front cover of Entanglements of Empire
Entanglements of Empire
Missionaries, Maori, and the Question of the Body
Tony Ballantyne
Duke University Press, 2015
The first Protestant mission was established in New Zealand in 1814, initiating complex political, cultural, and economic entanglements with Māori. Tony Ballantyne shows how interest in missionary Christianity among influential Māori chiefs had far-reaching consequences for both groups. Deftly reconstructing cross-cultural translations and struggles over such concepts and practices as civilization, work, time and space, and gender, he identifies the physical body as the most contentious site of cultural engagement, with Māori and missionaries struggling over hygiene, tattooing, clothing, and sexual morality. Entanglements of Empire is particularly concerned with how, as a result of their encounters in the classroom, chapel, kitchen, and farmyard, Māori and the English mutually influenced each other’s worldviews. Concluding in 1840 with New Zealand’s formal colonization, this book offers an important contribution to debates over religion and empire.
[more]

logo for Intellect Books
Entanglements of Two
A Series of Duets
Edited by Karen Christopher and Mary Paterson
Intellect Books, 2021
An investigation of the complex relationship of form and practice through the lens of the smallest multiple units of collaboration: the pair.

Drawing out the particularities of collaborative work, Entanglements of Two: A Series of Duets considers the duo as a microcosm of humankind. Focusing on a ten-year period in the work of collaborative performance maker Karen Christopher, the book explores the practical, philosophical, and aesthetic implications of working in pairs and offers wider reflections on the duet as a concept in artistic and social life. The twenty-five pieces in the collection—from an international group of collaborators, artists, and performance scholars, alongside writing from related disciplines, including linguistics, physics, poetry, and theology—offer critical reflections on artistic collaboration and entanglement and contemplate their significance on an interpersonal and global level. A foreword by writer and artist Season Butler rounds out this essential volume.
[more]

front cover of Entanglements, or Transmedial Thinking about Capture
Entanglements, or Transmedial Thinking about Capture
Rey Chow
Duke University Press, 2012
How might the pornographic be associated with Brecht's and Benjamin's media theories? How are Foucault's and Deleuze's writings on visibilities "postcolonial"? What happens when Rancière's discussions of art are juxtaposed with cultural anthropology? What does a story by Lao She about collecting reveal about political collectivism in modern China? How does Girard's notion of mimetic violence speak to identity politics? How might Arendt's and Derrida's reflections on forgiveness be supplemented by a film by Lee Chang-dong? What can Akira Kurosawa's films about Japan say about American Studies? How is Asia framed transnationally, with what consequences for those who self-identify as Asian?

These questions are dispersively heterologous yet mutually implicated. This paradoxical character of their discursive relations is what Rey Chow intends with the word "entanglements," by which she means, first, an enmeshment of topics: the mediatized image in modernist reflexivity; captivation and identification; victimhood; the place of East Asia in globalized Western academic study. Beyond enmeshment, she asks, can entanglements be phenomena that are not defined by affinity or proximity? Might entanglements be about partition and disparity rather than about conjunction and similarity?
Across medial forms (including theater, film, narrative, digitization, and photographic art), and against more popular trends of declaring things and people to be in flux, Chow proposes conceptual frames that foreground instead aesthetic, ontological, and sentient experiences of force, dominance, submission, fidelity, antagonism, masochism, letting-go, and the attraction to self-annihilation. Boundary, trap, capture, captivation, sacrifice, and mimesis: these riveting terms serve as analytic pressure points in her readings, articulating perversity, madness, and terror to pursuits of freedom.

[more]

logo for University of Manitoba Press
Indigenous Celebrity
Entanglements with Fame
Jennifer Adese
University of Manitoba Press, 2021

front cover of The New Welfare Bureaucrats
The New Welfare Bureaucrats
Entanglements of Race, Class, and Policy Reform
Celeste Watkins-Hayes
University of Chicago Press, 2009

As the recession worsens, more and more Americans must turn to welfare to make ends meet. Once inside the agency, the newly jobless will face a bureaucracy that has undergone massive change since the advent of welfare reform in 1996. A behind-the-scenes look at bureaucracy’s human face, The New Welfare Bureaucrats is a compelling study of welfare officers and how they navigate the increasingly tangled political and emotional terrain of their jobs.

Celeste Watkins-Hayes here reveals how welfare reform engendered a shift in focus for caseworkers from simply providing monetary aid to the much more complex process of helping recipients find work. Now both more intimately involved in their clients’ lives and wielding greater power over their well-being, welfare officers’ racial, class, and professional identities have become increasingly important factors in their work. Based on the author’s extensive fieldwork in two very different communities in the northeast, The New Welfare Bureaucrats is a boon to anyone looking to understand the impact of the institutional and policy changes wrought by welfare reform as well as the subtle social dynamics that shape the way welfare is meted out at the individual level.

[more]


Send via email Share on Facebook Share on Twitter