front cover of I Want to Believe
I Want to Believe
Posadism, UFOs and Apocalypse Communism
A.M. Gittlitz
Pluto Press, 2020
"Looks back at the history of Posadism to explore why this largely discredited movement has elicited so much recent interest."—Art in America
 
Advocating nuclear war, attempting communication with dolphins, and taking an interest in the paranormal and UFOs, there is perhaps no greater (or stranger) cautionary tale for the Left than that of Posadism. Named after the Argentine Trotskyist J. Posadas, the movement’s journey through the fractious and sectarian world of mid-20th century revolutionary socialism was unique. This book is a “dumpster dive” into the weird and wonderful world of the Posadists.
 
Although at times significant, Posadas' movement was ultimately a failure. As it disintegrated, it increasingly grew to resemble a bizarre cult, detached from the working class it sought to liberate. The renewed interest in Posadism today, especially for its more outlandish fixations, speaks to both a cynicism towards the past and nostalgia for the earnest belief that a better world is possible. Chapters include:
 
*Revolutionary Youth or Patriotic Youth
*The Death Throes of Capitalism
*The Origins of Posadism
*Flying Saucers, the Process of Matter and Energy, Science, the Revolutionary and Working-Class Stuggle, and the Socialist Future of Mankind
*What Exists Cannot be True
*Why Don’t Extraterrestrials Make Public Contact
*UFOs to the People
 
In the Introduction, A.M. Gittlitz writes, “Insurrection or first contact could come any day, Marxists and ufologists both tell us, but both are far more likely if we desire them, embracing a sentiment enigmatically expressed in a meme come before its time, a poster on the wall of rouge FBI agent Fox Mulder in the ‘90s sci-fi noir The X-Files: hovering alongside a granny image of a comically unconvincingly flying saucer and the words I WANT TO BELIEVE".
 
Drawing on considerable archival research, and numerous interviews with ex- and current Posadists, I Want to Believe tells the fascinating story of this most unusual socialist movement and considers why it continues to capture the imaginations of leftists today.
[more]

logo for University of Chicago Press
Icons of the Left
Benjamin and Eisenstein, Picasso and Kafka after the Fall of Communism
Otto Karl Werckmeister
University of Chicago Press, 1999
In his new book, art historian O. K. Werckmeister advances a critique of Marxist culture in capitalist society.
Focusing on some of the most celebrated instances of traditional "Western Marxism," Werckmeister shows how such "icons of the Left" have been progressively detached from their political roots in communist activism to the safe distance of utopian or revolutionary speculations. He assesses some recent critiques of "Western Marxism" in popular culture such as Soderbergh's film Kafka, pointing out the historic fallacies that underlie such wholesale repudiations. With this analysis, Werckmeister seeks to clear the ground for a coherent cultural policy of the Left that responds to the continuing crisis of society.

[more]

front cover of If You're an Egalitarian, How Come You’re So Rich?
If You're an Egalitarian, How Come You’re So Rich?
G. A. Cohen
Harvard University Press, 2001

This book presents G. A. Cohen's Gifford Lectures, delivered at the University of Edinburgh in 1996. Focusing on Marxism and Rawlsian liberalism, Cohen draws a connection between these thought systems and the choices that shape a person's life. In the case of Marxism, the relevant life is his own: a communist upbringing in the 1940s in Montreal, which induced a belief in a strongly socialist egalitarian doctrine. The narrative of Cohen's reckoning with that inheritance develops through a series of sophisticated engagements with the central questions of social and political philosophy.

In the case of Rawlsian doctrine, Cohen looks to people's lives in general. He argues that egalitarian justice is not only, as Rawlsian liberalism teaches, a matter of rules that define the structure of society, but also a matter of personal attitude and choice. Personal attitude and choice are, moreover, the stuff of which social structure itself is made. Those truths have not informed political philosophy as much as they should, and Cohen's focus on them brings political philosophy closer to moral philosophy, and to the Judeo-Christian ethical tradition, than it has recently been.

[more]

front cover of Illusive Utopia
Illusive Utopia
Theater, Film, and Everyday Performance in North Korea
Suk-Young Kim
University of Michigan Press, 2010

"North Korea is not just a security or human rights problem (although it is those things) but a real society. This book gets us closer to understanding North Korea beyond the usual headlines, and does so in a richly detailed, well-researched, and theoretically contextualized way."
---Charles K. Armstrong, Director, Center for Korean Research, Columbia University

"One of this book's strengths is how it deals at the same time with historical, geographical, political, artistic, and cultural materials. Film and theatre are not the only arts Kim studies---she also offers an excellent analysis of paintings, fashion, and what she calls 'everyday performance.' Her analysis is brilliant, her insights amazing, and her discoveries and conclusions always illuminating."
---Patrice Pavis, University of Kent, Canterbury

No nation stages massive parades and collective performances on the scale of North Korea. Even amid a series of intense political/economic crises and international conflicts, the financially troubled country continues to invest massive amounts of resources to sponsor unflinching displays of patriotism, glorifying its leaders and revolutionary history through state rituals that can involve hundreds of thousands of performers. Author Suk-Young Kim explores how sixty years of state-sponsored propaganda performances---including public spectacles, theater, film, and other visual media such as posters---shape everyday practice such as education, the mobilization of labor, the gendering of social interactions, the organization of national space, tourism, and transnational human rights. Equal parts fascinating and disturbing, Illusive Utopia shows how the country's visual culture and performing arts set the course for the illusionary formation of a distinctive national identity and state legitimacy, illuminating deep-rooted cultural explanations as to why socialism has survived in North Korea despite the fall of the Berlin Wall, the collapse of the Soviet Union, and China's continuing march toward economic prosperity. With over fifty striking color illustrations, Illusive Utopia captures the spectacular illusion within a country where the arts are not only a means of entertainment but also a forceful institution used to regulate, educate, and mobilize the population.

Suk-Young Kim is Associate Professor in the Department of Theater and Dance at the University of California, Santa Barbara, and coauthor with Kim Yong of Long Road Home: A Testimony of a North Korean Camp Survivor.

[more]

front cover of In and Against the State
In and Against the State
London Edinburgh Weekend Return Group
Pluto Press, 2021

Originally published as a pamphlet in 1979 and again by Pluto in 1980, In and Against the State brought together questions of working-class struggle and state power, exploring how revolutionary socialists might reconcile working in the public sector with their radical politics. Informed by autonomist political ideas and practices that were central to the protests of 1968, the book’s authors spoke to a generation of activists wrestling with the question of where to place their energies.

Forty years have passed, yet the questions it posed are still to be answered. As the eclipse of Corbynism and the onslaught of the global pandemic have demonstrated with brutal clarity, a renewed socialist strategy is needed more urgently than ever. 

This edition includes a new introduction by Seth Wheeler and an interview with John McDonnell that reflect on the continuing relevance of In and Against the State and the questions it raises.

[more]

front cover of In Contempt
In Contempt
Defending Free Speech, Defeating HUAC
Ed Yellin and Jean Fagan Yellin
University of Michigan Press, 2022
“YOU ARE HEREBY COMMANDED to be and appear before the Committee on Un-American Activities of the House of Representatives of the United States, or a duly appointed subcommittee thereof, on February 10 (Monday), 1958, at ten o’clock a.m. at City Council Chambers, City Hall, Gary, Indiana, then and there to testify touching matters of inquiry committed to said committee, and not to depart without leave of said committee.”

So began a decade of hardship for Ed and Jean Yellin and their three young children as the repressive weight of the U.S. government, caught up in the throes of McCarthyism, crashed down upon their careers, their daily household budget, and their relationships to colleagues, neighbors, and their country. In Contempt is a faithful, factual testament to the enduring quality of patriotic dissent in our evolving democracy—and a loving reconstruction of what it meant to be labeled “unAmerican” for defending the Constitution.
 
[more]

logo for Harvard University Press
Inside the Kremlin’s Cold War
From Stalin to Khrushchev
Vladislav Zubok and Constantine Pleshakov
Harvard University Press, 1996

Covering the volatile period from 1945 to 1962, Vladislav Zubok and Constantine Pleshakov explore the personalities and motivations of the key people who directed Soviet political life and shaped Soviet foreign policy. They begin with the fearsome figure of Joseph Stalin, who was driven by the dual dream of a Communist revolution and a global empire. They reveal the scope and limits of Stalin’s ambitions by taking us into the world of his closest subordinates, the ruthless and unimaginative foreign minister Molotov and the Party’s chief propagandist, Zhdanov, a man brimming with hubris and missionary zeal. The authors expose the machinations of the much-feared secret police chief Beria and the party cadre manager Malenkov, who tried but failed to set Soviet policies on a different course after Stalin’s death. Finally, they document the motives and actions of the self-made and self-confident Nikita Khrushchev, full of Russian pride and party dogma, who overturned many of Stalin’s policies with bold strategizing on a global scale. The authors show how, despite such attempts to change Soviet diplomacy, Stalin’s legacy continued to divide Germany and Europe, and led the Soviets to the split with Maoist China and to the Cuban missile crisis.

Zubok and Pleshakov’s groundbreaking work reveals how Soviet statesmen conceived and conducted their rivalry with the West within the context of their own domestic and global concerns and aspirations. The authors persuasively demonstrate that the Soviet leaders did not seek a conflict with the United States, yet failed to prevent it or bring it to conclusion. They also document why and how Kremlin policy-makers, cautious and scheming as they were, triggered the gravest crises of the Cold War in Korea, Berlin, and Cuba. Taking us into the corridors of the Kremlin and the minds of its leaders, Zubok and Pleshakov present intimate portraits of the men who made the West fear, to reveal why and how they acted as they did.

[more]

logo for Duke University Press
International Trotskyism, 1929-1985
A Documented Analysis of the Movement
Robert J. Alexander
Duke University Press, 1991
In a work of encyclopedic scope, International Trotskyism, 1929–1985 is sure to become the definitive reference work on a movement that has had a significant impact on the political culture of countries in every part of the world for more than half a century.
Renowned scholar Robert J. Alexander has amassed, from disparate sources, an unprecedented amount of primary and secondary material to provide a documentary history of the origins, development, and nature of the Trotskyist movement around the world. Drawing on interviews and correspondence with Trotskyists, newspaper reports and pamphlets, historical writings including the annotated writings of Trotsky in both English and French, historical memoirs of Trotskyist leaders, and documents of the Fourth International, Alexander recounts the history of the movement since Trotsky’s exile from the Soviet Union in 1929.
Organized alphabetically in a double-column, country-by-country format this book charts the formation and growth of Trotskyism in more than sixty-five countries, providing biographic information about its most influential leaders, detailed accounts of Trotsky’s personal involvement in the development of the movement in each country, and thorough reports of its various factions and splits. Multiple chapters are reserved for countries where the movement was more active or fully developed and various chapters are organized around crucial thematic issues, such as the Fourth International. The chapters are followed by extensive name, organization, publication, and subject indexes, which provide optimal access to the wealth of information contained in the main body of the work.
[more]

front cover of Isonomia and the Origins of Philosophy
Isonomia and the Origins of Philosophy
Kojin Karatani
Duke University Press, 2017
In Isonomia and the Origins of Philosophy—published originally in Japanese and now available in four languages—Kōjin Karatani questions the idealization of ancient Athens as the source of philosophy and democracy by placing the origins instead in Ionia, a set of Greek colonies located in present-day Turkey. Contrasting Athenian democracy with Ionian isonomia—a system based on non-rule and a lack of social divisions whereby equality is realized through the freedom to immigrate—Karatani shows how early Greek thinkers from Heraclitus to Pythagoras were inseparably linked to the isonomia of their Ionian origins, not democracy. He finds in isonomia a model for how an egalitarian society not driven by class antagonism might be put into practice, and resituates Socrates's work and that of his intellectual heirs as the last philosophical attempts to practice isonomia's utopic potentials. Karatani subtly interrogates the democratic commitments of Western philosophy from within and argues that the key to transcending their contradictions lies not in Athenian democracy, with its echoes of imperialism, slavery, and exclusion, but in the openness of isonomia.
[more]


Send via email Share on Facebook Share on Twitter