front cover of The Killing Age
The Killing Age
How Violence Made the Modern World
Clifton Crais
University of Chicago Press, 2025
A bracing account of how our current planetary crisis emerged from the worst cataclysmic destruction in human history, which Clifton Crais terms the Mortecene—the killing age.
 
We are used to speaking of the Anthropocene and the outsized impact humans have had on the planet. But we sometimes lose sight of a fundamental truth at the heart of modern world history: the legacy of human predation, slavery, and imperialism that has devastated the natural world and led us to our present moment. As historian Clifton Crais shows in this magisterial work, the period that we most associate with human progress—which gave us the Enlightenment, the rise of democracies, the Industrial Revolution, and more—was at the same time catastrophically destructive.

In this bracing, landmark book, Crais urges us to view the growth of global capitalism between 1750 and the early 1900s not as the Anthropocene, but as the Mortecene: the Killing Age. Killing brought the world together and tore it apart, as profiteering warlords committed mass-scale slaughter of humans and animals across Africa, Asia, and the Americas. The newfound ease and profitability of killing created a disturbing network of global connections and economies, eliminating tens of millions of people and sparking an environmental crisis that remains the most urgent catastrophe facing the world today.

Drawing on years of scholarship and marshaling myriad sources across world history, The Killing Age turns our vision of past and present on its head, illuminating the Mortecene in all its horror—how it shaped who we are, what we value and fear, and the precarious present we inhabit today.
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front cover of The Killing Age
The Killing Age
How Violence Made the Modern World
Clifton Crais
University of Chicago Press, 2025
This is an audiobook version of this book.

A bracing account of how our current planetary crisis emerged from the worst cataclysmic destruction in human history, which Clifton Crais terms the Mortecene—the killing age.

 
We are used to speaking of the Anthropocene and the outsized impact humans have had on the planet. But we sometimes lose sight of a fundamental truth at the heart of modern world history: the legacy of human predation, slavery, and imperialism that has devastated the natural world and led us to our present moment. As historian Clifton Crais shows in this magisterial work, the period that we most associate with human progress—which gave us the Enlightenment, the rise of democracies, the Industrial Revolution, and more—was at the same time catastrophically destructive.

In this bracing, landmark book, Crais urges us to view the growth of global capitalism between 1750 and the early 1900s not as the Anthropocene, but as the Mortecene: the Killing Age. Killing brought the world together and tore it apart, as profiteering warlords committed mass-scale slaughter of humans and animals across Africa, Asia, and the Americas. The newfound ease and profitability of killing created a disturbing network of global connections and economies, eliminating tens of millions of people and sparking an environmental crisis that remains the most urgent catastrophe facing the world today.

Drawing on years of scholarship and marshaling myriad sources across world history, The Killing Age turns our vision of past and present on its head, illuminating the Mortecene in all its horror—how it shaped who we are, what we value and fear, and the precarious present we inhabit today.
[more]

front cover of The South Africa Reader
The South Africa Reader
History, Culture, Politics
Clifton Crais and Thomas V. McClendon, eds.
Duke University Press, 2013
The South Africa Reader is an extraordinarily rich guide to the history, culture, and politics of South Africa. With more than eighty absorbing selections, the Reader provides many perspectives on the country's diverse peoples, its first two decades as a democracy, and the forces that have shaped its history and continue to pose challenges to its future, particularly violence, inequality, and racial discrimination. Among the selections are folktales passed down through the centuries, statements by seventeenth-century Dutch colonists, the songs of mine workers, a widow's testimony before the Truth and Reconciliation Commission, and a photo essay featuring the acclaimed work of Santu Mofokeng. Cartoons, songs, and fiction are juxtaposed with iconic documents, such as "The Freedom Charter" adopted in 1955 by the African National Congress and its allies and Nelson Mandela's "Statement from the Dock" in 1964. Cacophonous voices—those of slaves and indentured workers, African chiefs and kings, presidents and revolutionaries—invite readers into ongoing debates about South Africa's past and present and what exactly it means to be South African.
 
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