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Kenneth Clark
University of Minnesota Press
Vocational Interests of Non-Professional Men was first published in 1961.In contrast to most psychological research about occupational interests and related achievement, which has centered on professional and managerial occupations, the study reported here deals with the vocational interests of skilled trades workers. The study is important because, among young people not planning to go to college, many each year select occupations when they have only fragmentary information about the occupation and its requirements and about their own characteristics and needs; the findings of this study will contribute to better counseling of such young people in the future.Dr. Clark’s investigation is based on the responses of approximately 25,000 persons to the Minnesota Vocational Interest Inventory. About 6,000 of the subjects were civilians and the rest were enlisted personnel in the U.S. Navy. He describes the development of the Minnesota Vocational Interest Inventory and of scoring keys for use with it, examines the characteristics of these keys, and summarizes various studies of the psychometric characteristics of keys developed by different methods. He discusses use of keys in classifying individuals into occupational groups, then turns to the use of interest measures in predicting achievement and choice of specialty. In conclusion he suggests ways in which improved interest measures may be developed to the end that there may be not only better counseling of individuals but also greater understanding of the processes by which occupational choices occur.Vocational counselors, industrial psychologists, personnel managers, and psychometrists will find the book especially useful.
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100 Details
Kenneth Clark
Harvard University Press, 1990

100 Details offers Kenneth Clark's personal choice of details of paintings in the National Gallery, London, and his responses to them. Clark chooses the pictures he likes best, hoping that we will come to like them too. The result is like taking a stroll through a glorious art collection with a critic of astounding eye and intellect at our side.

First published in 1938, the book is arranged in a series of facing page spreads, now reproduced in full color, enabling us to discern analogies and contrasts between painting that are rarely seen together--a faun from Piero di Cosimo, a satyr from Rubens. The running commentaries are Kenneth Clark at his best. They range from a few lines to an entire history of still life between Giotto and Picasso, all conveyed in easy style.

Clark insists that there are countless ways of enjoying paintings, provided we stop, look, and think. He has picked the ones to stop at: the detail makes us look. And his comments, wide in scope and catholic in approach, suggest lines of thought so diverse that it is inconceivable that none will strike a chord with the reader.

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