BiblioVault - Books about Crawford, Matthew James

The Andean Wonder Drug

Cinchona Bark and Imperial Science in the Spanish Atlantic, 1630-1800

Matthew James Crawford

University of Pittsburgh Press, 2016

In the eighteenth century, malaria was a prevalent and deadly disease, and the only effective treatment was found in the Andean forests of Spanish America: a medicinal bark harvested from cinchona trees that would later give rise to the antimalarial drug quinine. In 1751, the Spanish Crown asserted control over the production and distribution of this medicament by establishing a royal reserve of “fever trees” in Quito. Through this pilot project, the Crown pursued a new vision of imperialism informed by science and invigorated through commerce. But ultimately this project failed, much like the broader imperial reforms that it represented. Drawing on extensive archival research, Matthew Crawford explains why, showing how indigenous healers, laborers, merchants, colonial officials, and creole elites contested European science and thwarted imperial reform by asserting their authority to speak for the natural world. The Andean Wonder Drug uses the story of cinchona bark to demonstrate how the imperial politics of knowledge in the Spanish Atlantic ultimately undermined efforts to transform European science into a tool of empire.

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Drugs on the Page

Pharmacopoeias and Healing Knowledge in the Early Modern Atlantic World

Mathew Crawford and Joseph Gabriel

University of Pittsburgh Press, 2019

In the early modern Atlantic World, pharmacopoeias—official lists of medicaments and medicinal preparations published by municipal, national, or imperial governments—organized the world of healing goods, giving rise to new and valuable medical commodities such as cinchona bark, guaiacum, and ipecac. Pharmacopoeias and related texts, developed by governments and official medical bodies as a means to standardize therapeutic practice, were particularly important to scientific and colonial enterprises. They served, in part, as tools for making sense of encounters with a diversity of peoples, places, and things provoked by the commercial and colonial expansion of early modern Europe.

Drugs on the Page explores practices of recording, organizing, and transmitting information about medicinal substances by artisans, colonial officials, indigenous peoples, and others who, unlike European pharmacists and physicians, rarely had a recognized role in the production of official texts and medicines. Drawing on examples across various national and imperial contexts, contributors to this volume offer new and valuable insights into the entangled histories of knowledge resulting from interactions and negotiations between Europeans, Africans, and Native Americans from 1500 to 1850.

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Renaissance Invention

Stradanus's Nova Reperta

Edited by Lia Markey

Northwestern University Press, 2020

This book is the first full-length study of the Nova Reperta (New Discoveries), a renowned series of prints designed by Johannes Stradanus during the late 1580s in Florence. Reproductions of the prints, essays, conversations from a scholarly symposium, and catalogue entries complement a Newberry Library exhibition that tells the story of the design, conception, and reception of Stradanus’s engravings.

Renaissance Invention: Stradanus’s “Nova Reperta” seeks to understand why certain inventions or novelties were represented in the series and how that presentation reflected and fostered their adoption in the sixteenth century. What can Stradanus’s prints tell us about invention and cross-cultural encounter in the Renaissance? What was considered “new” in the era? Who created change and technological innovation?

Through images of group activities and interactions in workshops, Stradanus’s prints emphasize the importance of collaboration in the creation of new things, dispelling traditional notions of individual genius. The series also dismisses the assumption that the revival of the wonders of the ancient world in Italy was the catalyst for transformation. In fact, the Latin captions on the prints explain how contemporary inventions surpass those of the ancients. Together, word and image foreground the global nature of invention and change in the early modern period even as they promote specifically Florentine interests and activities.

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