Since the end of World War II the Israeli public has bitterly debated the guilt-ridden question of whether the Jewish community of Palestine really did everything in its power to rescue Jews in Nazi-occupied countries. Dina Porat gives a searching analysis of the record, basing her conclusions on archival material and other primary sources, hitherto mostly unused. She investigates how and when the Zionist leadership in Palestine fully understood that Europe's Jews were facing annihilation; what rescue plans they developed and what resources were allocated to the effort; what help they tried to get from free-world Jewry and from the British and American governments. And she looks at what went wrong—why in the end so little was done.

Porat struggles with these painful questions of accountability in the light of the Zionist enterprise, its ideologies and internal disputes. She describes the ambivalent attitude of the Zionists in Palestine, who first viewed most of the European Jews as lambs led to slaughter, compared the victims of the Holocaust unfavorably with the tough pioneers of Zion and those few in Europe who fought back, and only gradually understood that every daily struggle was a form of fighting back. Above all, the priorities of the Jewish community in Palestine reflected its overriding goal of building an independent Jewish state despite meager resources, crucial dependence on the good will of friendly powers, and a small number of survivors (instead of the millions they hoped to absorb).

The Blue and the Yellow Stars of David is an important chapter in the history of Israel and the history of World War II. And as the story of a leadership that was unable to respond adequately to a tragically urgent situation, this book focuses on questions of wide and abiding concern.

With majestic sweep and sparkling detail, this magnificent volume brings to life the great and ancient drama of the world's holiest city on the eve of a new millennium. Some three thousand years ago King David captured Jerusalem from the Jebusites and made the city his capital. There Solomon built the Temple and the Jewish people found their spiritual center. From its glory under the House of David to its emergence a thousand years later as the birthplace of Christianity, from its destruction by the Romans to its conquest by the forces of Islam and its Crusader and Ottoman periods, Jerusalem has been endlessly revered and warred over, passionately celebrated and desecrated. Mining the rich evidence of this remarkable history, the world-renowned authors gathered here conjure the Holy City as it has appeared in antique Hebrew texts; in the testimony of Jewish and Christian pilgrims and in art; in medieval Islamic literature and in western nineteenth-century accounts; in maps and mosaics and architecture through the ages.

Here is Jerusalem in its physical splendor, the sun rising over the Mount of Olives to touch the golden crown of the Dome of the Rock and warm the crenelated walls of the Old City, with its foundations from the days of the Hasmoneans and Herod the Great, its seven gates and Jewish, Christian, Armenian, and Muslim quarters marked out by the Roman decumanus and the Byzantine cardo. Above the Ramban Synagogue, established by Nachmanides in 1267, looms the minaret of the fifteenth-century Sidi Umar Mosque. Nearby are the foundations and apses of the Crusader Church of St. Mary of the German Knights, which in turn abuts the underground Herodian Quarter, with its fresco-covered walls, mosaic floors, and opulent baths. Remnants of the Nea Church erected by Justinian in 543 and of the Ayyubid tower from the thirteenth century stand within the Garden of Redemption, a memorial to the six million Jews exterminated by the Nazis.

Amid these marvels of geography and architecture, the authors evoke Jerusalem's spiritual history, the events and legends that have made the city the touching point between the divine and the earthly for Jews, Christians, and Muslims alike. They trace Jerusalem's fortunes as the City of David, as the site of the Crucifixion and Resurrection of Jesus, as the "Furthest Shrine" from which the Prophet Mohammed ascended to heaven. Writing from an enlightening variety of backgrounds and perspectives, the authors share a depth of feeling for their subject that imparts a warmth and immediacy to their depiction of the city in all its historic grandeur and religious complexity. An Armenian Jerusalemite once wrote that in the Holy City each person carries a mirror, but each holds it in only one direction. This book brings all these reflections together to create a living picture of Jerusalem not only in history but also in the hearts of those who call it home and those who revere it as a Holy City.

The Harvard University Art Museums hold one of the world’s finest collections of early nineteenth-century drawings; the nearly 500 works reproduced in this catalogue include the most significant groups of drawings outside France by the masters of the age—David, Gericault, Ingres, Delacroix, and Prud’hon. Although familiar to scholars, the collection has never been the subject of a comprehensive catalogue, and many of the drawings are published here for the first time.

This renowned study follows the evolution of French painting from the Revolution through the Napoleonic era. Beginning with David's revolutionary classicism, Friedlaender scrutinizes the work of early-nineteenth-century artists against the background of their times. He reveals the baroque tendencies diffused into the art of Prudhon and the same predisposition, mixed with a strong realism, in the work of Géricault.

Two distinct trends appear, deriving from Pussin and Rubens. The author follows the styles as they mature, and represents their consumation in two great masters—the refined and abstract classicism of Ingres and the baroque of Delacroix with its flamboyant colorism and exotic subjects.

These sermons by Ambrose of Milan (340–397 AD) provide a window into the preaching and scriptural exegesis of the legendary bishop, whose exposition of the Old Testament was instrumental in the conversion of Augustine of Hippo and in the development of Latin theology. In his treatise On Noah and his two Defenses for David, Ambrose borrows from influential Greek theologians, including Philo of Alexandria, Origen, and Didymus the Blind, while developing his own commentary on the exemplary patriarchs. Ambrose’s exegesis typifies both his attention to the letter of Scripture as well as his spiritual and allegorical reading of the holy figures or “saints” who lived before Christ.

The first treatise presents Noah as a model just man, as Ambrose pairs the literal and the higher or spiritual meaning of the Genesis flood narrative to address topics ranging from the Genesis narrative to Stoic ethics to the Incarnation. In his defense of David to the emperor Theodosius, Ambrose ties David’s sin and repentance to his own close reading of Psalm 51(50), David’s plea for himself in his famous “Miserere.” While the authenticity of the third treatise included in the volume, the Second Apology of David, has long been challenged, recent scholarship suggests that it transmits Ambrose’s own preaching, which applies the lessons of David’s life to the situation of gentile unbelievers, Jews, and the church; even if it is the work of a later imitator, the Second Apology is a compelling and systematic treatment of the David’s sin and repentance as relevant to Christian morality and doctrine.

The three treatises, previously unavailable in English translation, broaden our understanding of exegesis in the Latin West and our interpretation of Ambrose as preacher and exegete.