Working at the intersection of Latina/o/x cultural studies, sociocultural linguistics, and Chicana feminist studies, Lillian Gorman’s Zones of Encuentro takes an in-depth look at the cultural and linguistic interactions between two distinct Latina/o/x communities in the region: Nuevomexicanos (Hispanic people who trace their presence in the region to colonial times and whose families have historically spoken Traditional New Mexican Spanish, or TNMS) and first-generation Mexicano immigrants (who tend to speak Mexican Spanish). Gorman examines the everyday lived language experiences and ethnolinguistic identities of Mexicanos and Nuevomexicanos together, specifically through the case of mixed Mexicano-Nuevomexicano families. Through an interdisciplinary critical reading of ethnographic data, pláticas (informal conversations that gather family and community knowledge), interviews, articles, and historical memoirs, Gorman analyzes language ideologies, identity formations, and language practices by exploring complex spaces of encounter within Mexicano-Nuevomexicano families. Zones of Encuentro complicates homogeneous notions of language and identity and contemplates what a shared cultural and linguistic homeplace looks like for Mexicanos and Nuevomexicanos in northern New Mexico.

The life and work of the iconic author and intellectual

Zora Neale Hurston transformed each hour of her life into something bubbling, exuberant, and brimming with joy. Robert Hemenway’s biography is a towering portrait of the novelist, folklorist, and anthropologist. Drawing on archival documents and interviews with people who knew her, Hemenway explores Hurston’s art and work, from her extraordinary novels and autobiography to a popular treatment of black folkways that revealed her deep commitment to the black folk tradition. He also provides a sensitive look at her two marriages; her relationships with Mrs. R. Osgood Mason, Franz Boas, and Langston Hughes; her time as a member of the black literati of the 1920s and 1930s; and the penniless final years leading to her death.

Sophisticated and original, Zora Neale Hurston tells the compelling story of a woman who reveled in a fully lived life dedicated to a lasting art and the preservation of a vital cultural heritage.

A historian hoping to reconstruct the social world of all-black towns or the segregated black sections of other towns in the South finds only scant traces of their existence. In Zora Neale Hurston and a History of Southern Life, Tiffany Ruby Patterson uses the ethnographic and literary work of Zora Neale Hurston to augment the few official documents, newspaper accounts, and family records that pertain to these places hidden from history. Hurston's ethnographies, plays, and fiction focused on the day-to-day life in all-black social spaces as well as "the Negro farthest down" in labor camps. Patterson shows how Hurston's work complements the fragmented historical record, using the folklore and stories to provide a full description of these people of these towns as active human subjects, shaped by history and shaping their private world. Beyond the view and domination of whites in these spaces, black people created their own codes of social behavior, honor, and justice. In Patterson's view Hurston renders her subjects faithfully and with respect for their individuality and endurance, enabling all people to envision an otherwise inaccessible world.