The Game of the Goose is one of the oldest printed board games, dating back 400 years. It has spawned thousands of derivatives: simple race games, played with dice, on themes that mirror much of human activity. Its legacy can be traced in games of education, advertising and polemic, as well as in those of amusement and gambling - and games on new themes are still being developed. This book, by the leading international collector of the genre, is devoted to showing why the Game of the Goose is special and why it can lay claim to being the most influential of any printed game in the cultural history of Europe. Detailed study of the games reveals their historical provenance and - reversing the process - gives unusual insights into the cultures which produced them. They therefore provide rich sources for the cultural historian. This book is beautifully illustrated with more than 90 illustrations, many in color, which are integrated throughout the text.

In 1991, Nevada’s Commission for Cultural Affairs was formed to oversee the preservation of the state’s historic buildings and the conversion of the best of them for use as cultural centers. This program has rehabilitated dozens of historic structures valued by their communities for the ways they represent the development of the state and its culture.

Nevada’s Historic Buildings highlights ninety of these buildings, describing them in the context of the state’s history and the character of the people who created and used them. Here are reminders of mining boomtowns, historic ranches, transportation, the divorce and gaming industries, the New Deal, and the innovation of Las Vegas’s post-modern aesthetic. These buildings provide a cross-section of Nevada’s rich historic and cultural heritage and their survival offers everyone the experience of touching the past. 
 

Where more poignantly than in a small country graveyard can a traveler fathom the flow of history and tradition? During the past twenty years, Terry G. Jordan has traveled the back roads and hidden trails of rural Texas in search of such cemeteries. With camera in hand, he has visited more than one thousand cemeteries created and maintained by the Anglo-American, black, Indian, Mexican, and German settlers of Texas. His discoveries of sculptured stones and mounds, hex signs and epitaphs, intricate landscapes and unusual decorations represent a previously unstudied and unappreciated wealth of Texas folk art and tradition. Texas Graveyards not only marks the distinct ethnic and racial traditions in burial practices but also preserves a Texas legacy endangered by changing customs, rural depopulation, vandalism, and the erosion of time.