, and torture, rapidly reducing the city to a hell on earth. On the fourth day of the occupation, Minnie Vautrin wrote in her diary: “There probably is no crime that has not been committed in this city today. . . . Oh, God, control the cruel beastliness of the soldiers in Nanking.”
When the Japanese soldiers ordered Vautrin to leave the campus, she replied: “This is my home. I cannot leave.” Facing down the blood-stained bayonets constantly waved in her face, Vautrin shielded the desperate Chinese who sought asylum behind the gates of the college. Vautrin exhausted herself defying the Japanese army and caring for the refugees after the siege ended in March 1938. She even helped the women locate husbands and sons who had been taken away by the Japanese soldiers. She taught destitute widows the skills required to make a meager living and provided the best education her limited sources would allow to the children in desecrated Nanking.
Finally suffering a nervous breakdown in 1940, Vautrin returned to the United States for medical treatment. One year later, she ended her own life. She considered herself a failure.
Hu bases her biography on Vautrin’s correspondence between 1919 and 1941 and on her diary, maintained during the entire siege, as well as on Chinese, Japanese, and American eyewitness accounts, government documents, and interviews with Vautrin’s family.
How shopping malls transformed China’s urban landscapes and the consumer patterns of their residents.
China’s remarkable journey from poverty to becoming the world’s second-largest economic power is marked by extraordinary urban growth and the booming consumption capacity of urban populations. Central to this development are multifunctional commercial complexes and shopping malls, which are now key features of modern urban districts. Shopping malls, originally introduced to China by American architects in the 1980s, have since flourished on an even larger scale than their American counterparts.
This book delves into the origins of shopping mall development in the United States after World War II, tracing how American architects exported this building type into China’s rapidly evolving urban landscapes, particularly in Beijing, Shanghai, Chengdu, Kunming, and Guangzhou. Using primary sources, statistical analyses, and illustrated case studies, American-Designed Shopping Malls in China explores the evolution of shopping malls as a consequence of China’s profound economic, social, and cultural change over the past four decades. The book also highlights the impact of American consumerism on the everyday lives of Chinese people, altering not only consumer patterns but also local architectural practices. This tale of transformation is essential reading for anyone interested in China’s rapid urban development.
In America's First Adventure in China, John Haddad provides a colorful history of the evolving cultural exchange and interactions between these countries. He recounts how American expatriates adopted a pragmatic attitude-as well as an entrepreneurial spirit and improvisational approach-to their dealings with the Chinese. Haddad shows how opium played a potent role in the dreams of Americans who either smuggled it or opposed its importation, and he considers the missionary movement that compelled individuals to accept a hard life in an alien culture.
As a result of their efforts, Americans achieved a favorable outcome—they established a unique presence in China—and cultivated a relationship whose complexities continue to grow.
The first sustained historical study of the emergence of cinema in China, An Amorous History of the Silver Screen is a fascinating narrative that illustrates the immense cultural significance of film and its power as a vehicle for social change. Named after a major feature film on the making of Chinese cinema, only part of which survives, An Amorous History of the Silver Screen reveals the intricacies of this cultural movement and explores its connections to other art forms such as photography, architecture, drama, and literature. In light of original archival research, Zhang Zhen examines previously unstudied films and expands the important discussion of how they modeled modern social structures and gender roles in early twentieth-century China.
The first volume in the new and groundbreaking series Cinema and Modernity, An Amorous History of the Silver Screen is an innovative—and well illustrated—look at the cultural history of Chinese modernity through the lens of this seminal moment in Shanghai cinema.
Offering a single, coherent framework of the political, economic, and social phenomena that characterize post-communist regimes, this is the most comprehensive work on the subject to date. Focusing on Central Europe, the post-Soviet countries and China, the study provides a systematic mapping of possible post-communist trajectories.
At exploring the structural foundations of post-communist regime development, the work discusses the types of state, with an emphasis on informality and patronalism; the variety of actors in the political, economic, and communal spheres; the ways autocrats neutralize media, elections, etc. The analysis embraces the color revolutions of civil resistance (as in Georgia and in Ukraine) and the defensive mechanisms of democracy and autocracy; the evolution of corruption and the workings of “relational economy”; an analysis of China as “market-exploiting dictatorship”; the sociology of “clientage society”; and the instrumental use of ideology, with an emphasis on populism. Beyond a cataloguing of phenomena—actors, institutions, and dynamics of post-communist democracies, autocracies, and dictatorships—Magyar and Madlovics also conceptualize everything as building blocks to a larger, coherent structure: a new language for post-communist regimes.
While being the most definitive book on the topic, the book is nevertheless written in an accessible style suitable for both beginners who wish to understand the logic of post-communism and scholars who are interested in original contributions to comparative regime theory. The book is equipped with QR codes that link to www.postcommunistregimes.com, which contains interactive, 3D supplementary material for teaching.
This book is a project in comparative history, but along two distinct axes, one historical and the other historiographical. Its purpose is to constructively juxtapose the early modern European and Chinese approaches to historical study that have been called "antiquarian." As an exercise in historical recovery, the essays in this volume amass new information about the range of antiquarian-type scholarship on the past, on nature, and on peoples undertaken at either end of the Eurasian landmass between 1500 and 1800. As a historiographical project, the book challenges the received---and often very much under conceptualized---use of the term "antiquarian" in both European and Chinese contexts. Readers will not only learn more about the range of European and Chinese scholarship on the past---and especially the material past---but they will also be able to integrate some of the historiographical observations and corrections into new ways of conceiving of the history of historical scholarship in Europe since the Renaissance, and to reflect on the impact of these European terms on Chinese approaches to the Chinese past. This comparison is a two-way street, with the European tradition clarified by knowledge of Chinese practices, and Chinese approaches better understood when placed alongside the European ones.
The 79-day-long Hong Kong Umbrella Movement occupied major streets in the busiest parts of the city, creating tremendous inconvenience to this city famous for capitalist order and efficiency. It was also a peaceful collective effort of appearance, and it was as much a political event as a cultural one. The urge for expressing an independent cultural identity underlined both the Occupy movement and the remarkably rich cultural expressions it generated. While understanding the specificity of Hong Kong’s situations, The Appearing Demos also comments on some global predicaments we are facing in the midst of neoliberalism and populism. It directs our attention from state-based sovereignty to city-based democracy, and emphasizes the importance of participation and cohabitation. The book also examines how the ideas of Hannah Arendt are useful to those happenings much beyond the political circumstances that gave rise to her theorization. The book pays particular attention to the actual intersubjective experiences during the protest. These experiences are local, fragile, and sometimes inarticulable, therefore resisting rationality and debates, but they define the fullness of any individual, and they also make politics possible. Using the Umbrella Movement as an example, this book examines the “freed” political agents who constantly take others into consideration in order to guarantee the political realm as a place without coercion and discrimination. In doing so, Pang Laikwan demonstrates how politics means neither to rule nor to be ruled, and these movements should be defined by hope, not by goals.
From eating well in improving economic times to memories of the late 1950s famine, from the flavors of traditional Chinese medicine to modernity’s private sexual passions, this book argues that embodiment in all its forms must be invented and sustained in public reflections about personal and national life. As much at home in science studies and social theory as in the details of life in Beijing, this account uses anthropology, cultural studies, and literary criticism to read contemporary Chinese life in a materialist and reflexive mode. For both Maoist and market reform periods, this is a story of high culture in appetites, desire in collective life, and politics in the body and its dispositions.
Home to capitals of several states over time, the site of modern Beijing has been ruled by Mongolian chiefs and the glorious Ming emperors, whose tombs can still be found on its outskirts. Through Beijing, we can experience Chinese history itself, including its more famous residents—including Khubilai Khan, Mulan, and Marco Polo. Special emphasis is placed on Beijing’s precarious heritage in the twenty-first century, as modern construction wipes out much of the old city to make way for homes for twenty million people.
This book also offers detailed information on sites of tourist interest, including the pros and cons of different sections of the Great Wall and the best ways to see the Forbidden City and the fast-disappearing relics of the city’s Manchu and Maoist eras. A chapter on food and drink examines not only local delicacies, but the many other Chinese dishes that form part of Beijing’s rich dining traditions. With its blend of rich history and expert tips, An Armchair Traveller’s History of Beijing is an essential introduction to one of the world’s most remarkable cities.
Drawing on rich ethnographic and historical research, McGranahan tells the story of the Tibetan resistance and the social processes through which this history is made and unmade, and lived and forgotten in the present. Fulfillment of veterans’ desire for recognition hinges on the Dalai Lama and “historical arrest,” a practice in which the telling of certain pasts is suspended until an undetermined time in the future. In this analysis, struggles over history emerge as a profound pain of belonging. Tibetan cultural politics, regional identities, and religious commitments cannot be disentangled from imperial histories, contemporary geopolitics, and romanticized representations of Tibet. Moving deftly from armed struggle to nonviolent hunger strikes, and from diplomatic offices to refugee camps, Arrested Histories provides powerful insights into the stakes of political engagement and the cultural contradictions of everyday life.
This is the first English-language monograph on the early history of maps in China, centering on those found in three tombs that date from the fourth to the second century BCE and constitute the entire known corpus of early Chinese maps (ditu). More than a millennium separates them from the next available map in the early twelfth century CE. Unlike extant studies that draw heavily from the history of cartography, this book offers an alternative perspective by mobilizing methods from art history, archaeology, material culture, religion, and philosophy. It examines the diversity of forms and functions in early Chinese ditu to argue that these pictures did not simply represent natural topography and built environments, but rather made and remade worlds for the living and the dead. Wang explores the multifaceted and multifunctional diagrammatic tradition of rendering space in early China.
Mao explores the deep resonance American conservatives felt with the defeat of Chiang Kai-Shek and his exile to Taiwan, which they lamented as the loss of China to communism and the corrosion of traditional values. In response, they fomented aggressive anti-communist positions that urged greater action in the Pacific, a policy known as “Asia First.” While this policy would do nothing to oust the communists from China, it was powerfully effective at home. Asia First provided American conservatives a set of ideals—American sovereignty, selective military intervention, strident anti-communism, and the promotion of a technological defense state—that would bring them into the global era with the positions that are now their hallmark.
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