front cover of Becoming Free in the Cotton South
Becoming Free in the Cotton South
Susan Eva O'Donovan
Harvard University Press, 2010
Becoming Free in the Cotton South challenges our most basic ideas about slavery and freedom in America. Instead of seeing emancipation as the beginning or the ending of the story, as most histories do, Susan Eva O’Donovan explores the perilous transition between these two conditions, offering a unique vision of both the enormous changes and the profound continuities in black life before and after the Civil War.This boldly argued work focuses on a small place—the southwest corner of Georgia—in order to explicate a big question: how did black men and black women’s experiences in slavery shape their lives in freedom? The reality of slavery’s demise is harsh: in this land where cotton was king, the promise of Reconstruction passed quickly, even as radicalism crested and swept the rest of the South. Ultimately, the lives former slaves made for themselves were conditioned and often constrained by what they had endured in bondage. O’Donovan’s significant scholarship does not diminish the heroic efforts of black Americans to make their world anew; rather, it offers troubling but necessary insight into the astounding challenges they faced.Becoming Free in the Cotton South is a moving and intimate narrative, drawing upon a multiplicity of sources and individual stories to provide new understanding of the forces that shaped both slavery and freedom, and of the generation of African Americans who tackled the passage that lay between.
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front cover of Black Bodies, White Gold
Black Bodies, White Gold
Art, Cotton, and Commerce in the Atlantic World
Anna Arabindan-Kesson
Duke University Press, 2021
In Black Bodies, White Gold Anna Arabindan-Kesson uses cotton, a commodity central to the slave trade and colonialism, as a focus for new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth-century Atlantic world. In doing so, Arabindan-Kesson models an art historical approach that makes the histories of the Black diaspora central to nineteenth-century cultural production. She traces the emergence of a speculative vision that informs perceptions of Blackness in which artistic renderings of cotton—as both commodity and material—became inexorably tied to the monetary value of Black bodies. From the production and representation of “negro cloth”—the textile worn by enslaved plantation workers—to depictions of Black sharecroppers in photographs and paintings, Arabindan-Kesson demonstrates that visuality was the mechanism through which Blackness and cotton became equated as resources for extraction. In addition to interrogating the work of nineteenth-century artists, she engages with contemporary artists such as Hank Willis Thomas, Lubaina Himid, and Yinka Shonibare CBE RA, who contend with the commercial and imperial processes shaping constructions of Blackness and meanings of labor.
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front cover of Cultivating Knowledge
Cultivating Knowledge
Biotechnology, Sustainability, and the Human Cost of Cotton Capitalism in India
Andrew Flachs
University of Arizona Press, 2019
A single seed is more than just the promise of a plant. In rural south India, seeds represent diverging paths toward a sustainable livelihood. Development programs and global agribusiness promote genetically modified seeds and organic certification as a path toward more sustainable cotton production, but these solutions mask a complex web of economic, social, political, and ecological issues that may have consequences as dire as death.

In Cultivating Knowledge anthropologist Andrew Flachs shows how rural farmers come to plant genetically modified or certified organic cotton, sometimes during moments of agrarian crisis. Interweaving ethnographic detail, discussions of ecological knowledge, and deep history, Flachs uncovers the unintended consequences of new technologies, which offer great benefits to some—but at others’ expense. Flachs shows that farmers do not make simple cost-benefit analyses when evaluating new technologies and options. Their evaluation of development is a complex and shifting calculation of social meaning, performance, economics, and personal aspiration. Only by understanding this complicated nexus can we begin to understand sustainable agriculture.

By comparing the experiences of farmers engaged with these mutually exclusive visions for the future of agriculture, Cultivating Knowledge investigates the human responses to global agrarian change. It illuminates the local impact of global changes: the slow, persistent dangers of pesticides, inequalities in rural life, the aspirations of people who grow fibers sent around the world, the place of ecological knowledge in modern agriculture, and even the complex threat of suicide. It all begins with a seed.

 
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front cover of The Old South Frontier
The Old South Frontier
Cotton Plantations and the Formation of Arkansas Society, 1819–1861
Donald P. Mcneilly
University of Arkansas Press, 2000
In this deeply researched and well-written study, Donald P. McNeilly examines how moderately wealthy planters and sons of planters immigrated into the virtually empty lands of Arkansas, seeking their fortune and to establish themselves as the leaders of a new planter aristocracy west of the Mississippi River. These men, sometimes alone, sometimes with family, and usually with slaves, sought the best land possible, cleared it, planted their crops, and erected crude houses and other buildings. Life was difficult for these would-be leaders of society and their families, and especially hard for the slaves who toiled to create fields in which they labored to produce a crop. McNeilly argues that by the time of Arkansas's statehood in 1836, planters and large farmers had secured a hold over their frontier home, and that between 1840 and the Civil War, planters solidified their hold on politics, economics, and society in Arkansas. The author takes a topical approach to the subject, with chapters on migration, slavery, non-planter whites, politics, and the secession crisis of 1860–1861. McNeilly offers a first-rate analysis of the creation of a white, cotton-based society in Arkansas, shedding light not only on the southern frontier, but also on the established Old South before the Civil War.
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front cover of Revolt Among The Sharecroppers
Revolt Among The Sharecroppers
Howard Kester
University of Tennessee Press, 1997

This paperback facsimile edition restores to print Howard Kester’s Revolt among the Sharecroppers, a lost classic of southern radicalism. First published in 1936, Kester’s brief, stirring book provides a dramatic eyewitness account of the origins of the Southern Tenant Farmers’ Union (STFU), the Arkansas Delta sharecroppers’ organization whose cause was championed by religious radicals and socialists during the 1930s. Accompanying Kester’s original text is a substantial new introductory essay by historian Alex Lichtenstein.

This edition will introduce general readers, scholars, and students to a social movement with significant historical implications. In its commitment to interracialism, the STFU challenged long-standing southern traditions. In its hostility to the agricultural recovery programs of the 1930s (which tended to benefit landowners at the expense of tenant farmers), the union offered an early critique of New Deal liberalism. And, finally, in its insistence that the dispossessed could assume control of their own destiny, the STFU foreshadowed the progressive social movements of the 1960s. Thus, Revolt among the Sharecroppers is an important primary document that makes a signal contribution to our understanding of labor history, African American history, and the history of Depression-era America.

Kester’s text recounts the early history of the STFU and its criticisms of the New Deal in compelling, accessible prose. Lichtenstein’s introduction offers biographical background on Kester, explores the religious and socialist beliefs that led him to work with the STFU, describes the racial and social climate that shaped the union’s emergence, places the union’s rise and decline within the context of 1930s politics, and outlines the legacy of this remarkable organization.

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front cover of River of Dark Dreams
River of Dark Dreams
Slavery and Empire in the Cotton Kingdom
Walter Johnson
Harvard University Press, 2013

Winner of the SHEAR Book Prize
Honorable Mention, Avery O. Craven Award


“Few books have captured the lived experience of slavery as powerfully.”
—Ari Kelman, Times Literary Supplement


“[One] of the most impressive works of American history in many years.”
The Nation


“An important, arguably seminal, book…Always trenchant and learned.”
Wall Street Journal


A landmark history, by the author of National Book Critics Circle Award finalist The Broken Heart of America, that shows how slavery fueled Southern capitalism.

When Jefferson acquired the Louisiana Territory, he envisioned an “empire for liberty” populated by self-sufficient white farmers. Cleared of Native Americans and the remnants of European empires by Andrew Jackson, the Mississippi Valley was transformed instead into a booming capitalist economy commanded by wealthy planters, powered by steam engines, and dependent on the coerced labor of slaves. River of Dark Dreams places the Cotton Kingdom at the center of worldwide webs of exchange and exploitation that extended across oceans and drove an insatiable hunger for new lands. This bold reconsideration dramatically alters our understanding of American slavery and its role in U.S. expansionism, global capitalism, and the upcoming Civil War.

Walter Johnson deftly traces the connections between the planters’ pro-slavery ideology, Atlantic commodity markets, and Southern schemes for global ascendency. Using slave narratives, popular literature, legal records, and personal correspondence, he recreates the harrowing details of daily life under cotton’s dark dominion. We meet the confidence men and gamblers who made the Valley shimmer with promise, the slave dealers, steamboat captains, and merchants who supplied the markets, the planters who wrung their civilization out of the minds and bodies of their human property, and the true believers who threatened the Union by trying to expand the Cotton Kingdom on a global scale.

But at the center of the story are the enslaved people who pulled down the forests, planted the fields, picked the cotton—who labored, suffered, and resisted on the dark underside of the American dream.

“Shows how the Cotton Kingdom of the 19th-century Deep South, far from being a backward outpost of feudalism, was a dynamic engine of capitalist expansion built on enslaved labor.”
—A. O. Scott, New York Times

“River of Dark Dreams delivers spectacularly on the long-standing mission to write ‘history from the bottom up.’”
—Maya Jasanoff, New York Review of Books

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