front cover of Cavorting on the Devil's Fork
Cavorting on the Devil's Fork
The Pete Whetstone Letters of C. F. M. Noland
Leonard Williams
University of Arkansas Press, 2006

By the 1840s American literature tradition had become fascinated with the frontier. The rural folk humor of the “Devil’s Fork” letters that a young Charles Fenton Mercer Noland (1810–1858) of central Arkansas began writing in 1837 was something the country wanted. His pieces were published regularly in New York’s Spirit of the Times, and he quickly achieved a reputation as one of the southwest’s best humorists. His tall tales told in dialect reflected the peculiar characteristics of the people of a backwoods region.

Noland’s semiautobiographical “Letters” were built around the experiences of Pete Whetstone, who, along with his neighbors, devoted himself to hunting, fishing, and an outdoors lifestyle. Through his first-person narration readers were able to experience an ideal southwest frontier existence. Here was a land of natural beauty, with clear rivers, forested mountains, and abundant game, a place where a person could live a free and rustic lifestyle.

Here too were horse races and bear fights, politics and balls. Unfortunately for Noland, an early death cut short a promising career. Had he lived longer and written more, he could have become one of America’s great nineteenth-century humorists. Midcentury America was certainly looking for one.

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front cover of The Devil's Fork
The Devil's Fork
By Bill Wittliff
University of Texas Press, 2018

The Devil’s Fork opens with the boy Papa exclaiming, “They was gonna hang my o’Amigo Calley Pearsall out there in front a’the Alamo down in San Antoneya come Saturday Noon and if I was gonna stop it I better Light a Shuck and Get on with it. And I mean Right Now.” And so Papa and his sweetheart Annie Oster set off to rescue Calley, thereby launching themselves into another series of hair-raising adventures.

The Devil’s Fork concludes the enthralling journey through wild and woolly Central Texas in the 1880s that began in The Devil’s Backbone and The Devil’s Sinkhole. Papa springs Calley from jail, but their troubles are far from over. Framed for murder, the two amigos have to flee for their lives. Joining their flight this time is o’Johnny, the evil Sheriff Pugh’s disabled little brother, who has uncanny abilities. Escaping danger for a while, Papa and Calley try to start a new life as horse traders, only to find themselves branded as horse thieves when o’Johnny and a mysterious white ghost horse begin rescuing abused horses from their masters. Can Papa and Calley escape the noose and save all the horses that Johnny and the White Horse liberate? Or will their own hot tempers send them down the Devil’s Fork, from which no one ever returns?

Proving himself a master storyteller once again, Bill Wittliff spins a yarn as engrossing as the stories his own Papa told him long ago, stories that inspired The Devil’s Backbone, The Devil’s Sinkhole, and The Devil’s Fork.

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