Ancient Egyptian history in Greek.

Manetho was an Egyptian of the third century BC. Born probably at Sebennytus in the Delta, he became a priest or high priest at Heliopolis. Apparently he and a Greek Timotheus did much to establish the cult of Serapis in Egypt. Eight works or parts of works were ascribed to him, all on history and religion and all apparently in Greek: Aegyptiaca, on the history of Egypt; The Sacred Book on Egyptian religion; An Epitome of Physical Doctrines; On Festivals; On Ancient Ritual and Religion; On the Making of Kyphi (an incense); The Criticisms of Herodotus; and the spurious Book of Sôthis. These survive only as quoted by other writers. This volume also contains the doubtful Kings of Thebes (in Egypt) and the Old Chronicle.

At the temple of Kom Ombo near Aswan, an enigmatic frieze depicts the deified pharaoh Imhotep receiving a set of elaborate implements, some of which strikingly resemble modern surgical instruments: side by side with eye-of-Horus amulets one finds what surely must be forceps. Evidence of the medical practice of ancient Egypt has come down to us not only in pictorial art but also in papyrus scrolls, in funerary inscriptions, and in the mummified bodies of ancient Egyptians themselves.

Bruno Halioua and Bernard Ziskind provide a comprehensive account of pharaonic medicine that is illuminated by what modern science has discovered about the lives (and deaths) of people from all walks of life--farmers, fishermen, miners, soldiers, scribes and priests, embalmers, construction workers, bakers, prostitutes. From mummies and medical papyri we are able to recognize the aches of osteoarthritis, imagine the occupational hazards faced by press-ganged stonemasons, and learn of the gynecological complaints of courtesans. In presenting these stories Halioua and Ziskind throw light on some of the most enduring questions about life and death in antiquity: about physicians whose skills predate Hippocrates by twenty-five centuries and were first made famous by Homer; about the remedies and techniques they employed, at once strange and strangely familiar; about the men, women, and children they treated; and about the diseases and injuries they were called upon to heal.

The Mind of Egypt presents an unprecedented account of the mainsprings of Egyptian civilization--the ideals, values, mentalities, belief systems, and aspirations that shaped the first territorial state in human history. Drawing on a range of literary, iconographic, and archaeological sources, the renowned historian Jan Assmann reconstructs a world of unparalleled complexity, a culture that, long before others, possessed an extraordinary degree of awareness and self-reflection.

Reviews of this book:
Magnificent' Assmann asks what meaning Egyptians obtained from their own constructions of their history. How did they incorporate the legacy of the past into the present. Using three approaches - archeological, mythic, and epigraphic or iconographic - Assmann takes us a chronological journey, starting with the formation of the unified state in about 3100 BC and going through the three great kingdoms. He ends in the late period with the final whimpers of Egyptian civilization. Assmann has looked closely into the mirror of the ancient intangible with telling effect. Every student of early civilization has something to learn from these pages, which will help cure us of intellectual myopia.
--Brian Fagan, The Los Angeles Times

Reviews of this book:
Assmann is attempting something far more ambitious than all the conventional books on Egypt. What he attempts to do is pen a psychological portrait of Egyptian culture. He asks questions that are normally avoided by ancient historians: What motivated the culture? How did it view the relationship between the individual and the universe surrounding him or her? What explanations did it provide for worldly events and reversals of fortune? The result is impressive. The Mind of Egypt marks the culmination of years of questioning about the past and the ways it can be conceptualized. Jan Assmann is close in some ways to being the Beethoven of Egyptology. The Mind of Egypt is a singular book that will provoke debate for a generation to come. It is essential reading for those who wish to call themselves Egyptologists, and it is an important intellectual contribution to the whole question of what constitutes history and historiography.
--John Ray, The American Scholar

Reviews of this book:
[This book's] aim--to examine the mainsprings of Egyptian civilisation and thereby to provide a 'psychological' portrait of Egyptian culture--is truly fascinating.
--History Today

Standing at the very foundation of monotheism, and so of Western culture, Moses is a figure not of history, but of memory. As such, he is the quintessential subject for the innovative historiography Jan Assmann both defines and practices in this work, the study of historical memory--a study, in this case, of the ways in which factual and fictional events and characters are stored in religious beliefs and transformed in their philosophical justification, literary reinterpretation, philological restitution (or falsification), and psychoanalytic demystification.

To account for the complexities of the foundational event through which monotheism was established, Moses the Egyptian goes back to the short-lived monotheistic revolution of the Egyptian king Akhenaten (1360-1340 B.C.E.). Assmann traces the monotheism of Moses to this source, then shows how his followers denied the Egyptians any part in the origin of their beliefs and condemned them as polytheistic idolaters. Thus began the cycle in which every "counter-religion," by establishing itself as truth, denounced all others as false. Assmann reconstructs this cycle as a pattern of historical abuse, and tracks its permutations from ancient sources, including the Bible, through Renaissance debates over the basis of religion to Sigmund Freud's Moses and Monotheism. One of the great Egyptologists of our time, and an exceptional scholar of history and literature, Assmann is uniquely equipped for this undertaking--an exemplary case study of the vicissitudes of historical memory that is also a compelling lesson in the fluidity of cultural identity and beliefs.

A fascinating and highly original contribution to the study of Egypt’s religious folklore.

First published in Cairo during World War II, The Moulids of Egypt is a study of moulids, the popular Egyptian religious festivals celebrated by both Muslims and Christians in the first half of the twentieth century. The book talks in detail about the secular side of moulids, where sports, games, theatres, dancing, and laughter were as much part of the festivals as the religious processions and the whirling of dervishes. Some of the rites and customs analyzed here date from as far back as the Pharaonic period, but the moulids are gradually dying out; many of the 126 festivals described in Moulids of Egypt have since faded away, making the book of lasting interest.

This publication presents fascinating new findings on ancient Romano-Egyptian funerary portraits preserved in international collections.

Once interred with mummified remains, nearly a thousand funerary portraits from Roman Egypt survive today in museums around the world, bringing viewers face-to-face with people who lived two thousand years ago. Until recently, few of these paintings had undergone in-depth study to determine by whom they were made and how.
 
An international collaboration known as APPEAR (Ancient Panel Paintings: Examination, Analysis, and Research) was launched in 2013 to promote the study of these objects and to gather scientific and historical findings into a shared database. The first phase of the project was marked with a two-day conference at the Getty Villa. Conservators, scientists, and curators presented new research on topics such as provenance and collecting, comparisons of works across institutions, and scientific studies of pigments, binders, and supports. The papers and posters from the conference are collected in this publication, which offers the most up-to-date information available about these fascinating remnants of the ancient world.

The free online edition of this open-access publication is available at www.getty.edu/publications/mummyportraits/ and includes zoomable illustrations and graphs. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.

A Foreign Affairs Best Book of the Year

In the century since the Muslim Brotherhood first emerged in Egypt, its idea of “the West” has remained a key driver of its behavior. From its founding, the Brotherhood stood opposed to the British Empire and Western cultural influence. Its leaders hoped to create more pristine, authentically Islamic societies. As British power gave way to American, the Brotherhood oscillated between anxiety about the West and the need to engage with it, while American and British officials struggled to understand the group, unsure whether to shun or embrace it.

The Muslim Brotherhood and the West offers the first comprehensive history of the relationship between the world’s largest Islamist movement and the powers that have dominated the Middle East for the past hundred years. Drawing on extensive archival research in London and Washington and the Brotherhood’s writings in Arabic and English, Martyn Frampton reveals the history of this charged relationship down to the eve of the Arab Spring. What emerges is an authoritative account of a story that is crucial to understanding one of the world’s most turbulent regions.

“Rigorous yet absorbing…Fills a crucial gap in the literature and will be essential reading not just for scholars, but for anyone seeking to understand the ever-problematic relationship between religion and politics in today’s Middle East.”
—Financial Times

“Breaks new ground by examining the links between the Egyptian Brotherhood’s relations with Britain and…the United States.”
—Times Literary Supplement