Civil wars, corporate exploitation, AIDS, and Ebola—but also democracy, burgeoning cities, and unprecedented communication and mobility: the future of Africa has never been more uncertain. Indeed, that future is one of the most complex issues in contemporary anthropology, as evidenced by the incredible wealth of ideas offered in this landmark volume. A consortium comprised of some of the most important scholars of Africa today, this book surveys an intellectual landscape of opposed perspectives in order to think within the contradictions that characterize this central question: Where is Africa headed?
The experts in this book address Africa’s future as it is embedded within various social and cultural forms emerging on the continent today: the reconfiguration of the urban, the efflorescence of signs and wonders and gospels of prosperity, the assorted techniques of legality and illegality, lotteries and Ponzi schemes, apocalyptic visions, a yearning for exile, and many other phenomena. Bringing together social, political, religious, and economic viewpoints, the book reveals not one but multiple prospects for the future of Africa. In doing so, it offers a pathbreaking model of pluralistic and open-ended thinking and a powerful tool for addressing the vexing uncertainties that underlie so many futures around the world.
New political parties have regularly appeared in developed democracies around the world. In some countries issues focusing on the environment, immigration, economic decline, and regional concerns have been brought to the forefront by new political parties. In other countries these issues have been addressed by established parties, and new issue-driven parties have failed to form. Most current research is unable to explain why under certain circumstances new issues or neglected old ones lead to the formation of new parties. Based on a novel theoretical framework, this study demonstrates the crucial interplay between established parties and possible newcomers to explain the emergence of new political parties.
Deriving stable hypotheses from a simple theoretical model, the book proceeds to a study of party formation in twenty-two developed democracies. New or neglected issues still appear as a driving force in explaining the emergence of new parties, but their effect is partially mediated by institutional factors, such as access to the ballot, public support for parties, and the electoral system. The hypotheses in part support existing theoretical work, but in part present new insights. The theoretical model also pinpoints problems of research design that are hardly addressed in the comparative literature on new political parties. These insights from the theoretical model lead to empirical tests that improve on those employed in the literature and allow for a much-enhanced understanding of the formation and the success of new parties.
Simon Hug is Lecturer in Political Science, University of Geneva.
Continuing where Volume One left off,this anthology of anarchist writings, broad in its geographical and intellectual scope, documents both continuity and change in anarchist ideas since the Spanish revolution and civil war. Topics covered include anti-capitalism and global justice movements, opposition to war, ecology and anarchism, the relevance of syndicalism, libertarian communism, anarcha-feminism, personal and sexual liberation, libertarian education, participatory democracy, direct action and affinity groups, technology and freedom, anthropology and anarchy,art and the utopian imagination, bureaucracy, state and empire, resistance and revolution, post-modernism, and philosophical anarchism.
In addition to English language material from England and North America, the book includes translations from Africa, India, China, Latin America, and Europe, much of which has never appeared before in English. Contributors include Noam Chomsky, Murray Bookchin,Emma Goldman, George Woodcock, Marie Louise Berneri, Herbert Read, Alex Comfort, Martin Buber, Paul Goodman, Carole Pateman, Colin Ward, Paul Feyerabend, Pierre Clastres, Chaia Heller, Ivan Illich, Daniel Guerin, Luce Fabbri and many more.
ROBERT GRAHAM has been writing on the history of anarchist ideas and contemporary anarchist theory for over 20 years.In 2005, he published Anarchism: A Documentary History of Libertarian Ideas, Volume One: From Anarchy to Anarchism 300CE to 1939(Black Rose Books)
TABLE OF CONTENTS
INTRODUCTION: MAKING SENSE OF ANARCHISM by Davide Turcato
CHAPTER 1: ANTI-MILITARISM, WAR & REVOLUTION
1. Herbert Read: The Philosophy of Anarchism (1940)
2. Emma Goldman: The Individual, Society and the State (1940)
3. The Romande Anarchist Federation: Coming to Grips With War (1939)
4. Marie Louise Berneri: Constructive Policy versus Destructive War (1940-43)
5. Jean Sauliere, Voline et. al.: Appeal to All Workers (1943)
6. Italian Anarchist Federation: Act for Yourselves (1945)
7. Bulgarian Anarchist Manifesto (1945)
8. French Anarchist Federation: The Issues of the Day (1945)
9. Korean Anarchist Manifesto (1948)
10. International Anarchist Manifesto (1948)
11. Paul Goodman: Drawing the Line (1945)
12. Alex Comfort: Peace and Disobedience (1946)
13. Dwight Macdonald: The Root Is Man (1946)
CHAPTER 2: THE WILL TO DREAM
14. Ethel Mannin:The Will to Dream (1944)
15. Marie Louis Berneri: Journey Through Utopia (1949)
16. Martin Buber: Paths in Utopia (1949)
17. Paul & Percival Goodman: Communities (1947)
18. Giancarlo de Carlo: Rebuilding Community (1948)
CHAPTER 3: ART AND FREEDOM
19. Herbert Read:The Freedom of the Artist (1943)
20. Alex Comfort: Art and Social Responsibility (1946)
21. Holley Cantine: Art: Play and Its Perversions (1947)
22. Paul-Émile Borduas: Global Refusal (1948)
23. André Breton: The Black Mirror of Anarchism (1952)
24. Julian Beck: Storming the Barricades (1964)
25. Living Theatre Declaration (1970)
CHAPTER 4: RESISTING THE NATION STATE
26. Alex Comfort:Authority and Delinquency (1950)
27. Geoffrey Ostergaard: The Managerial Revolution (1954)
28. Mohamed Saïl: The Kabyle Mind-Set (1951)
29. Maurice Fayolle: From Tunis to Casablanca (1954)
30. André Prudhommeaux: The Libertarians and Politics (1954)
31. Noir et Rouge: Refusing the Nation-State (1957-62)
32. Vinoba Bhave and Jayaprakesh Narayan: From Socialism to Sarvodaya (1957)
33. Vernon Richards: Banning the Bomb (1958-59)
34. Nicolas Walter: Direct Action and the New Pacifism (1962)
35. Paul Goodman: "Getting into Power" (1962)
CHAPTER 5: CREATING A COUNTER-CULTURE
36. Herbert Read:Anarchism and Education (1944-47)
37. Paul Goodman: A Public Dream of Universal Disaster
38. L'Impulso: Resistance or Revolution (1950)
39. David Thoreau Wieck: The Realization of Freedom (1953)
40. David Dellinger: Communalism (1954)
41. A.J. Baker: Anarchism Without Ends (1960)
42: Gary Snyder: Buddhist Anarchism (1961)
43. Nicolas Walter: Anarchism and Religion (1991)
44. C. George Benello: Wasteland Culture (1967)
45. Louis Mercier Vega: Yesterday's Societies and Today's (1970)
46. Joel Spring: Liberating Education (1975)
CHAPTER 6: RESURGENT ANARCHISM
47. Lain Diez:Towards a Systematization of Anarchist Thought (1964)
48. Murray Bookchin: Ecology and Anarchy (1965)
49. Daniel Guérin: Anarchism Reconsidered (1965-66)
50. The Provos: PROVOcation (1966)
51. The Cohn-Bendit Brothers: It Is for Yourself that You Make the Revolution(1968)
52. Jacobo Prince: Fighting for Freedom (1969)
53. Diego Abad de Santillán: Anarchism Without Adjectives (1969)
54. Nicolas Walter: About Anarchism (1969)
55. Noam Chomsky: Notes on Anarchism (1970)
56. Robert Paul Wolff: In Defence of Anarchism (1970)
57. Paul Goodman: Freedom and Autonomy (1972)
CHAPTER 7: FORMS OF FREEDOM
58. Philip Sansom:Syndicalism Restated (1951)
59. Benjamin Péret: The Factory Committee (1952)
60. Comunidad del Sur: The Production of Self-Management (1969)
61. Maurice Joyeaux: Self-Management, Syndicalism and Factory Councils (1973)
62. Murray Bookchin: The Forms of Freedom (1968)
63. Colin Ward: Anarchy as a Theory of Organization (1966-1973)
CHAPTER 8: SOCIETY AGAINST STATE
64. Pierre Clasters:Society Against the State (1974)
65. Michael Taylor: Anarchy, the State and Cooperation (1976)
66. Louis Mercier Vega: The Modern State (1970)
67. Nico Berti: The New Masters (1976)
68. Noam Chomsky: Intellectuals and the State (1977)
CHAPTER 9: SCIENCE AND TECHNOLOGY
69. George Woodcock:The Tyranny of the Clock (1944)
70. Paul Goodman: Science and Technology (1960)
71. Paul Feyerabend: Against Method (1975)
72. Richard Kostelanetx: Technoanarchism (1968)
73. Ivan Illich: Political Inversion (1976)
74: Murray Bookchin: Ecotechnology and Ecocommunities (1976-82)
CHAPTER 10: SEXUAL REVOLUTION
75. Marie Louise Berneri: Wilhelm Reich and the Sexual Revolution (1945)
76. Daniel Guérin: Sexual Liberation
77. Paul Goodman: The Politics of Being Queer (1969)
78. Peggy Kornegger: Anarchism: The Feminist Connection (1975)
79. Carol Ehrlich: Anarchism, Feminism and Situationism (1977)
In 1880, the California woman safeguarded the Republic by maintaining a morally sound home. Scarcely forty years later, women in the Pacific state won full-fledged citizenship and voting rights of their own. Becoming Citizens shows how this enormous transformation came about. Gayle Gullett demonstrates how women's search for a larger public life in the late nineteenth century led to a flourishing women's movement in California.
Women's radical demand for citizenship, however, was rejected by state voters along with the presidential reform candidate, William Jennings Bryan, in the tumultuous election year of 1896. Gullett shows how women rebuilt the movement in the early years of the twentieth century and forged a critical alliance between activist women and the men involved in the urban Good Government movement. This alliance formed the basis of progressivism, with male Progressives helping to legitimize women's new public work by supporting their civic campaigns, appointing women to public office, and placing a suffrage referendum before the male electorate in 1911.
Placing local developments in a national context, Becoming Citizens illuminates the links between these two major social movements: the western women's suffrage movement and progressivism.
In Bolivia, the discourse on indigenous peoples intensified in the last few decades, culminating in the election of Evo Morales as president in 2005. Indigenous people are portrayed by the Morales government as modest, communitarian, humble, poor, anticapitalist, and economically marginalized. In his 2006 inaugural speech, Morales famously described indigenous people as “the moral reserve of humanity.” His rhetoric has reached all levels of society—most notably the new political constitution of 2009. This constitution initiated a new regime of considerable ethnic character by defining thirty-six indigenous nations and languages.
Beyond Indigeneity offers new analysis into indigenous identity and social mobility that changes the discourse in Latin American social anthropology. Author Alessandra Pellegrini Calderón points out that Morales’s presidency has led to heightened publicity of coca issues and an intensification of indigeneity discourse, echoing a global trend of increased recognition of indigenous peoples’ claims. The “living well” attitude (vivir bien) enshrined in the new political constitution is generally represented as an indigenous way of life, one based on harmony and reciprocity, in sharp contrast to the capitalist logic of “living better” that is based on accumulation and expansion.
In this ethnography, Pellegrini explores the positioning of coca growers in Bolivia and their reluctance to embrace the politics of indigeneity by rejecting the “indigenous peoples’ slot,” even while they emerge as a new middle class. By staying in a space between ethnic categories and also between social classes, the coca growers break with the traditional model of social mobility in Latin America and create new forms of political positioning that challenge the dominant culturalist framework about indigeneity and peasants.
No pictorial device in nineteenth-century French painting more clearly represented the free-ranging self than the loose brushstroke. From the romantics through the impressionists and post-impressionists, the brushstroke bespoke autonomous artistic individuality and freedom from convention.
Yet the question of how much we can credit to the individual brushstroke is complicated—and in Brushstroke and Emergence, James D. Herbert uses that question as a starting point for an extended essay that draws on philosophy of mind, the science of emergence, and art history. Brushstrokes, he reminds us, are as much creatures of habit and embodied experience as they are of intent. When they gather in great numbers they take on a life of their own, out of which emerge complexity and meaning. Analyzing ten paintings by Courbet, Manet, Cézanne, Monet, Seurat, and Picasso, Herbert exposes vital relationships between intention and habit, the singular and the complex. In doing so, he uncovers a space worthy of historical and aesthetic analysis between the brushstroke and the self.
There is little doubt that the French Revolution of 1789 changed the course of Western history. But why did the idea of civic equality—a distinctive signature of that revolution—find such fertile ground in France? How might changing economic and social realities have affected political opinions?
William H. Sewell Jr. argues that the flourishing of commercial capitalism in eighteenth-century France introduced a new independence, flexibility, and anonymity to French social life. By entering the interstices of this otherwise rigidly hierarchical society, expanded commodity exchange colored everyday experience in ways that made civic equality thinkable, possible, even desirable, when the crisis of the French Revolution arrived. Sewell ties together masterful analyses of a multitude of interrelated topics: the rise of commerce, the emergence of urban publics, the careers of the philosophes, commercial publishing, patronage, political economy, trade, and state finance. Capitalism and the Emergence of Civic Equality in Eighteenth-Century France offers an original interpretation of one of history’s pivotal moments.
China’s mid-twentieth-century wars pose extraordinary interpretive challenges. The issue is not just that the Chinese fought for such a long time—from the Marco Polo Bridge Incident of July 1937 until the close of the Korean War in 1953—across such vast territory. As Hans van de Ven explains, the greatest puzzles lie in understanding China’s simultaneous external and internal wars. Much is at stake, politically, in how this story is told.
Today in its official history and public commemorations, the People’s Republic asserts Chinese unity against Japan during World War II. But this overwrites the era’s stark divisions between Communists and Nationalists, increasingly erasing the civil war from memory. Van de Ven argues that the war with Japan, the civil war, and its aftermath were in fact of a piece—a singular process of conflict and political change. Reintegrating the Communist uprising with the Sino-Japanese War, he shows how the Communists took advantage of wartime to increase their appeal, how fissures between the Nationalists and Communists affected anti-Japanese resistance, and how the fractious coalition fostered conditions for revolution.
In the process, the Chinese invented an influential paradigm of war, wherein the Clausewitzian model of total war between well-defined interstate enemies gave way to murky campaigns of national liberation involving diverse domestic and outside belligerents. This history disappears when the realities of China’s mid-century conflicts are stripped from public view. China at War recovers them.
At the end of the eighteenth century the hasidic movement was facing an internal crisis: to what extent should the teachings of Baal Shem Tov and Maggid of Mezritch, with their implicit spiritual demands, be transmitted to the rank-and-file of the movement? Previously these teachings had been reserved for a small elite. It was at this point that the Habad school emerged with a communication ethos encouraging the transmission of esoteric to the broad reaches of the Jewish world. Communicating the Infinite explores the first two generations of the Habad school under R. Shneur Zalman of Liadi and his son R. Dov Ber and examines its early opponents.
Beginning with the different levels of communication in the teachings of the Baal Shem Tov and the Maggid and his disciples, Naftali Loewenthal traces the unfolding of the dialectic between the urge to transmit esoteric ideas and a powerful inner restraint. Gradually R. Shneur Zalman came to the fore as the prime exponent of the communication ethos. Loewenthal follows the development of his discourses up to the time of his death, when R. Dov Ber and R. Aaron Halevi Horowitz formed their respective "Lubavitch" and "Staroselye" schools. The author continues with a detailed examination of the teachings of R. Dov Ber, an inspired mystic. Central in his thought was the esoteric concept of self-abnegation, bitul, yet this combined with the quest to communicate hasidic teachings to every level of society, including women.
From the late eighteenth century onwards, the main problem for the Jewish world was posed by the fall of the walls of the social and political ghetto. Generally, the response was either to secularize, or abandon altogether, traditional Judaism or to retreat from the threatening modern world into enclave religiosity; by stressing communication, the Habad school opened the way for a middle range response that was neither a retreat into elitism nor an abandonment of tradition. Based on years of research from Hebrew and Yiddish primary source materials, Communicating the Infinite is a work of importance not only to specialists of Judaic studies but also to historians and sociologists.
In 1815 the United States was a proud and confident nation. Its second war with England had come to a successful conclusion, and Americans seemed united as never before. The collapse of the Federalist party left the Jeffersonian Republicans in control of virtually all important governmental offices. This period of harmony—what historians once called the Era of Good Feeling—was not illusory, but it was far from stable. One-party government could not persist for long in a vibrant democracy full of ambitious politicians, and sectional harmony was possible only as long as no one addressed the hard issues: slavery, race, western expansion, and economic development.
Congress and the Emergence of Sectionalism: From the Missouri Compromise to the Age of Jackson inaugurates a new series for the United States Capitol Historical Society, one that will focus on issues that led to the secession crisis and the Civil War. This first volume examines controversies surrounding sectionalism and the rise of Jacksonian Democracy, placing these sources of conflict in the context of congressional action in the 1820s and 1830s. The essays in this volume consider the plight of American Indians, sectional strife over banking and commerce, emerging issues involving slavery, and the very nature of American democracy.
“It is to be regretted that the rich and powerful too often bend the acts of government to their selfish purposes…. There are no necessary evils in government. Its evils exist only in its abuses. If it would confine itself to equal protection, and, as Heaven does its rains, shower its favors alike on the high and the low, the rich and the poor, it would be an unqualified blessing. In the act before me there seems to be a wide and unnecessary departure from these just principles.”—Andrew Jackson, Veto Message Regarding the Bank of the United States, July 10, 1832
“I consider, then, the power to annul a law of the United States, assumed by one State, incompatible with the existence of the Union, contradicted expressly by the letter of the Constitution, unauthorized by its spirit, inconsistent with every principle on which it was founded, and destructive of the great object for which it was formed.”—Andrew Jackson, Proclamation Regarding Nullification to the People of South Carolina, December 10, 1832
An essential reconsideration of black literature and culture and its response to modernity.
In the African-American encounter with modernism, all was not confrontation. Rather, as Edward M. Pavlic demonstrates here, African-American artists negotiated the intersection of high modernism in Europe and American discourse to fashion their own distinctive response to American modernity. A deft repositioning of black literature and culture, PavliÂ´c's book reenvisions the potentials and dilemmas where the different traditions of modernism meet and firmly establishes African-American modernism at this cultural crossroads.
Offering new insights into the work of a variety of African-American artists-including Ralph Ellison, Richard Wright, Zora Neale Hurston, James Baldwin, Toni Morrison, Robert Hayden, David Bradley, Yusef Komunyakaa, Romare Bearden, and John Coltrane-Pavlic explores the complex ways in which key modernist philosophical ideas and creative techniques have informed black culture. Crossroads Modernism also provides an in-depth look at how West African cultural legacies are brought to bear in the structure of a truly African-American modernist creative process. The book brings to light two interrelated strains of black modernism: Afro-Modernism, which employs established modernist concerns and conceits to illuminate internal and psychological experience; and Diasporic Modernism, which places greater emphasis on shared cultural space and builds on traditions rooted in West African cultures.
Whereas much has been said about the (generally racist) use of "blackness" in constituting modernism, Crossroads Modernism is the first book to expose the key role that modernism has played in the constitution of "blackness" in African-American aesthetics. In light of this work, canonical texts in African-American literature can no longer be read as devoid of their own singular contribution to international modernism.
Edward M. Pavlic is assistant professor of English and Africana Studies at Union College in Schenectady, New York. His book of poems, Paraph of Bone and Other Kinds of Blue (2001) was selected by Adrienne Rich for the American Poetry Review/Honickman First Book Prize.
With insight and wit, Robert J. Richards focuses on the development of evolutionary theories of mind and behavior from their first distinct appearance in the eighteenth century to their controversial state today. Particularly important in the nineteenth century were Charles Darwin's ideas about instinct, reason, and morality, which Richards considers against the background of Darwin's personality, training, scientific and cultural concerns, and intellectual community. Many critics have argued that the Darwinian revolution stripped nature of moral purpose and ethically neutered the human animal. Richards contends, however, that Darwin, Herbert Spencer, and their disciples attempted to reanimate moral life, believing that the evolutionary process gave heart to unselfish, altruistic behavior.
"Richards's book is now the obvious introduction to the history of ideas about mind and behavior in the nineteenth century."—Mark Ridley, Times Literary Supplement
"Not since the publication of Michael Ghiselin's The Triumph of the Darwinian Method has there been such an ambitious, challenging, and methodologically self-conscious interpretation of the rise and development and evolutionary theories and Darwin's role therein."—John C. Greene, Science
"His book . . . triumphantly achieves the goal of all great scholarship: it not only informs us, but shows us why becoming thus informed is essential to understanding our own issues and projects."—Daniel C. Dennett, Philosophy of Science
Employing the methodology successfully used to explore other social movements in America, this meticulous study examines the rhetorical foundation that motivated Deaf people to work for social change during the past two centuries. In clear, concise prose, Jankowski begins by explaining her use of the term social movement in relation to the desire for change among Deaf people and analyzes the rhetoric they used, not limited to spoken language, to galvanize effective action.
Central to Deaf Empowerment is the struggle between the dominant hearing society and Deaf people over the best means of communication, with the educational setting as the constant battleground. This evocative work first tracks the history of interaction between these two factions, highlighting the speaking majority’s desire to compel Deaf people to conform to “the human sciences” conventionality by learning speech. Then, it sharply focuses on the development of the Deaf social movement's ideology to seek general recognition of sign language as a valid cultural variation. Also, the influence of social movements of the 60s and 70s is examined in relation to the changing context and perception of the Deaf movement, as well as to its rhetorical refinement.
Deaf Empowerment delineates the apex of effective Deaf rhetoric in describing the success of the Deaf President Now! protest at Gallaudet University in 1988, its aftermath, and ensuing strategies. It concludes with an assessment of the goal of a multicultural society and offers suggestions for community building through a new humanitarianism. Scholars of social movements and Deaf studies will find it to be a uniquely provocative addition to their libraries and classrooms.
In E. B. White: The Emergence of an Essayist, Robert Root traces the literary career of the best-known and most widely admired American essayist of the twentieth century.
Root explores the milieu in which White began writing the "Notes and Comments" section of the New Yorker and puts in perspective the influence of popular "colyumists" like Don Marquis and Christopher Morley on the tone and form of White's work as a "paragrapher." He examines White's persistent disaffection with the demands and limitations inherent in his "Comment" pieces for the New Yorker and his experiences as a columnist for Harper's Magazine, where his "One Man's Meat" feature produced his most enduring essay, "Once More to the Lake," and took the segmented column form to new levels of accomplishment. Drawing on White's manuscripts, Root's literary analysis of early drafts demonstrates how unique White's essays were.
E. B. White greatly expanded the limits of literary nonfiction and in the process introduced elements and methods that helped produce the contemporary segmented or disjunctive essay. From Root's research we receive new insights into the process by which White created his essays and how he was influenced—and often constrained—by particular literary forms and by the limitations of the circumstances in which he wrote them. White was famous for his habit of "writing by ear," and he believed in "writing a thing first and thinking about it afterward," work habits that led to some of the most memorable American literary essays of the twentieth century.
E. B. White: The Emergence of an Essayist is the most detailed study to date of White as an essayist and a significant contribution to the literature examining writers at work.
Emerging in the 1940s, the first cybernetics—the study of communication and control systems—was mainstreamed under the names artificial intelligence and computer science and taken up by the social sciences, the humanities, and the creative arts. In Emergence and Embodiment, Bruce Clarke and Mark B. N. Hansen focus on cybernetic developments that stem from the second-order turn in the 1970s, when the cyberneticist Heinz von Foerster catalyzed new thinking about the cognitive implications of self-referential systems. The crucial shift he inspired was from first-order cybernetics’ attention to homeostasis as a mode of autonomous self-regulation in mechanical and informatic systems, to second-order concepts of self-organization and autopoiesis in embodied and metabiotic systems. The collection opens with an interview with von Foerster and then traces the lines of neocybernetic thought that have followed from his work.
In response to the apparent dissolution of boundaries at work in the contemporary technosciences of emergence, neocybernetics observes that cognitive systems are operationally bounded, semi-autonomous entities coupled with their environments and other systems. Second-order systems theory stresses the recursive complexities of observation, mediation, and communication. Focused on the neocybernetic contributions of von Foerster, Francisco Varela, and Niklas Luhmann, this collection advances theoretical debates about the cultural, philosophical, and literary uses of their ideas. In addition to the interview with von Foerster, Emergence and Embodiment includes essays by Varela and Luhmann. It engages with Humberto Maturana’s and Varela’s creation of the concept of autopoiesis, Varela’s later work on neurophenomenology, and Luhmann’s adaptations of autopoiesis to social systems theory. Taken together, these essays illuminate the shared commitments uniting the broader discourse of neocybernetics.
Contributors. Linda Brigham, Bruce Clarke, Mark B. N. Hansen, Edgar Landgraf, Ira Livingston, Niklas Luhmann, Hans-Georg Moeller, John Protevi, Michael Schiltz, Evan Thompson, Francisco J. Varela, Cary Wolfe
The United States and Western Europe are experiencing a new and important cultural and political development: the appearance of a right wing extremist movement that crosses the Atlantic Ocean and transcends national boundaries with as much ease as do e-mail messages on the Internet. In this book, Jeffrey Kaplan and Leonard Weinberg argue that there now exists a set of conditions common to the United States and Western Europe that draws right wing radicals on both sides of the Atlantic closer together. These conditions, based on demographic pressures, social dislocation, economic changes, and technological advances, have set the stage for the formation of a new Euro-American radical right movement whose motives and characteristics differ from the right wing groups of the early twentieth century.
During the first thirty years of this century, radical right wing ideas and material support flowed primarily from Europe to the United States. In recent years, the inspiration for the movement has tended to flow in the opposite direction, with the establishment of various American-based groups, like the Ku Klux Klan and the White Aryan Resistance, on European soil. Kaplan and Weinberg contend that unlike their predecessors contemporary Western right wing groups develop a common identity based more on racial solidarity than on national identity. To support their argument, the authors provide a history of extreme right wing activity in the West and a comprehensive, detailed overview of major figures, groups, and characteristics that comprise the Euro-American radical right. They discuss the role of the Internet in facilitating the transatlantic community and offer personal, inside accounts of people involved in the various movements.
The start of accession talks between Turkey and the European Union presents an important challenge for Europe and the Muslim world. Although Turkey has often been cited as a model for the accommodation of Islam and secularism, Islam is still a profound factor in Turkish politics.
This book explores the conditions under which an Islamic movement or party ceases to be Islamic. The Emergence of a New Turkey explains the social, economic, and historical origins of the ruling Justice and Development Party, which evolved from Turkey's half-century-old Islamic National Outlook movement. It focuses on the interplay between internal and external forces in the transformation of political Islam into a conservative democratic party. The book also discusses the effect of neoliberal economic policies in Turkey, offering keen insight into one of the most successful transformations of an Islamic movement in the Muslim world.
In addition to satisfying Turkish studies specialists, this lucidly written book is also suited for use in courses on comparative politics, social movements, and Middle East history and politics.
Peter Friedlander documents the formation of a local United Automobile Workers union at a mid-sized parts factory during the turbulent 1930s. Blending oral history based on personal interviews with a keen analysis of the worker's class structure and widely varied cultural backgrounds, Freidlander describes the transformation of a working-class community by its own actions and the ensuing stratification and factionalizing within that union. The result is a firsthand account of the experience of unionization in personal and social terms.
Scott Warren’s ambitious and enduring work sets out to resolve the ongoing identity crisis of contemporary political inquiry. In the Emergence of Dialectical Theory, Warren begins with a careful analysis of the philosophical foundations of dialectical theory in the thought of Kant, Hegel, and Marx. He then examines how the dialectic functions in the major twentieth-century philosophical movements of existentialism, phenomenology, neomarxism, and critical theory. Numerous major and minor philosophers are discussed, but the emphasis falls on two of the greatest dialectical thinkers of the previous century: Maurice Merleau-Ponty and Jürgen Habermas.
Warren’s shrewd critique is indispensable to those interested in the history of social and political thought and the philosophical foundations of political theory. His work offers an alternative for those who find postmodernism to be at a philosophical impasse.
The Emergence of Ecosocialism is the first book by the author, activist and scholar Joel Kovel. Kovel led an expansive political and intellectual life from the mid-1960s until his death in the spring of 2018: in addition to being a foundational ecotheorist, he was a militant leftist activist and an explorer of the world beyond our sense perceptions. In 2001, Kovel co-authored “An Ecosocialist Manifesto,” launching a global movement with ancient roots and prophetic visions for the future. Since then, dozens of books and hundreds of articles have been published on the subject as global warming, climate change, pollution, and ecological balance become central concerns around the world. The Emergence of Ecosocialism provides the definitive compilation of Kovel's essays on ecosocialism for the first time, chronicling the emergence of its theory and practice. From the original manifestos to undelivered speeches and unpublished essays, to classics from the Journal of Ecosocialism which Kovel edited, this is a critical orientation to ecosocialist praxis written by one of its founding fathers.
Immanuel Kant's "critical philosophy" is rightly renowned for its criticism of the metaphysical pretensions of reason unaided by experience. It therefore seems ironic that, within a single generation, some of Kant's most important followers argued that th
Liberation theology is a school of Roman Catholic thought which teaches that a primary duty of the church must be to promote social and economic justice. In this book, Christian Smith explains how and why the liberation theology movement emerged and succeeded when and where it did.
How did life emerge on Earth? Is there life on other worlds? These questions, until recently confined to the pages of speculative essays and tabloid headlines, are now the subject of legitimate scientific research. This book presents a unique perspective--a combined historical, scientific, and philosophical anaylsis, which does justice to the complex nature of the subject. The book's first part offers an overview of the main ideas on the origin of life as they developed from antiquity until the twentieth century. The second, more detailed part of the book examines contemporary theories and major debates within the origin-of-life scientific community.
Aristotle and the Greek atomists' conceptions of the organism
Alexander Oparin and J.B.S. Haldane's 1920s breakthrough papers
How did life emerge on Earth? Is there life on other worlds? These questions, until recently confined to the pages of speculative essays and tabloid headlines, are now the subject of legitimate scientific research. This book presents a unique perspective--a combined historical, scientific, and philosophical anaylsis, which does justice to the complex nature of the subject. The book's first part offers an overview of the main ideas on the origin of life as they developed from antiquity until the twentieth century. The second, more detailed part of the book examines contemporary theories and major debates within the origin-of-life scientific community.
Aristotle and the Greek atomists' conceptions of the organism
Alexander Oparin and J.B.S. Haldane's 1920s breakthrough papers
The Emergence of Modern Jewish Politics examines the political, social, and cultural dimensions of Zionism and Bundism, the two major political movements among East European Jews during the first half of the twentieth century.
While Zionism achieved its primary aim—the founding of a Jewish state—the Jewish Labor Bund has not only practically disappeared, but its ideals of socialism and secular Jewishness based in the diaspora seem to have failed. Yet, as Zvi Gitelman and the various contributors argue, it was the Bund that more profoundly changed the structure of Jewish society, politics, and culture.
In thirteen essays, prominent historians, political scientists, and professors of literature discuss the cultural and political contexts of these movements, their impact on Jewish life, and the reasons for the Bund’s demise, and they question whether ethnic minorities are best served by highly ideological or solidly pragmatic movements.
"The Emergence of Morality in Young Children is one of very few scholarly books concerning the development of moral tendencies in the early years. In its pages, a diverse group of eminent social and behavioral scientists address this fascinating topic and struggle with issues of inquiry that have persistently plagued this field."—Nancy Eisenberg, Harvard Educational Review
"This is a welcome and immensely provocative book. For those of us who favor ethical theorizing done in close proximity to psychology and anthropology, it provides new and illuminating theory and research relevant to perennial debates about the origins of moral sense, its psychological organization, and the objectivity and unity of the moral."—Owen Flanagan, Ethics
The contributors are Augusto Blasi, Lawrence Blum, Judy Dunn, M. Ann Easterbrooks, Carolyn Pope Edwards, Robert Emde, Carol Gilligan, Charles C. Helwig, William F. Johnson, Jerome Kagan, Melanie Killen, Sharon Lamb, Manamohan Mahapatra, Joan G. Miller, Edward Mueller, Richard A. Shweder, Catherine Snow, Elliot Turiel, and Grant Wiggins.
The 1870s in France - Rimbaud’s moment, and the subject of this book - is a decade virtually ignored in most standard histories of France. Yet it was the moment of two significant spatial events: France’s expansion on a global scale, and, in the spring of 1871, the brief existence of the Paris Commune - the construction of revolutionary urban space. Arguing that space, as a social fact, is always political and strategic, Kristen Ross has written a book that is at once history and geography of the Commune’s anarchist culture - its political language and social relations, its values, strategies, and stances.
Central to her analysis of the Commune as social space and oppositional culture is a close textual reading of Arthur Rimbaud’s poetry. His poems - a common thread running through the book - are one set of documents among many in Ross’s recreation of the Communard experience. Rimbaud, Paul Lafargue, and the social geographer Elisee Reclus serve as emblematic figures moving within and on the periphery of the Commune; in their resistance to the logic and economy of a capitalist conception of work, in their challenge to work itself as a term of identity, all three posed a threat to the existing order. Ross looks at these and other emancipator notions as aspects of Communard life, each with an analogous strategy in Rimbaud’s poetry. Applying contemporary theory to a wealth of little-known archival material, she has written a fresh, persuasive, and original book.
The American university of today is the product of a sudden, mainly unplanned period of development at the close of the nineteenth and the beginning of the twentieth centuries. At that time the university, and with it a recognizably modern style of academic life, emerged to eclipse the older, religiously oriented college. Precedents, formal and informal, were then set which have affected the soul of professor, student, and academic administrator ever since.
What did the men living in this formative period want the American university to become? How did they differ in defining the ideal university? And why did the institution acquire a form that only partially corresponded with these definitions? These are the questions Mr. Veysey seeks to answer.
In this wide-ranging study, Richard Neer offers a new way to understand the epoch-making sculpture of classical Greece. Working at the intersection of art history, archaeology, literature, and aesthetics, he reveals a people fascinated with the power of sculpture to provoke wonder in beholders. Wonder, not accuracy, realism, naturalism or truth, was the supreme objective of Greek sculptors. Neer traces this way of thinking about art from the poems of Homer to the philosophy of Plato. Then, through meticulous accounts of major sculpture from around the Greek world, he shows how the demand for wonder-inducing statues gave rise to some of the greatest masterpieces of Greek art. Rewriting the history of Greek sculpture in Greek terms and restoring wonder to a sometimes dusty subject, The Emergence of the Classical Style in Greek Sculpture is an indispensable guide for anyone interested in the art of sculpture or the history of the ancient world.
The sudden discovery of Nicaraguan Sign Language (NSL) enthralled scholars worldwide who hoped to witness the evolution of a new language. But controversy erupted regarding the validity of NSL as a genuinely spontaneous language created by young children. Laura Polich’s fascinating book recounts her nine-year study of the Deaf community in Nicaragua and her findings about its formation and that of NSL in its wake.
Polich crafted The Emergence of the Deaf Community in Nicaragua from her copious research in Nicaragua’s National Archives, field observations of deaf pupils in 20 special education schools, polls of the teachers for deaf children about their education and knowledge of deafness, a survey of 225 deaf individuals about their backgrounds and living conditions, and interviews with the oldest members of the National Nicaraguan Association of the Deaf.
Polich found that the use of a “standardized” sign language in Nicaragua did not emerge until there was a community of users meeting on a regular basis, especially beyond childhood. The adoption of NSL did not happen suddenly, but took many years and was fed by multiple influences. She also discovered the process that deaf adolescents used to attain their social agency, which gained them recognition by the larger Nicaraguan hearing society. Her book illustrates tremendous changes during the past 60 years, and the truth in one deaf Nicaraguan’s declaration, “With sign language you can learn so much.”
This book takes a critical approach to the dominant explanation for the transformation from post-Roman to 'Anglo-Saxon' society in Britain from the fifth to the eighth century: that change resulted from north-west European immigration into Britain. After testing this paradigm, the author explores the increasing amount of evidence for the gradual evolution of late Roman into early medieval England, and suggests some new directions for research that may lead to the development of more holistic explanatory models.
Native American societies, often viewed as unchanging, in fact experienced a rich process of cultural innovation in the millennia prior to recorded history. Societies of the Hocking River Valley in southeastern Ohio, part of the Ohio River Valley, created a tribal organization beginning about 2000 bc.
Edited by Elliot M. Abrams and AnnCorinne Freter, The Emergence of the Moundbuilders: The Archaeology of Tribal Societies in Southeastern Ohio presents the process of tribal formation and change in the region based on analyses of all available archaeological data from the Hocking River Valley. Drawing on the work of scholars in archaeology, anthropology, geography, geology, and botany, the collection addresses tribal society formation through such topics as the first pottery made in the valley, aggregate feasting by nomadic groups, the social context for burying their dead in earthen mounds, the formation of religious ceremonial centers, and the earliest adoption of corn.
Providing the most current research on indigenous societies in the Hocking Valley, The Emergence of the Moundbuilders is distinguished by its broad, comparative overview of tribal life.
The Emergence of Tropical Medicine in France examines the turbulent history of the ideas, people, and institutions of French colonial and tropical medicine from their early modern origins through World War I. Until the 1890s colonial medicine was in essence naval medicine, taught almost exclusively in a system of provincial medical schools built by the navy in the port cities of Brest, Rochefort-sur-Mer, Toulon, and Bordeaux. Michael A. Osborne draws out this separate species of French medicine by examining the histories of these schools and other institutions in the regional and municipal contexts of port life. Each site was imbued with its own distinct sensibilities regarding diet, hygiene, ethnicity, and race, all of which shaped medical knowledge and practice in complex and heretofore unrecognized ways.
Osborne argues that physicians formulated localized concepts of diseases according to specific climatic and meteorological conditions, and assessed, diagnosed, and treated patients according to their ethnic and cultural origins. He also demonstrates that regions, more so than a coherent nation, built the empire and specific medical concepts and practices. Thus, by considering tropical medicine’s distinctive history, Osborne brings to light a more comprehensive and nuanced view of French medicine, medical geography, and race theory, all the while acknowledging the navy’s crucial role in combating illness and investigating the racial dimensions of health.
Turkey’s Imam Hatip schools, which offer a combination of Islamic and secular subjects, operate in a country ostensibly committed to secular education. This thoughtful study examines the routes of these schools’ graduates to various European universities. Against the backdrop of the largely secular Turkish academic establishment, the Imam Hatip students frequently choose Europe for their university education because they are excluded and banned from native universities. This important volume contributes to the discussion of the role these schools play in the social mobility of religious conservatives in Turkey, as well as offering new research in the study of Turkish transnational religious movements.
"This important study is both an analysis of and a call to an involved politics. It opens the door to a far-reaching dialogue."
--Martin Duberman, Center for Lesbian and Gay Studies, The City University of New York
An active participant in and theorist of the gay and lesbian movement, Mark Blasius contends that being gay or lesbian is by definition political. By extension, the phenomenon of a movement founded on collective identity is a quintessential part of American politics. The continually rising public consciousness of the needs and interest of gays and lesbians provides Blasius with a vehicle for showing how a particular aspect of human life comes to assume political dimensions. Upon this premise, he analyzes the process of how power is exercised through sexuality and traces the historical conditions that have made possible a gay and lesbian politics
Drawing on works of political philosophy, social science, including Foucault, and gay and lesbian studies, Blasius explores the invention of a gay and lesbian ethos, through which participation, even for apolitical gays and lesbians, goes beyond a shared culture and perspective. It is a way of life more encompassing than either sexual orientation or lifestyle alone. Though he acknowledges and reflects upon the divergent range of gay and lesbian experiences, Blasius provides a framework based on theories of power, sexuality, and ethics that elaborates the significance of the movement as a whole within contemporary society.
"It is in the process of coming out...Blasius argues, that lesbians and gay men create themselves--as new subjects, as the producers of new truth, and as agents of social change. Blasius gives a coherent account that ties together all these processes--from coming out to the emergence of lesbian and gay studies-and goes on to show the 'ethical' contribution that lesbians and gay men make to contemporary American society."
--Harvard Gay & Lesbian Review
"An engaging book that intelligently explores a range of possibilities in human relations."
--George Kateb, Department of Politics, Princeton University
The years between roughly 1760 and 1810, a period stretching from the rise of Joseph Haydn’s career to the height of Ludwig van Beethoven’s, are often viewed as a golden age for musical culture, when audiences started to revel in the sounds of the concert hall. But the latter half of the eighteenth century also saw proliferating optical technologies—including magnifying instruments, magic lanterns, peepshows, and shadow-plays—that offered new performance tools, fostered musical innovation, and shaped the very idea of “pure” music. Haydn’s Sunrise, Beethoven’s Shadow is a fascinating exploration of the early romantic blending of sight and sound as encountered in popular science, street entertainments, opera, and music criticism.
Deirdre Loughridge reveals that allusions in musical writings to optical technologies reflect their spread from fairgrounds and laboratories into public consciousness and a range of discourses, including that of music. She demonstrates how concrete points of intersection—composers’ treatments of telescopes and peepshows in opera, for instance, or a shadow-play performance of a ballad—could then fuel new modes of listening that aimed to extend the senses. An illuminating look at romantic musical practices and aesthetics, this book yields surprising relations between the past and present and offers insight into our own contemporary audiovisual culture.
In this unusually wide-ranging study, spanning more than a century and covering such diverse forms of expressive culture as Shakespeare, Central Park, symphonies, jazz, art museums, the Marx Brothers, opera, and vaudeville, a leading cultural historian demonstrates how variable and dynamic cultural boundaries have been and how fragile and recent the cultural categories we have learned to accept as natural and eternal are.
For most of the nineteenth century, a wide variety of expressive forms—Shakespearean drama, opera, orchestral music, painting and sculpture, as well as the writings of such authors as Dickens and Longfellow—enjoyed both high cultural status and mass popularity. In the nineteenth century Americans (in addition to whatever specific ethnic, class, and regional cultures they were part of) shared a public culture less hierarchically organized, less fragmented into relatively rigid adjectival groupings than their descendants were to experience. By the twentieth century this cultural eclecticism and openness became increasingly rare. Cultural space was more sharply defined and less flexible than it had been. The theater, once a microcosm of America—housing both the entire spectrum of the population and the complete range of entertainment from tragedy to farce, juggling to ballet, opera to minstrelsy—now fragmented into discrete spaces catering to distinct audiences and separate genres of expressive culture. The same transition occurred in concert halls, opera houses, and museums. A growing chasm between “serious” and “popular,” between “high” and “low” culture came to dominate America’s expressive arts.
“If there is a tragedy in this development,” Lawrence Levine comments, “it is not only that millions of Americans were now separated from exposure to such creators as Shakespeare, Beethoven, and Verdi, whom they had enjoyed in various formats for much of the nineteenth century, but also that the rigid cultural categories, once they were in place, made it so difficult for so long for so many to understand the value and importance of the popular art forms that were all around them. Too many of those who considered themselves educated and cultured lost for a significant period—and many have still not regained—their ability to discriminate independently, to sort things out for themselves and understand that simply because a form of expressive culture was widely accessible and highly popular it was not therefore necessarily devoid of any redeeming value or artistic merit.”
In this innovative historical exploration, Levine not only traces the emergence of such familiar categories as highbrow and lowbrow at the turn of the century, but helps us to understand more clearly both the process of cultural change and the nature of culture in American society.
This new collection of essays on HIV viruses spans disciplines to topple popular narratives about the origins of the AIDS pandemic and the impact of the disease on public health policy.
With a death toll in the tens of millions, the AIDS pandemic was one of the worst medical disasters of the past century. The disease was identified in 1981, at the height of miraculous postwar medical milestones, including dramatically effective antibiotics, breakthrough advances in heart surgery and transplantations, and vaccines—smallpox had been eradicated just a few years earlier. During this era of overwhelming confidence in modern medicine, the HIV epidemics shook public faith in health science. Despite subsequent success in identifying, testing, and treating AIDS, the emergence of epidemics and outbreaks of Ebola, Zika, and the novel coronaviruses (SARS and COVID-19) are stark reminders that such confidence in modern medicine is not likely to be restored until the emergence of these viruses is better understood.
This collection combines the work of major social science and humanities scholars with that of virologists and epidemiologists to provide a broader understanding of the historical, social, and cultural circumstances that produced the pandemic. The authors argue that the emergence of the HIV viruses and their epidemic spread were not the result of a random mutation but rather broader new influences whose impact depended upon a combination of specific circumstances at different places and times. The viruses emerged and were transmitted according to population movement and urbanization, changes in sexual relations, new medical procedures, and war. In this way, the AIDS pandemic was not a chance natural occurrence, but a human-made disaster.
Essays by: Ernest M. Drucker, Tamara Giles-Vernick, Ch. Didier Gondola, Guillaume Lachenal, Amandine Lauro, Preston A. Marx, Stephanie Rupp, François Simon, Jorge Varanda
Why do early films present the Netherlands as a country full of canals and windmills, where people wear traditional costumes and wooden shoes, while industries and modern urban life are all but absent? Images of Dutchness investigates the roots of this visual repertoire from diverse sources, ranging from magazines to tourist brochures, from anthropological treatises to advertising trade cards, stereoscopic photographs, picture postcards, magic lantern slide sets and films of early cinema.This richly illustrated book provides an in-depth study of the fascinating corpus of popular visual media and their written comments that are studied for the first time. Through the combined analysis of words and images, the author identifies not only what has been considered Ÿtypically DutchŒ in the long nineteenth century, but also provides new insights into the logic and emergence of national clichés in the Western world.
In Indiana in Transition: The Emergence of an Industrial Commonwealth, 1880–1920 (vol. 4, History of Indiana Series), author Clifton J. Phillips covers the period during which Indiana underwent political, economic, and social changes that furthered its evolution from a primarily rural-agricultural society to a predominantly urban-industrial commonwealth. The book includes a bibliography, notes, and index.
More than just a history of a musical genre, Looking Up at Down traces the evolution of the various strands of blues music within the broader context of the culture on which it commented, and discusses its importance as a form of cultural resistance and identity for Afro-Americans. William Barlow explores the lyrics, describes the musical styles, and portrays the musicians and performers who created this uniquely American music. He describes how the blues sound—with its recognizable dissonance and African musical standards—and the blues text, which provided a bottom up view of American society, became bulwarks of cultural resistance.
Using rare recordings, oral histories, and interviews, Barlow analyzes how the blues was sustained as a form of Afro-American cultural resistance despite attempts by the dominant culture to assimilate and commercialize the music and exploit its artists.
Winner of the 2015 A-Asia/ICAS Africa-Asia Book Prize, a global competition, for the best book in English, French, or Portuguese on any topic linking Asia and Africa.
The Magellan Fallacy argues that literature in Spanish from Asia and Africa, though virtually unknown, reimagines the supposed centers and peripheries of the modern world in fundamental ways. Through archival research and comparative readings, The Magellan Fallacy rethinks mainstream mappings of diverse cultures while advocating the creation of a new field of scholarship: global literature in Spanish. As the first attempt to analyze Asian and African literature in Spanish together, and doing so while ranging over all continents, The Magellan Fallacy crosses geopolitical and cultural borders without end. The implications of the book, therefore, extend far beyond the lands formerly ruled by the Spanish empire. The Magellan Fallacy shows that all theories of globalization, including those focused on the Americas and Europe, must be able to account for the varied significances of hispanophone Asia and Africa as well.
At the dawn of the twentieth century, the US-Mexico border was home to some of the largest and most technologically advanced industrial copper mines. This despite being geographically, culturally, and financially far-removed from traditional urban centers of power. Mining the Borderlands argues that this was only possible because of the emergence of mining engineers—a distinct technocratic class of professionals who connected capital, labor, and expertise.
Mining engineers moved easily between remote mining camps and the upscale parlors of east coast investors. Working as labor managers and technical experts, they were involved in the daily negotiations, which brought private US capital to the southwestern border. The success of the massive capital-intensive mining ventures in the region depended on their ability to construct different networks, serving as intermediaries to groups that rarely coincided.
Grossman argues that this didn’t just lead to bigger and more efficient mines, but served as part of the ongoing project of American territorial and economic expansion. By integrating the history of technical expertise into the history of the transnational mining industry, this in-depth look at borderlands mining explains how American economic hegemony was established in a border region peripheral to the federal governments of both Washington, D.C. and Mexico City.
In the sixteenth century, European rulers attempting to
consolidate their power realized that better knowledge of
their lands would strengthen their control over them. By
1550, the cartographer's art had already become an important
instrument for bringing territories under the control of
centralized government; increasing governmental reliance on
maps stimulated the refinement of cartographic techniques
throughout the following century.
This volume, a detailed survey of the political uses of
cartography between 1400 and 1700 in Italy, France, England,
Poland, Austria, and Spain, answers these questions: When
did monarchs and ministers begin to perceive that maps could
be useful in government? For what purposes were maps
commissioned? How accurate and useful were they? How did
cartographic knowledge strengthen the hand of government?
The chapters offer new insights into the development of
cartography and its role in European history.
Contributors to the volume are John Marino, Peter
Barber, David Buisseret, Geoffrey Parker, James Vann, and
Michael J. Mikòs.
A scholarly narrative of UAB from its nascent beginnings through the mid 1990s.
While the economy and culture of the post—World War II South changed from an era of material capital (e.g., cotton and iron ore) to a period of social capital (intellectual development and networked approaches to social change), one of the most important components of urban life, the university, emerged as both a creator and a reflector of such modernization.
This is the case with Birmingham and its youthful institution of higher learning, the University of Alabama at Birmingham. From its early days as a struggling offshoot of the capstone campus in Tuscaloosa, UAB’s journey to its current status as a major university has been a bumpy but interesting one. Tennant McWilliams, a longtime UAB history professor, explores the whole range of historical considerations, including UAB’s similarities and connections to trans-Atlantic civic universities; the irony of the shift from Big Steel to Big Medicine in Birmingham; the visionary administrations of Joseph F. Volker and others; and the evolving decision to make non-medical life at UAB less of a commuter experience and more of a traditional campus experience.
McWilliams does not palliate the missteps and disputes that have, from time to time, impeded the institution’s progress. But he explains why, despite various hurdles and distractions, UAB has risen to be Alabama’s largest employer and can rightly boast that its complex of health care services, especially organ transplantation and neuroscience, as well as such fields as philosophy and psychology, are among the best in the nation.
Michael Joyce's new collection continues to examine the connections between the poles of art and instruction, writing and teaching in the form of what Joyce has called theoretical narratives, pieces that are both narratives of theory and texts in which theory often takes the form of narrative. His concerns include hypertext and interactive fiction, the geography of cyberspace, and interactive film, and Joyce here searches out the emergence of network culture in spaces ranging from the shifting nature of the library to MOOs and other virtual spaces to life along a river.
While in this collection Joyce continues to be one of our most lyrical, wide-ranging, and informed cultural critics and theorists of new media, his essays exhibit an evolving distrust of unconsidered claims for newness in the midst of what Joyce calls "the blizzard of the next," as well as a recurrent insistence upon grounding our experience of the emergence of network culture in the body.
Michael Joyce is Associate Professor of English, Vassar College. He is author of a number of hypertext fictions on the web and on disk, most notably Afternoon: A Story.
His previous books are Of Two Minds: Hypertext Pedagogy and Poetics and Moral Tale and Meditations: Technological Parables and Refractions.
A companion volume to Out in the Field, a benchmark examination of lesbian and gay experiences in anthropology, Out in Theory presents lesbian and gay anthropology as a distinct specialization and addresses the theoretical issues that define the emerging field.
This compelling collection of essays details the scholarly and personal factors that affected the emergence of lesbian and gay anthropology and speculates on the directions it will take as it continues to grow and diversify. Seeking to legitimize the field's scholarship and address issues in terminology, the essays also define the lesbian and gay anthropology's scope and subject matter and locate factors that separate it from the wider concerns of the profession.
Specific essays track the emergence of lesbian and gay studies in social and cultural anthropology, linguistics, archaeology, and in various areas of anthropological activism. They also consider how feminist anthropology helped define the field and how transgendered experience, queer theory, and race and class studies are promoting new directions of inquiry within lesbian and gay anthropology.
The history of regional sporting events in 20th century Asia yields insights into Western and Asian perspectives on what defines modern Asia, and can be read as a staging of power relations in Asia and between Asia and the West. The Far Eastern Championship Games began in 1913, and were succeeded after the Pacific War by the Asian Games. Missionary groups and colonial administrations viewed sporting success not only as a triumph of physical strength and endurance but also of moral education and social reform. Sporting competitions were to shape a ‘new Asian man’ and later a ‘new Asian woman’ by promoting internationalism, egalitarianism and economic progress, all serving to direct a “rising” Asia toward modernity. Over time, exactly what constituted a “rising” Asia underwent remarkable changes, ranging from the YMCA’s promotion of muscular Christianity, democratization, and the social gospel in the US-colonized Philippines to Iranian visions of recreating the Great Persian Empire.
Based on a vast range of archival materials and spanning sixty years and three continents, Sports and the Emergence of Modern Asia shows how pan-Asian sporting events helped shape anti-colonial sentiments, Asian nationalisms, and pan-Asian aspirations in places as diverse as Japan and Iran, and across the span of countries lying between them.
Moving pictures existed for over a decade before anything resembling a star system appeared. Then, within the space of a very few years, American cinema went from being completely devoid of stars to being completely dependent on them. Picture Personalities is an invaluable account of this crucial development in cinema and modern culture.
Conventional wisdom attributes the rise of the star system to the charisma of individual performers or to the public's desire to idolize an appealing star. In Picture Personalities, Richard deCordova argues that the fledgling movie industry and the press conspired to develop the star system, along with a system of discourse to support it.
How actors became stars and how they began to assume public identities distinct from their fictional roles was closely tied to the journalistic discourse of the period, produced by the trade press, newspapers, general periodicals, fan magazines, publicity stills, posters, and other material. DeCordova shows how the studios worked to fabricate moral images of the stars' marriages and personal lives and how a series of star scandals in the 1920s challenged those images and brought about changes in the conventions of representing stars. A new foreword by Corey K. Creekmur enhances this first paperback edition.
Planet Management is a study of, and contribution to, the history of "globality"--the emergence of a complex organization of politics, economics, and culture at a planetary rather than a national level. Drawing on historical archival research as well as recent theoretical work in science studies and critical theory, the book tell the story of the central role of technoscientific discourses and practices in the emergence of globality.
Experimental poetry responded to historical change in the decades after World War II, with an attitude of such casual and reckless originality that its insights have often been overlooked. However, as Benjamin Lee argues, to ignore the scenes of self and the historical occasions captured by experimental poets during the 1950s and 1960s is to overlook a rich and instructive resource for our own complicated transition into the twenty-first century.
Frank O’Hara and fellow experimental poets like Amiri Baraka, Diane di Prima, and Allen Ginsberg offer us a set of perceptive responses to Cold War culture, lyric meditations on consequential changes in U.S. social life and politics, including the decline of the Old Left, the rise of white-collar workers, and the emergence of vernacular practices like hipsterism and camp. At the same time, they offer us opportunities to anatomize our own desire for historical significance and belonging, a desire we may well see reflected and reconfigured in the work of these poets.
Winner of the Latin American Jewish Studies Association Best Book Award 2020
An examination of the social and cultural repercussions of Jewish emigration from Poland to Argentina in the 1920s and 1930s
Between the 1890s and 1930s, Argentina, following the United States and Palestine, became the main destination for Eastern European Ashkenazi Jews seeking safety, civil rights, and better economic prospects. In the period between 1918 and 1939, sixty thousand Polish Jews established new homes in Argentina. They formed a strong ethnic community that quickly embraced Argentine culture while still maintaining their unique Jewish-Polish character. This mass migration caused the transformation of cultural, social, and political milieus in both Poland and Argentina, forever shaping the cultural landscape of both lands.
In Polacos in Argentina: Polish Jews, Interwar Migration, and the Emergence of Transatlantic Jewish Culture, Mariusz Kalczewiak has constructed a multifaceted and in-depth narrative that sheds light on marginalized aspects of Jewish migration and enriches the dialogue between Latin American Jewish studies and Polish Jewish Studies. Based on archival research, Yiddish travelogues on Argentina, and the Yiddish and Spanish-language press, this study recreates a mosaic of entanglements that Jewish migration wove between Poland and Argentina.
Most studies on mass migration fail to acknowledge the role of the country of origin, but this innovative work approaches Jewish migration to Argentina as a continuous process that took place on both sides of the Atlantic. Taken as a whole, Polacos in Argentina enlightens the heterogeneous and complex issue of immigrant commitments, belongings, and expectations. Jewish emigration from Poland to Argentina serves as a case study of how ethnicity evolves among migrants and their children, and the dynamics that emerge between putting down roots in a new country and maintaining commitments to the country of origin.
Nineteenth-century Serbia was an economically and socially backward country with an urban population of approximately 3 percent and a literacy rate in the countryside of less than 10 percent. Still, during that century it created a functioning democracy with a constitution, independent courts, political parties, and civil liberties. The Serbian experience challenges the view that political structures fundamentally depend on socioeconomic ones, since Serbia created a modern political system without developing economically. Politics as Development analyzes one aspect of that process, the emergence of political parties in the 1870s and the 1880s, especially the creation of the Serbian Radical Party under the leadership of Nikola Pasic. By mobilizing the peasantry through organizing the countryside, the Radicals proved themselves the most original nineteenth-century Balkan political movement. Based on thorough research of primary documents, Stokes’s study supports the view that the state and its attending class constitute an independent variable in the developmental process.
Americans commonly recognize television, e-mail, and instant messaging as agents of pervasive cultural change. But many of us may not realize that what we now call snail mail was once just as revolutionary. As David M. Henkin argues in The Postal Age, a burgeoning postal network initiated major cultural shifts during the nineteenth century, laying the foundation for the interconnectedness that now defines our ever-evolving world of telecommunications.
This fascinating history traces these shifts from their beginnings in the mid-1800s, when cheaper postage, mass literacy, and migration combined to make the long-established postal service a more integral and viable part of everyday life. With such dramatic events as the Civil War and the gold rush underscoring the importance and necessity of the post, a surprisingly broad range of Americans—male and female, black and white, native-born and immigrant—joined this postal network, regularly interacting with distant locales before the existence of telephones or even the widespread use of telegraphy. Drawing on original letters and diaries from the period, as well as public discussions of the expanding postal system, Henkin tells the story of how these Americans adjusted to a new world of long-distance correspondence, crowded post offices, junk mail, valentines, and dead letters.
The Postal Age paints a vibrant picture of a society where possibilities proliferated for the kinds of personal and impersonal communications that we often associate with more recent historical periods. In doing so, it significantly increases our understanding of both antebellum America and our own chapter in the history of communications.
The beauty of the Hudson River Valley was a legendary subject for artists during the nineteenth century. They portrayed its bucolic settings and humans in harmony with nature as the physical manifestation of God’s work on earth. More than a hundred years later, those sentiments would be tested as never before. In the fall of 1962, Consolidated Edison of New York, the nation’s largest utility company, announced plans for the construction of a pumped-storage hydroelectric power plant at Storm King Mountain on the Hudson River, forty miles north of New York City. Over the next eighteen years, their struggle against environmentalists would culminate in the abandonment of the project.
Robert D. Lifset offers an original case history of this monumental event in environmental history, when a small group of concerned local residents initiated a landmark case of ecology versus energy production. He follows the progress of this struggle, as Con Ed won approvals and permits early on, but later lost ground to environmentalists who were able to raise questions about the potential damage to the habitat of Hudson River striped bass.
Lifset uses the struggle over Storm King to examine how environmentalism changed during the 1960s and 1970s. He also views the financial challenges and increasingly frequent blackouts faced by Con Ed, along with the pressure to produce ever-larger quantities of energy.
As Lifset demonstrates, the environmental cause was greatly empowered by the fact that through this struggle, for the first time, environmentalists were able to gain access to the federal courts. The environmental cause was also greatly advanced by adopting scientific evidence of ecological change, combined with mounting public awareness of the environmental consequences of energy production and consumption. These became major factors supporting the case against Con Ed, spawning a range of new local, regional, and national environmental organizations and bequeathing to the Hudson River Valley a vigilant and intense environmental awareness. A new balance of power emerged, and energy companies would now be held to higher standards that protected the environment.
In Queer Timing, Susan Potter offers a counter-history that reorients accepted views of lesbian representation and spectatorship in early cinema. Potter sees the emergence of lesbian figures as only the most visible but belated outcome of multiple sexuality effects. Early cinema reconfigured older erotic modalities, articulated new--though incoherent--sexual categories, and generated novel forms of queer feeling and affiliation. Potter draws on queer theory, silent film historiography, feminist film analysis, and archival research to provide an original and innovative analysis. Taking a conceptually oriented approach, she articulates the processes of filmic representation and spectatorship that reshaped, marginalized, or suppressed women's same-sex desires and identities. As she pursues a sense of "timing," Potter stages scenes of the erotic and intellectual encounters shared by historical spectators, on-screen figures, and present day scholars. The result is a daring revision of feminist and queer perspectives that foregrounds the centrality of women's same-sex desire to cinematic discourses of both homo- and heterosexuality.
The advent of recombinant DNA technology in the 1970s was a key moment in the history of both biotechnology and the commercialization of academic research. Doogab Yi’s The Recombinant University draws us deeply into the academic community in the San Francisco Bay Area, where the technology was developed and adopted as the first major commercial technology for genetic engineering. In doing so, it reveals how research patronage, market forces, and legal developments from the late 1960s through the early 1980s influenced the evolution of the technology and reshaped the moral and scientific life of biomedical researchers.
Bay Area scientists, university administrators, and government officials were fascinated by and increasingly engaged in the economic and political opportunities associated with the privatization of academic research. Yi uncovers how the attempts made by Stanford scientists and administrators to demonstrate the relevance of academic research were increasingly mediated by capitalistic conceptions of knowledge, medical innovation, and the public interest. Their interventions resulted in legal shifts and moral realignments that encouraged the privatization of academic research for public benefit. The Recombinant University brings to life the hybrid origin story of biotechnology and the ways the academic culture of science has changed in tandem with the early commercialization of recombinant DNA technology.
In a radical reconsideration of political theory and politics, Paul Eisenstein and Todd McGowan explore the notion of rupture or radical tearing apart in both history andtheory through the sweep of Western philosophy from Plato to Kierkegaard and beyond. The authorsuse contemporary literature and film to elucidate political theory, examining works by such writers are Dave Eggers, John Irving, and Toni Morrison, as well as films by directors from Sergei Eisenstein to David Fincher.
Paul Eisenstein and Todd McGowan findthat a rupture or radical break is repeatedly invoked at the beginning of every philosophical system.In this rupture, many of our most cherished political values—equality, solidarity, and the idea of freedom—emerge. But the lack of a sustained commitment to this radical tearing apart has repeatedly foreshortened, distorted, or perverted those same values. Most political philosophymay have marginalized these radical breaks with the past.But Eisenstein and McGowan demonstrate that Alain Badiou, Giorgio Agamben, and Slavoj Žižek have consistently broughtruptureto the fore as an organizing principle for political thought. This insight holds great pertinence to our current world situation. Seeing the possibilities for an extended dialogue and sustained political change, Eisenstein and McGowan argue for a more systematic engagement with these theorists.
Ponder questions of the united monarchy under Saul and David in light of current historical and archaeological evidence
Reconstructing the emergence of the Israelite monarchy involves interpreting historical research, approaching questions of ancient state formation, synthesizing archaeological research from sites in the southern Levant, and reexamining the biblical traditions of the early monarchy embedded in the books of Samuel and Kings. Integrating these approaches allows for a nuanced and differentiated picture of one of the most crucial periods in the history of ancient Israel. Rather than attempting to harmonize archaeological data and biblical texts or to supplement the respective approach by integrating only a portion of data stemming from the other, both perspectives come into their own in this volume presenting the results of an interdisciplinary Tübingen–Tel Aviv Research Colloquium.
Essays on Israel's monarchy by experts in biblical archaeology and biblical studies
Methods for integrating archaeology and biblical traditions in reconstructing ancient Israel's history
New research on the sociopolitical process of state formation in Israel and Judah
Already in the late nineteenth century, electricians, physicists, and telegraph technicians dreamed of inventing televisual communication apparatuses that would “see” by electricity as a means of extending human perception. In Seeing by Electricity Doron Galili traces the early history of television, from fantastical image transmission devices initially imagined in the 1870s such as the Telectroscope, the Phantoscope, and the Distant Seer to the emergence of broadcast television in the 1930s. Galili examines how televisual technologies were understood in relation to film at different cultural moments—whether as a perfection of cinema, a threat to the Hollywood industry, or an alternative medium for avant-garde experimentation. Highlighting points of overlap and divergence in the histories of television and cinema, Galili demonstrates that the intermedial relationship between the two media did not start with their economic and institutional rivalry of the late 1940s but rather goes back to their very origins. In so doing, he brings film studies and television studies together in ways that advance contemporary debates in media theory.
This dynamic study provides a rich intellectual and historical background for understanding the works of black American writers in the late nineteenth and early twentieth centuries. Beginning with a look at early slave narratives, Donald Petesch examines how these writings reflect the conditions imposed upon their authors and goes on to explore the shifting and often contradictory black/white consciousness that was emerging in the twentieth century. Moving into the Harlem Renaissance, Petesch considers the implications of the historical and social contexts for a number of black authors.
This closely focused look at a group of writers who represent both the emergence of modern black literature and the Harlem Renaissance, coupled with the keen examination of the historical and social conditions that shaped them, will be valuable reading for all students of black literature and history, intellectual history, and popular culture.
Little known in the United States but increasingly important in the affairs of southeastern Europe, Bulgaria is a land with a stormy history. No less stormy is the story of Stefan Stambolov, who ruled the country during some of its most turbulent years. Duncan M. Perry's biography of Stambolov, the first in English in the twentieth century, illuminates the life, motives, and personality of this major figure. Perry begins with Bulgaria in the tumultuous years immediately following its founding in 1878. After the ousting of the country's first prince, Stambolov enters the stage as the fiery young lawyer who restored him to the throne. Although the prince promptly abdicated, Stambolov stepped into the breach and led the nation during the interregnum. Perry traces this patriotic politician's transformation into an authoritarian prime minister. He shows how Stambolov stabilized the Bulgarian economy and brought relative security to the land—but not without cost to himself and his regime. Perry depicts a man whose promotion of Bulgaria's independence exacted its price in individual rights, a ruler whose assassination in 1895 was the cause of both rejoicing and sorrow. Stambolov thus emerges from these pages as a complex historical figure, an authoritarian ruler who protected his country's liberty at the cost of the people's freedom and whose dictatorial policies set Bulgaria upon a course of stability and modernization. An afterword compares the Bulgarian liberation era of Stambolov with the communist-era dictator, Todor Zhikov, analyzing similarities and differences.
The Alexiad, written in the twelfth century by a Byzantine princess, Anna Komnene, tells the story of the Byzantine Empire during the reign of her father, offering accounts of its political and military history, including its involvement with the First Crusade. Structure and Features of Anna Komnene’s Alexiad: Emergence of a Personal History introduces new methods of research for studying the Alexiad, aiming primarily at analysing Anna Komnene’s literary expression. The book’s approach focuses mainly on the author, the subject, the structure and the inner stylistic features, as well as the genre itself. The result is a substantially new outlook on the main Byzantine historiographical work of the twelfth century.
A new interpretation of the roots of Israeli culture
In Tangled Roots: The Emergence of Israeli Culture, Israel Bartal traces the history of modern Hebrew culture prior to the emergence of political Zionism. Bartal examines how traditional and modernist ideals and Western and non-European Jewish cultures merged in an unprecedented encounter between an ancient land (Israel) and a multigenerational people (the Jews). Premodern Jewish traditionalists, Palestinian locals, foreign imperial forces, and Jewish intellectuals, writers, journalists, and party functionaries each affected the Israeli culture that emerged. As this new Hebrew culture was taking shape, the memory of the recent European past played a highly influential role in shaping the image of the New Hebrew, that mythological hero who was meant to supplant the East European exilic Jew.
A critical revision of most contemporary politicized histories of Jewish nationalism
An examination of the history of modern Hebrew culture prior to political Zionism
Controversial megachurch pastor Mark Driscoll proclaimed from a conference stage in 2013, “I know who made the environment and he’s coming back and going to burn it all up. So yes, I drive an SUV.” The comment, which Driscoll later explained away as a joke, highlights what has been a long history of religious anti-environmentalism. Given how firmly entrenched this sentiment has been, surprising inroads have been made by a new movement with few financial resources, which is deeply committed to promoting green religious traditions and creating a new environmental ethic.
To Care for Creation chronicles this movement and explains how it has emerged despite institutional and cultural barriers, as well as the hurdles posed by logic and practices that set religious environmental organizations apart from the secular movement. Ellingson takes a deep dive into the ways entrepreneurial activists tap into and improvise on a variety of theological, ethical, and symbolic traditions in order to issue a compelling call to arms that mobilizes religious audiences. Drawing on interviews with the leaders of more than sixty of these organizations, Ellingson deftly illustrates how activists borrow and rework resources from various traditions to create new meanings for religion, nature, and the religious person’s duty to the natural world.
In Uplift Cinema, Allyson Nadia Field recovers the significant yet forgotten legacy of African American filmmaking in the 1910s. Like the racial uplift project, this cinema emphasized economic self-sufficiency, education, and respectability as the keys to African American progress. Field discusses films made at the Tuskegee and Hampton Institutes to promote education, as well as the controversial The New Era, which was an antiracist response to D. W. Griffith's The Birth of a Nation. She also shows how Black filmmakers in New York and Chicago engaged with uplift through the promotion of Black modernity. Uplift cinema developed not just as a response to onscreen racism, but constituted an original engagement with the new medium that has had a deep and lasting significance for African American cinema. Although none of these films survived, Field's examination of archival film ephemera presents a method for studying lost films that opens up new frontiers for exploring early film culture.
Utopia Limited is an original, engaging account of how postmodernism emerged from the political and cultural upheaval of the 1960s. Marianne DeKoven argues that aspects of sixties radical politics and culture simultaneously embodied the full, final flowering of the modern and the beginning of the postmodern. Analyzing classic sixties texts, DeKoven shows where the utopian master narratives underlying the radical and countercultural movements gave way to the “utopia limited” of the postmodern as a range of competing political values and desires came to the fore. She identifies the pivots where the modern was superseded by the nascent postmodern: where modern mass culture was replaced by postmodern popular culture, modern egalitarianism morphed into postmodern populism, and modern individualism fragmented into postmodern politics and cultures of subjectivity.
DeKoven rigorously analyzes a broad array of cultural and political texts important in the sixties—from popular favorites such as William S. Burroughs’s Naked Lunch to political manifestoes including The Port Huron Statement, the founding document of SDS (Students for a Democratic Society). She examines texts that overtly discuss the conflict in Vietnam, Black Power, and second-wave feminism—including Frances FitzGerald’s Fire in the Lake, James Baldwin’s The Fire Next Time, and Shulamith Firestone’s The Dialectic of Sex; experimental pieces such as The Living Theatre’s Paradise Now; influential philosophical works including Roland Barthes’s Mythologies and Herbert Marcuse’s One-Dimensional Man; and explorations of Las Vegas, the prime location of postmodernity. Providing extensive annotated bibliographies on both the sixties and postmodernism, Utopia Limited is an invaluable resource for understanding the impact of that tumultuous decade on the present.
The Holy See and the Emergence of the Modern Middle East examines the originality of Pope Benedict XVs diplomacy (1914-1922) during the First World War and the immediate post-war period in the modern Middle East emerging after the fall of the Ottoman Empire. A thorough exploration of the pontiff's statecraft regarding Syria, Lebanon, and Palestine serves as the case study and emphasizes Pope Benedict's participation in preparing the Catholic Church for an active role in the new world order.
In 1888 a group of armed and masked Democrats stole a ballot box from a small town in Conway County, Arkansas. The box contained most of the county’s black Republican votes, thereby assuring defeat for candidate John Clayton in a close race for the U.S. Congress. Days after he announced he would contest the election, a volley of buckshot ripped through Clayton’s hotel window, killing him instantly. Thus began a yet-to-be-solved, century-old mystery.
More than a description of this particular event, however, Who Killed John Clayton? traces patterns of political violence in this section of the South over a three-decade period. Using vivid courtroom-type detail, Barnes describes how violence was used to define and control the political system in the post-Reconstruction South and how this system in turn produced Jim Crow. Although white Unionists and freed blacks had joined under the banner of the Republican Party and gained the upper hand during Reconstruction, during these last decades of the nineteenth century conservative elites, first organized as the Ku Klux Klan and then as the revived Democratic Party, regained power—via such tactics as murdering political opponents, lynching blacks, and defrauding elections.
This important recounting of the struggle over political power will engage those interested in Southern and American history.
In the late nineteenth and early twentieth centuries, the Saar river valley was one of the three most productive heavy industrial regions in Germany and one of the main reference points for national debates over the organization of work in large-scale industry. Among Germany's leading opponents of trade unions, Saar employers were revered for their system of factory organization, which was both authoritarian and paternalistic, stressing discipline and punitive measures and seeking to regulate behavior on and off the job. In its repressive and beneficent dimensions, the Saar system provided a model for state labor and welfare policy during much of the 1880s and 1890s.
Dennis Sweeney examines the relationship between labor relations in heavy industry and public life in the Saar as a means of tracing some of the wider political-ideological changes of the era. Focusing on the changing discourses, representations, and institutions that gave shape and meaning to factory work and labor conflict in the Saar, Work, Race, and the Emergence of Radical Right Corporatism in Imperial Germany demonstrates the ways in which Saar factory culture and labor relations were constituted in wider fields of public discourse and anchored in the institutions of the local-regional public sphere and the German state. Of particular importance is the gradual transition in the Saar from a paternalistic workplace to a corporatist factory regime, a change that brought with it an authoritarian vision that ultimately converged with core elements in the ideological discourses of the German radical Right, including the National Socialists. This volume will be of interest to scholars and students of labor, industrial organization, ideology and political culture, and the genealogies of Nazism.
Dennis Sweeney is Associate Professor of History at the University of Alberta.
"The author makes a very insightful argument about the emergence of a kind of scientific racism within the new corporatism, one that brings biopolitics into German industry prior to the rise of National Socialism. This book will be an important contribution to the history of Imperial Germany, and has much potential to appeal to audiences in other fields of history."
---Andrew Zimmerman, George Washington University