front cover of Beyond Practical Virtue
Beyond Practical Virtue
A Defense of Liberal Democracy through Literature
Joel A. Johnson
University of Missouri Press, 2007

Why hasn’t democracy been embraced worldwide as the best form of government?
           
            Aesthetic critics of democracy such as Carlyle and Nietzsche have argued that modern democracy, by removing the hierarchical institutions that once elevated society’s character, turns citizens into bland, mediocre souls. Joel A. Johnson now offers a rebuttal to these critics, drawing surprising inspiration from American literary classics.

            Addressing the question from a new perspective, Johnson takes a fresh look at the worth of liberal democracy in these uncertain times and tackles head-on the thorny question of cultural development. Examining the novels of James Fenimore Cooper, Mark Twain, and William Dean Howells, he shows that through their fiction we can gain a better appreciation of the rich detail of everyday life, making the debate relevant to contemporary discussions of liberal democracy.

            Johnson focuses on an issue that liberals have inadequately addressed: whether people tend to develop fully as individuals under liberal democracy when such a regime does little formally to encourage their development. He argues that, though the liberal fear of state-guided culture is well founded, it should not prevent us from evaluating liberalism’s effect on individual flourishing. By extending the debate over the worthiness of liberal democracy to include democracy’s effect on individual development, he contends that the democratic experience is much fuller than the aristocratic one and thus expands the faculties of its citizens.

            Critics of American democracy such as John Rawls have sought to transform it into a social or egalitarian democracy in the European style. Johnson shows that neither the debate between Rawls and his communitarian critics nor the ongoing discussion of the globalization of American values adequately addresses the fundamental critique of democratic culture advanced by the aesthetic critics. Johnson’s cogent analysis reaches out to those readers who are ready for a more comprehensive evaluation of liberal democracy, offering new insight into the relationship between the state and the individual while blazing new trails in the intersection of politics and literature.

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The Deerslayer
James Fenimore Cooper
Harvard University Press, 2013

Though The Deerslayer (1841) was the last of Cooper’s five Leather-stocking tales to be written, it is the first in the chronology of Natty Bumppo’s life. Set in the 1740s before the start of the French and Indian War, when Cooper’s rugged frontiersman is in his twenties, Cooper’s novel shows us how “Deerslayer” becomes “Hawkeye.” It remains the best point of entry into the series for modern readers.

In his introduction, Ezra Tawil examines Cooper’s motivations in writing The Deerslayer, the static nature of Natty, and Cooper’s vexed racial politics. The John Harvard Library edition reproduces the authoritative text of The Deerslayer in The Writings of James Fenimore Cooper (State University of New York Press).

Since 1959 The John Harvard Library has been instrumental in publishing essential American writings in authoritative editions.

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Dreaming Revolution
Transgression in the Development of American Romance
Scott Bradfield
University of Iowa Press, 1993

Dreaming Revolution usefully employs current critical theory to address how the European novel of class revolt was transformed into the American novel of imperial expansion. Bradfield shows that early American romantic fiction—including works by William Godwin, Charles Brockden Brown, James Fenimore Cooper, and Edgar Allan Poe—can and should be considered as part of a genre too often limited to the nineteenth-century European novel. In a spirited discussion of the works from these four authors, Bradfield argues that Americans take the class dynamics of the European psychological novel and apply them to the American landscape, reimagining psychological spaces as geographical ones.

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Home Fronts
Domesticity and Its Critics in the Antebellum United States
Lora Romero
Duke University Press, 1997
Unlike studies of nineteenth-century culture that perpetuate a dichotomy of a public, male world set against a private, female world, Lora Romero’s Home Fronts shows the many, nuanced, and sometimes contradictory cultural planes on which struggles for authority unfolded in antebellum America.
Romero remaps the literary landscape of the last century by looking at the operations of domesticity on the frontier as well as within the middle-class home and by reconsidering such crucial (if sometimes unexpected) sites for the workings of domesticity as social reform movements, African-American activism, and homosocial high culture. In the process, she indicts theories of the nineteenth century based on binarisms and rigidity while challenging models of power and resistance based on the idea that "culture" has the capacity to either free or enslave. Through readings of James Fenimore Cooper, Catherine Beecher, Harriet Beecher Stowe, Maria Stewart, and Nathaniel Hawthorne, Romero shows how the politics of culture reside in local formulations rather than in essential and ineluctable political structures.
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The Last of the Mohicans
James Fenimore Cooper
Harvard University Press, 2011
Set in 1757 during the French and Indian War, as Britain and France fought for control of North America, The Last of the Mohicans is a historical novel and a rousing adventure story. It is also, Wayne Franklin argues in his introduction, a probing examination of the political and cultural contest taking shape more than half a century later in the author’s own day as European settlement continued to relentlessly push Native Americans westward. The John Harvard Library edition reproduces the authoritative text of the novel from The Writings of James Fenimore Cooper, published by the State University of New York Press.
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Letters and Journals of James Fenimore Cooper
James Fenimore Cooper
Harvard University Press

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Letters and Journals of James Fenimore Cooper
James Fenimore Cooper
Harvard University Press

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Letters and Journals of James Fenimore Cooper
James Fenimore Cooper
Harvard University Press

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Letters and Journals of James Fenimore Cooper
James Fenimore Cooper
Harvard University Press

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Letters and Journals of James Fenimore Cooper
James Fenimore Cooper
Harvard University Press
James Fenimore Cooper's magnificent vision of American civilization was probably doomed from the outset. Yet the dream died hard, as the years (1845-1851) recorded in volumes V and VI of his Letters and Journals show. Vigorous and perceptive as ever at 55, he continued to combat forces in the national life that he feared were destroying its civility and constitutional structures. When, finally, he realized that his efforts were barren, he found some solace in religion. Cooper mellowed perceptibly in his later years, and his genius for friendship is perhaps better revealed here than in earlier volumes. And his range of observation remained kaleidoscopic: the Mexican War, the Navy, the French Revolution of 1848, the theatre, and the latest New York scandal. Nor did his productivity slacken. Between 1845 and 1850, he averaged two books a year, undertook a revised edition of his works in fine format, composed a play, and, at the time of his death, had in press The Towns of Manhattan, which was to have been the first history of Greater New York City.
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Letters and Journals of James Fenimore Cooper
James Fenimore Cooper
Harvard University Press
James Fenimore Cooper's magnificent vision of American civilization was probably doomed from the outset. Yet the dream died hard, as the years (1845-1851) recorded in volumes V and VI of his Letters and Journals show. Vigorous and perceptive as ever at 55, he continued to combat forces in the national life that he feared were destroying its civility and constitutional structures. When, finally, he realized that his efforts were barren, he found some solace in religion. Cooper mellowed perceptibly in his later years, and his genius for friendship is perhaps better revealed here than in earlier volumes. And his range of observation remained kaleidoscopic: the Mexican War, the Navy, the French Revolution of 1848, the theatre, and the latest New York scandal. Nor did his productivity slacken. Between 1845 and 1850, he averaged two books a year, undertook a revised edition of his works in fine format, composed a play, and, at the time of his death, had in press The Towns of Manhattan, which was to have been the first history of Greater New York City. Volume VI provides a cumulative index to the entire edition and contains an important section of additional letters (1825-1844) discovered since the earlier volumes were published.
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logo for Harvard University Press
Letters and Journals of James Fenimore Cooper
James Fenimore Cooper
Harvard University Press
James Fenimore Cooper's magnificent vision of American civilization was probably doomed from the outset. Yet the dream died hard, as the years (1845-1851) recorded in volumes V and VI of his Letters and Journals show. Vigorous and perceptive as ever at 55, he continued to combat forces in the national life that he feared were destroying its civility and constitutional structures. When, finally, he realized that his efforts were barren, he found some solace in religion. Cooper mellowed perceptibly in his later years, and his genius for friendship is perhaps better revealed here than in earlier volumes. And his range of observation remained kaleidoscopic: the Mexican War, the Navy, the French Revolution of 1848, the theatre, and the latest New York scandal. Nor did his productivity slacken. Between 1845 and 1850, he averaged two books a year, undertook a revised edition of his works in fine format, composed a play, and, at the time of his death, had in press The Towns of Manhattan, which was to have been the first history of Greater New York City. Volume VI provides a cumulative index to the entire edition and contains an important section of additional letters (1825-1844) discovered since the earlier volumes were published.
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Letters and Journals of James Fenimore Cooper
James Fenimore Cooper
Harvard University Press

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Letters and Journals of James Fenimore Cooper
James Fenimore Cooper
Harvard University Press

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The Pathfinder
James Fenimore Cooper
Harvard University Press, 2014

In 1831, James Fenimore Cooper told his publisher that he wanted to write a story set on Lake Ontario. The book was accepted, but with no hint that it would feature Natty Bumppo from the well-established Leather-Stocking Tales. The Pathfinder (1840) revisits Natty’s military service, extending a story begun in The Last of the Mohicans, and introduces the complications of love against the backdrop of the French and Indian War. Wayne Franklin’s introduction describes the personal and financial circumstances that led to Cooper’s resurrection of his most popular character, underscoring the author’s aim to offer Natty as a “Pathfinder” for a nation he feared had lost its moral bearings.

The John Harvard Library edition reproduces the text of The Pathfinder from The Writings of James Fenimore Cooper (State University of New York Press).

Since 1959 The John Harvard Library has been instrumental in publishing essential American writings in authoritative editions.

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The Pioneers
James Fenimore Cooper
Harvard University Press, 2011

With The Pioneers (1823), Cooper initiated his series of elegiac romances of frontier life and introduced the world to Natty Bumppo (or Leather-stocking). Set in 1793 in New York State, the novel depicts an aging Leather-stocking negotiating his way in a restlessly expanding society. In his introduction, Robert Daly argues for the novel’s increasing relevance: we live in a similarly complex society as Cooper’s frontier world, faced with the same questions about the limits of individualism, the need for voluntary cooperation, and stewardship of the environment.

The John Harvard Library edition reproduces the authoritative text of The Pioneers in the The Writings of James Fenimore Cooper, published by the State University of New York Press.

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The Prairie
James Fenimore Cooper
Harvard University Press, 2014

The action of James Fenimore Cooper's The Prairie (1827) unfolds against the backdrop of the grasslands beyond the Mississippi, just after the Louisiana Purchase, in the early days of western expansion. It features Cooper's most celebrated literary creation, Natty Bumppo, now aged and reduced to making a living by trapping. As the frontiersman's epic journey from the Atlantic to the Pacific nears its end in a vast and still uninhabited region that Cooper consistently imagines as an ocean of the interior, nothing less than the future identity of America is at stake, Domhnall Mitchell suggests in his Introduction.

The John Harvard Library edition reproduces the authoritative text of the novel from The Writings of James Fenimore Cooper, published by the State University of New York Press.

Since 1959 The John Harvard Library has been instrumental in publishing essential American writings in authoritative editions.

[more]


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