front cover of Changes in the Cultural Landscape and their Impacts on Heritage Management
Changes in the Cultural Landscape and their Impacts on Heritage Management
A Study of Dutch Fort at Galle, Sri Lanka
Uditha Jinadasa
Leiden University Press, 2020
This book focuses on the practical challenges of managing a World Heritage listed historic city in a South Asian context. The focal point of the author’s research is Sri Lanka’s Galle Fort, a walled town, identified as the best-preserved colonial fort in South Asia. The costs and benefits of the fort’s World Heritage recognition to its local urban community, and to the colonial fort itself, are analyzed. Shown is how thirty years of the World Heritage project at Galle Fort changed a once small seaside walled town with dilapidated colonial buildings into a tourist hot-spot and prime real estate, thereby changing the lives of its inhabitants. It argues that the best practices of participatory and people-centered approaches of managing urban heritage at the global level are slow to progress at a local level.
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front cover of The Cultural Landscape and Heritage Paradox
The Cultural Landscape and Heritage Paradox
Protection and Development of the Dutch Archaeological-Historical Landscape and its European Dimension
Edited by Tom Bloemers, Henk Kars, Arnold Van der Valk, and Mies Wijnen
Amsterdam University Press, 2011

Increasingly, the role of heritage management is to anticipate and guide future environmental change rather than to simply protect landscapes of the past. This charge presents a paradox for those invested in the preservation of the past: in order to preserve the historic environment, they have to collaborate with others who wish to change it, and in order to apply their expert knowledge, they must demonstrate its benefits for policy and society. The solution advocated here is an integrative landscape approach that draws on multiple disciplines and establishes links between archaeological-historical heritage and planning and between research and policy.

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front cover of First Peoples of Great Salt Lake
First Peoples of Great Salt Lake
A Cultural Landscape from Nevada to Wyoming
Steven R. Simms
University of Utah Press, 2023

Great Salt Lake is a celebrated, world-recognized natural landmark. It, and the broader region bound to it, is also a thoroughly cultural landscape; generations of peoples made their lives there. In an eminently readable narrative, Steven Simms, one of the foremost archaeologists of the region, traces the scope of human history dating from the Pleistocene, when First Peoples interacted with the lapping waters of Lake Bonneville, to nearly the present day. Through vivid descriptions of how people lived, migrated, and mingled, with persistence and resilience, Simms honors the long human presence on the landscape.

First Peoples of Great Salt Lake takes a different approach to understanding the ancients than is typical of archaeology. De-emphasizing categories and labels, it traces changing environments, climates, and peoples through the notion of place. It challenges the "Pristine Myth," the cultural bias that Indigenous peoples were timeless, changeless, primitive, and the landscapes they lived in sparsely populated and perpetually pristine. First Peoples and their descendants modified the forests and understory vegetation, shaped wildlife populations, and adapted to long-term climate change. Native Americans of Great Salt Lake were very much part of their world, and the story here is one of long continuity through dramatic cultural change.


 
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front cover of Queer Representations in Chinese-language Film and the Cultural Landscape
Queer Representations in Chinese-language Film and the Cultural Landscape
Shi-Yan Chao
Amsterdam University Press, 2020
This book provides a cultural history of queer representations in Chinese-language film and media, negotiated by locally produced knowledge, local cultural agency, and lived histories. Incorporating a wide range of materials in both English and Chinese, this interdisciplinary project investigates the processes through which Chinese tongzhi/queer imaginaries are articulated, focusing on four main themes: the Chinese familial system, Chinese opera, camp aesthetic, and documentary impulse. Chao's discursive analysis is rooted in and advances genealogical inquiries: a non-essentialist intervention into the "Chinese" idea of filial piety, a transcultural perspective on the contested genre of film melodrama, a historical investigation of the local articulations of mass camp and gay camp, and a transnational inquiry into the different formats of documentary. This book is a must for anyone exploring the cultural history of Chinese tongzhi/queer through the lens of transcultural media.
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