The writings of immigrants from China and their descendants in the United States reflect the changes and continuity in the Chinese American experience. Xiao-huang Yin combines literary and historical scholarship to trace the origins and development of this extensive, neglected body of literature.
Chinese American Literature since the 1850s covers representative works from the 1850s to the present. Selections include journalism and autobiography by nineteenth-century Chinese authors; writings on the walls of Angel Island, the main Asian immigrant arrival point on the West Coast; writings of late-nineteenth and early-twentieth-century "cultivated Chinese," students and scholars who came to America to advance their educations; important writing by immigrants such as Chen Ruoxi, Yu Lihua, and Zhang Xiguo; and the works of more recent authors like Sui Sin Far, Jade Snow Wong, Frank Chin, Maxine Hong Kingston, and Amy Tan.
An essential introduction and guide to the field, Chinese American Literature since the 1850s enlarges the available body of literature and provides new insights into the Chinese American immigrant experience and the writing inspired by it.
In the Cold War era, Chinese Americans were caught in a double-bind. The widespread stigma of illegal immigration, as it was often called, was most easily countered with the model minority, assimilating and forming nuclear families, but that in turn led to further stereotypes. In Illegal Immigrants/Model Minorities, Heidi Kim investigates how Chinese American writers navigated a strategy to normalize and justify the Chinese presence during a time when fears of Communism ran high.
Kim explores how writers like Maxine Hong Kingston, Jade Snow Wong, and C. Y. Lee, among others, addressed issues of history, family, blood purity, and law through then-groundbreaking novels and memoirs. Illegal Immigrants/Model Minorities also uses legal cases, immigration documents, and law as well as mass media coverage to illustrate how writers constructed stories in relation to the political structures that allowed or disallowed their presence, their citizenship, and their blended identity.
Kim illuminates the rapidly shifting political and social pressures on Chinese American authors who selectively concealed, revealed, and reconstructed issues of citizenship, belonging, and inclusion in their writing.
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