front cover of Translingualism, Translation and Caribbean Poetry
Translingualism, Translation and Caribbean Poetry
Mother Tongue Has Crossed the Ocean
Hilda de Windt Ayoubi
Amsterdam University Press, 2022
Linguists estimate that around 7,000 languages exist, but many are under threat. Translingualism, Translation and Caribbean Poetry is a multi-language collection comprising over fifty translations of the poem 'Lenga di mama' ('Mother Tongue') by Curaçao-born poet Hilda de Windt Ayoubi, published here alongside three additional poems each providing a different perspective on the mother tongue. De Windt Ayoubi's sharp, socially charged poetry has inspired translations from across the world. Collected here for the first time, they serve to protect the native languages and cultures – particularly the minority languages – of their translators, who range from expert linguists to speakers of underrepresented languages. In his accompanying essay, Pieter C. Muysken considers the role of translation in addressing the urgent cultural concern of language loss and revitalization where he discusses bilingual translations and mass translations. Complete with maps, language profiles, interviews with the translators, and the poet’s essay on Papiamento, this collection explores the emotional, cultural and intellectual importance of language conservation through poetry and translation.
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Unbroken Nostalgia
Haitian Kreyòl Poetry in Cuba
Written by Hilario Batista Félix, edited and translated by Mariana F. Past
Amherst College Press, 2026

Unbroken Nostalgia: Haitian Kreyòl Poetry in Cuba is the first English translation and scholarly edition of the collection Nostalji san pwen ni vigil: pwezi kreyòl nan peyi Kiba (2016) by Hilario Batista Félix. A poet, journalist, and language activist, Batista (1955– ) embodies and expresses Cuba’s cultural and linguistic diversity as a descendant of Haitian migrant workers to Eastern Cuba during the mid-twentieth century; his poems bridge regions usually separated by language—the Spanish and Creolophone/Francophone Caribbean—and vividly depict the distinct heritage of Haitian Cubans and their shared dreams and challenges. A scholarly introduction by translator and editor Mariana F. Past provides biographical information about the author, situates his work within Haitian diasporic literature, and addresses patterns of Haitian migration to Cuba. Batista’s original poems appear alongside facing-page English translations with annotations that clarify historical figures and events, geographical features, and Haitian cultural and religious practices. Grounded in oral storytelling traditions, Unbroken Nostalgia brings to light the collective memory and complicated hybridity of the Haitian community in Cuba and upholds Haitian Kreyòl as a language of resistance.

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