This book focuses on the practical challenges of managing a World Heritage listed historic city in a South Asian context. The focal point of the author’s research is Sri Lanka’s Galle Fort, a walled town, identified as the best-preserved colonial fort in South Asia. The costs and benefits of the fort’s World Heritage recognition to its local urban community, and to the colonial fort itself, are analyzed. Shown is how thirty years of the World Heritage project at Galle Fort changed a once small seaside walled town with dilapidated colonial buildings into a tourist hot-spot and prime real estate, thereby changing the lives of its inhabitants. It argues that the best practices of participatory and people-centered approaches of managing urban heritage at the global level are slow to progress at a local level.

Increasingly, the role of heritage management is to anticipate and guide future environmental change rather than to simply protect landscapes of the past. This charge presents a paradox for those invested in the preservation of the past: in order to preserve the historic environment, they have to collaborate with others who wish to change it, and in order to apply their expert knowledge, they must demonstrate its benefits for policy and society. The solution advocated here is an integrative landscape approach that draws on multiple disciplines and establishes links between archaeological-historical heritage and planning and between research and policy.

This book provides a cultural history of queer representations in Chinese-language film and media, negotiated by locally produced knowledge, local cultural agency, and lived histories. Incorporating a wide range of materials in both English and Chinese, this interdisciplinary project investigates the processes through which Chinese tongzhi/queer imaginaries are articulated, focusing on four main themes: the Chinese familial system, Chinese opera, camp aesthetic, and documentary impulse. Chao's discursive analysis is rooted in and advances genealogical inquiries: a non-essentialist intervention into the "Chinese" idea of filial piety, a transcultural perspective on the contested genre of film melodrama, a historical investigation of the local articulations of mass camp and gay camp, and a transnational inquiry into the different formats of documentary. This book is a must for anyone exploring the cultural history of Chinese tongzhi/queer through the lens of transcultural media.