This is a work of cultural studies rooted in critical feminist thought that grapples with AfroSwedishness in relation to processes and experiences of racialization, imagination of self, and notions of belonging, agency, and kinship. Nana Osei-Kofi focuses on the function of diverse forms of critical cultural expressions, paying particular attention to their liberatory public pedagogical potential. Drawing from biographical narratives, documentary film, digital Black feminism, and queer organizing, Osei-Kofi offers insights into the embodied, affective, and experiential processes through which the formation of an emergent AfroSwedish coalitional identity is made possible. Through self-reflexive, structural, and community-based forms of exploration that resist binary oppositions, AfroSwedish Places of Belonging asks what the nomenclature of AfroSwede, AfroSwedish, and AfroSwedishness brings into being, what it makes possible, and what this means for Swedish society from both a historical and a contemporary perspective. This work brings together two identity categories that have historically been constructed as not only mutually exclusive but oppositional to detail the emergence of AfroSwedishness as a counterhegemonic and coalitional act. AfroSwedishness, Osei-Kofi argues, must be understood as a coalitional identity, one made legible through kinship-based community.

Active aging programs that encourage older adults to practice health- promoting behaviors are proliferating worldwide. In Poland, the meanings and ideals of these programs have become caught up in the sociocultural and political-economic changes that have occurred during the lifetimes of the oldest generations—most visibly, the transition from socialism to capitalism. Yet practices of active aging resonate with older forms of activity in late life in ways that exceed these narratives of progress. Moreover, some older Poles come to live valued, meaningful lives in old age despite the threats to respect and dignity posed by illness and debility. Through intimate portrayals of a wide range of experiences of aging in Poland, Jessica C. Robbins shows that everyday practices of remembering and relatedness shape how older Poles come to be seen by themselves and by others as living worthy, valued lives.
 

Spanning more than 100 years of Swedish American local history in the Midwest and the West, Jennifer Eastman Attebery’s thorough examination of nearly 300 historical legends explores how Swedish Americans employ these narratives in creating, debating, and maintaining group identity. She demonstrates that historical legends can help us better understand how immigrant groups in general, and Swedish Americans in particular, construct and perpetuate a sense of ethnicity as broader notions of nationality, race, and heritage shift over time. 

The legends Swedish Americans tell about their past are both similar to and distinct from those of others who migrated westward; they participated in settler colonialism while maintaining a sense of their specific, Swedish ethnicity. Unlike racial minority groups, Swedish Americans could claim membership in a majority white community without abandoning their cultural heritage. Their legends and local histories reflect that positioning. Attebery reveals how Swedish American legends are embedded within local history writing, how ostension and rhetoric operate in historical legends, and how vernacular local history writing works in tandem with historical legends to create a common message about a communal past. This impeccably researched study points to ways in which legends about the past possess qualities unique to their subgenre yet can also operate similarly to contemporary legends in their social impact.

The history of eugenics and racial nationalism in Central and Southeast Europe is a neglected topic of analysis in contemporary scholarship. The 20 essays in this volume, written by distinguished scholars of eugenics and fascism alongside a new generation of scholars, excavate the hitherto unknown eugenics movements in Central and Southeast Europe, including Austria and Germany. Eugenics and racial nationalism are topics that have constantly been marginalized and rated as incompatible with local national traditions in Central and Southeast Europe. These topics receive a new treatment here. On the one hand, the historiographic perspective connects developments in the history of anthropology and eugenics with political ideologies such as racial nationalism and anti-Semitism; on the other hand, it contests the 'Sonderweg' approach adopted by scholars dealing with these issues.

A beautifully written and moving story about the power of tradition and the importance of women’s stories.
 
The Bonnet, the first work of prose by Slovak poet Katarína Kucbelová, defies easy pigeonholing: both political and personal, it is a work of literary reportage, a quest for one’s roots, a critical exploration of folk art and, not least, social commentary on the coexistence of the Slovak majority and the Roma minority, offering a nuanced and sympathetic look at the lives of Roma people in Slovakia, and raising important questions about the nature of prejudice and discrimination. Over two years, the author made regular visits to the remote village of Šumiac in Slovakia to learn the dying craft of bonnet making from one of its last practitioners, Il’ka, an elderly local woman who in the process became her mentor in more ways than one. Through the parallel stories of Il’ka and the narrator’s grandmother, The Bonnet also offers a subtly feminist reading of the position of women in rural Europe from the early twentieth century to the present day.

The Cancer Within examines cervical cancer in Romania as a point of entry into an anthropological reflection on contemporary health care. Cervical cancer prevention reveals the inner workings of emerging post-communist medicine, which aligns the state and the market, public and private health care providers, policy makers, and ordinary women. Fashioned by patriarchal relations, lived religion, and the historical trauma of pronatalism, Romanian women’s responses to reproductive medicine and cervical cancer prevention are complicated by neoliberal reforms to medical care. Cervical cancer prevention – and especially the HPV vaccination – provided Romanians a legitimate instance to express their conflicting views of post-communist medicine. What sets Romania apart is that pronatalism, patriarchy, lived religion, medical reforms, and moral contestation of preventive medicine bring into line systemic contingencies that expose the historical, social, and cultural trajectories of cervical cancer.
 

Jekatyerina Dunajeva explores how two dominant stereotypes—“bad Gypsies” and “good Roma”—took hold in formal and informal educational institutions in Russia and Hungary. She shows that over centuries “Gypsies” came to be associated with criminality, lack of education, and backwardness. The second notion, of proud, empowered, and educated “Roma,” is a more recent development.

By identifying five historical phases—pre-modern, early-modern, early and “ripe” communism, and neomodern nation-building—the book captures crucial legacies that deepen social divisions and normalize the constructed group images. The analysis of the state-managed Roma identity project in the brief korenizatsija program for the integration of non-Russian nationalities into the Soviet civil service in the 1920s is particularly revealing, while the critique of contemporary endeavors is a valuable resource for policy makers and civic activists alike.

The top-down view is complemented with the bottom-up attention to everyday Roma voices. Personal stories reveal how identities operate in daily life, as Dunajeva brings out hidden narratives and subaltern discourse. Her handling of fieldwork and self-reflexivity is a model of sensitive research with vulnerable groups.

The revised and updated edition of a seminal text, Europe in the Sixteenth Century weaves the distinct histories of the diverse European states into a vivid and complex tapestry. Focusing on similarities of experience across borders, including the centralization of town life and development of market economics, the authors reexamine familiar subjects of the era—from religious upheaval to imperial conflict to artistic revolutions—creating a dynamic, unified narrative of change. This third edition features a new introduction by Magda Teter, tracing the influence of H. G. Koenigsberger, George L. Mosse, and G. Q. Bowler’s work on the historiography of Europe well into the twenty-first century.

In Geographies of the Ear, Tania Gentic examines the language and soundscape of post-Franco Barcelona to listen for the remnants of a globalized colonial ear. She theorizes “echoic memory” to understand how sound circulates from the past to the present—and from neighborhood to nation to globe—to trace how sonic practices produce and contest modernity, community identity, and democracy. Focusing on migrant and tourist accents, free radio stations, punk music, drag performances, and antigentrification protests, Gentic shows how the underground sounds in Barcelona complicate a modernizing aural imaginary of place. By thinking through the auralities present in literature, fanzines, comic books, documentary films, television and print media, popular music, public protests, and even everyday conversation, Gentic outlines the difficulties of considering the contemporary city as either the product of a monolingual national identity or a lived space easily circumscribed by geographical categories such as North, South, East, or West.

Following the imposition of Habsburg rule on Ottoman Bosnia in 1878, a new garrison was constructed in the old citadel of Trebinje. By using a micro-historical approach, this innovative book tells the story of the garrison in times of peace and war, describing the way in which the Austro-Hungarian administration rapidly transformed Trebinje into a tree-lined city dominated by the army.

Yet, the Habsburg "civilizing mission," marked by the building of hospitals, schools, roads, and railways was accompanied by ruthless violence against those who resisted the new foreign occupiers, especially after 1914. The tragic violence is described in the book alongside accounts of daily life. By personalizing historical events, the narrative reveals the perspective of people who found themselves in Trebinje and its garrison complex: the ordinary soldier, the condemned “insurgent,” the career officer, the cook, the shepherdess, the hotelier, or the journalist—all willing or unwilling participants in an extra-European style colonial project in the heart of Europe. 

A chronicle of the diversity and wealth of cultures, predominantly from Eastern Europe, that have played a formative role in shaping contemporary Europe but now risk being forgotten.

A Herodotus of Mitteleuropa, cultural historian Karl-Markus Gauß is essential reading for anyone trying to understand the breadth and complexities of cultures and societies in Europe before, during, and after its decades of division in the twentieth century.

In this book, Gauß takes his readers on a thirteen-station journey across Europe. From Brussels to Istanbul and from Naples to Opole, Gauß weaves a Sebaldian web of connection and coincidence into a hybrid cultural history. Significantly, Gauß’s metropoles are not the well-trodden, thoroughly explored, and minutely documented megalopolises and cultural capitals that have been mythologized by writers great and small. There are no visits to Berlin, Paris, Rome, or Madrid, although he does make time for Vienna, where he looks not for imperial remnants, but for traces of genius unrecognized by most. Gauß’s lodestars are small but cosmopolitan towns on the periphery, such as Slaghenaufi, Vacaresti, Fontevraud, Dragatus, Vrzdenec, and Sélestat. In these far-flung towns, Gauß assembles a canon of overlooked humanists, expelled or extinguished by political and historical forces that swept the continent.

The Church of Jesus Christ of Latter-day Saints is one of the international religions that have arrived from abroad to find adherents in Ireland. Drawing on fieldwork in two LDS communities, Hazel O’Brien explores how these adherents experience the Church in Ireland against the backdrop of the country’s increasingly complex religious identity. Irish Latter-day Saints live on the margins of the nation’s religious life and the worldwide LDS movement. Nonetheless, they create a sense of belonging for themselves by drawing on collective memories of both their Irishness and their faith. As O’Brien shows, Irish Latter-day Saints work to shift the understanding of Ireland’s religious landscape away from a predominant focus on Roman Catholicism. They also challenge Utah-based constructions of Mormonism in order to ensure their place in the Church’s powerful religious and cultural lineage.

Examining the Latter-day Saint experience against one nation’s rapid social and religious changes, Irish Mormons blends participant observation and interviews with analysis to offer a rare view of the Latter-day Saints in contemporary Ireland.

"For around 150 years, the richly illustrated Wigalois manuscript from Amelungsborn Abbey in Germany has rested largely unnoticed in the collections of Leiden University Library. Only recently has this unique codex, known as LTK 537, begun to attract the scholarly attention it deserves. This volume offers the first full transcription of the manuscript's Middle High German text, accompanied by an accessible introduction and detailed commentary. In combining textual accuracy with contextual depth, the editors aim to open up this fascinating work to a wider international audience. Commissioned in 1372 by Count Albrecht II of Braunschweig-Grubenhagen, and produced by a Cistercian monk in Amelungsborn Abbey, the manuscript presents an exceptional interplay of text and image. With no fewer than forty-nine vividly coloured miniatures, it stands as a jewel of German Arthurian literature. The story of Wigalois, son of Gawain, unfolds as a continuous sequence of chivalric adventures, culminating in the liberation of a kingdom and a royal marriage. The manuscript’s artistic and rhetorical richness, from its opening Tree of Paradise to its expressive banderoles, reflects the creative collaboration between scribe and illuminator — and the enduring appeal of medieval romance."

We find Roma settlements on the outskirts of villages, separated from the majority population by roads, railways or other barriers, disconnected from water pipelines and sewage treatment. Why are some people (or groups) better off than others when it comes to the distribution of environmental benefits? In order to understand the present situation and identify ways to address the impacts of these inequalities we must understand the past and mechanisms related to the differentiated treatment. The situation and discrimination of the Roma ethnic minority in Slovakia is examined from the perspective of environmental conditions and injustice. There is no simple answer as to why there is environmental injustice. Environmental conditions in Roma settlements are just one of the indicators of failures of policies addressing the problem of poverty and social exclusion in marginalized groups, structural discrimination, and internal Roma problems. Environmental injustice is not an outcome of the "historical determination" of the Roma population to live in environmentally problematic places.

How music embodies and contributes to historical and contemporary nationalism

What does music in Portugal and Spain reveal about the relationship between national and regional identity building? How do various actors use music to advance nationalism? How have state and international heritage regimes contributed to nationalist and regionalist projects? In this collection, contributors explore these and other essential questions from a range of interdisciplinary vantage points. The essays pay particular attention to the role played by the state in deciding what music represents Portuguese or Spanish identity. Case studies examine many aspects of the issue, including local recording networks, so-called national style in popular music, and music’s role in both political protest and heritage regimes. Topics include the ways the Salazar and Franco regimes adapted music to align with their ideological agendas; the twenty-first-century impact of UNESCO’s Intangible Cultural Heritage program on some of Portugal and Spain's expressive practices; and the tensions that arise between institutions and community in creating and recreating meanings and identity around music.

Contributors: Ricardo Andrade, Vera Marques Alves, Salwa El-Shawan Castelo-Branco, Cristina Sánchez-Carretero, José Hugo Pires Castro, Paulo Ferreira de Castro, Fernán del Val, Héctor Fouce, Diego García-Peinazo, Leonor Losa, Josep Martí, Eva Moreda Rodríguez, Pedro Russo Moreira, Cristina Cruces Roldán, and Igor Contreras Zubillaga

Nation and Migration provides a way to understand recent migration events in Europe that have attracted the world's attention. The emergence of the nations in the West promised homogenization, but instead the imagined national communities have everywhere become places of heterogeneity, and modern nation states have been haunted by the specter of minorities. This study analyses experiences relating to migration in 23 European countries. It is based on data from the International Social Survey Programme, a global cross-national collaborative exercise, with surveys made in 1995, 2003, and 2013. In the authors' view, a critical test for Europe will be its ability to find adequate responses to the challenges of globalization.

The book provides a detailed overview of how citizens in Europe are coping with a xenophobia fueled by their own sense of insecurity. The authors reconstruct the competing sociological reactions to migration in the forms of integration, assimilation and segregation. Hungary receives special attention: the data show that people living there are far less closed and xenophobic than they might seem through the prism of a media-instigated moral panic.

Defying the mafia with everyday acts of resistance

 

For more than 150 years, Italy has been home to a resilient and evolving resistance against the pervasive influence of mafias. While these criminal organizations are renowned for their vast international business enterprises, the collective actions taken to oppose them are less known. In Opposition by Imitation, Christina Jerne explores anti-mafia activism, revealing how ordinary people resist, counter, and prevent criminal economies from proliferating.

 

Drawing on ethnographic fieldwork among anti-mafia alliances in Campania, Sicily, and other parts of Italy, Jerne details a particular aspect of mafia activities: providing cash relief and other forms of patronage to individuals and groups. Her research shows how activism has evolved to imitate this sustaining role. Activists are increasingly challenging mafia control both by creating alternative economies—from producing food that interrupts mafia labor practices to organizing tourism that supports anti-mafia hospitality—and by subversively adopting business tactics similar to the mafia’s to compete with their social influence and legitimacy. Exposing the political implications of this mimetic opposition, Jerne points to its potential impact on crime prevention and criminalization, both in Italy and globally.

 

Opposition by Imitation shows how these modern-day Robin Hoods are redefining collective action, taking what was controlled by the mafias and returning it to the collective. This contentious economic turn, against the backdrop of broader social movements, reveals significant political possibilities afforded by imitative opposition.

 

 

Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

This book describes the flowering of the Irish American community and the 1890s growth of a Gaelic public sphere in Philadelphia, a movement inspired by the cultural awakening in native Ireland, transplanted and acted upon in Philadelphia’s robust Irish community. The Philadelphia Irish embraced this export of cultural nationalism, reveled in Gaelic symbols, and endorsed the Gaelic language, political nationalism, Celtic paramilitarism, Gaelic sport, and a broad ethnic culture.

Using Jurgen Habermas’s concept of a public sphere, the author reveals how the Irish constructed a plebian “counter” public of Gaelic meaning through various mechanisms of communication, the ethnic press, the meeting rooms of Irish societies, the consumption of circulating pamphlets, oratory, songs, ballads, poems, and conversation.

Settled in working class neighborhoods of vast spatial separation in an industrial city, the Irish resisted a parochialism identified with neighborhood and instead extended themselves to construct a vibrant, culturally engaged network of Irish rebirth in Philadelphia, a public of Gaelic meaning.

Kateřina Kolářová’s Rehabilitative Postsocialism offers a timely interdisciplinary and intersectional analysis of how disability, race, class, and gender operate as ideological tools within the postsocialist Czech Republic (formerly Czechoslovakia). Kolářová presents postsocialism as an analytic that can and should be brought to bear to understand cultural politics, economic formations, and state politics through the present day. 

Rehabilitative Postsocialism names disability, sexuality, and race as central yet invisible to negotiations of the postsocialist consensus. Drawing from a rich and varied archive, Rehabilitative Postsocialism maps the formation of new structures of inequalities and social imaginaries of wellness, merit, and justice in order to understand current articulations of global disenchantment with democracy, social justice, and solidarity. The book also makes clear that disability, race, and ethnicity continue to circulate in depictions of Eastern Europe as suspended in a chronic developmental “delay.” Rehabilitative Postsocialism both situates this positioning within its political and historical formation and offers the analytical tools to challenge its continued deployment.

Water potential is a significant natural wealth of most parts of the Balkans, and it has given rise to a surge in hydropower investments unparalleled across Europe. As part of the process, a dam was planned to be built on the Una River, which runs through the Bosnian town of Bihać. This prospect alarmed the city’s residents, culminating in a protest in 2015. The book begins with this protest, and it explores how the threat of dam construction transformed the seemingly apolitical love of the river into a powerful political force around which thousands of people mobilized: riverine citizenship.

The book is based on interviews with participants, archival research, and over twenty years of ethnographic research. Azra Hromadžić focuses on the tension between ecological sustainability efforts in favor of renewable energy, on the one hand, and citizens’ historically shaped, deeply-felt, love for the river, on the other. She shows how the language and promises of green transition can mask the forces of capitalist accumulation that drive this change — whether in the form of building hydroelectric dams or promoting eco-tourism — and thus set in motion another cycle of environmental degradation, social dispossession, and economic exploitation.

Reexamines mid-60’s state policies toward Czechoslovak Roma from the overlooked perspective of the Roma people themselves.

The story of Romani people in communist Czechoslovakia has long been framed by a discriminatory policy of assimilation, and thus by fatal interventions into Romani family ties and their broader socio-cultural systems. Paradoxically, such a narrative failed to integrate the perspective of the Roma themselves, who often associated the same period with an unprecedented experience of social inclusion and material security. In this book, Jan Ort examines the state policy that in the mid-1960s aimed at the definitive elimination of "G*psy backwardness" through the placement of thousands of Roma families in non-Roma society, thus becoming a symbol of the social engineering interventions of the Communist regime in the lives of Czechoslovak Roma. In contrast to the predominant focus on the perspective of state authorities, Ort seeks to map the practice of this policy in specific places with an emphasis on the experiences and agency of the Roma themselves, especially those who had their homes in eastern Slovakia. In the empirical richness of a micro-historical approach, Roma as Agents of the “G*psy Question” uncovers the diverse stories of ordinary Roma who were able to incorporate various aspects of state policy into their own lives without necessarily giving up their distinctive cultural identity.

This is an analysis of 166 original and previously unpublished documents dating from the very first mention of a Gypsy in 1401 up to the year 1 765. These documents range from royal decrees thru lawsuits to entries in municipal records. Some were written in Polish but many are in Latin, German or Ruthenian. They tell the story of not only the Gypsies living in Poland, but also of those who now live in Belarus, Lithuania, Latvia and Ukraine. Though Poland has not traditionally had a large Roma population, the author leads the reader through an eventful history of a people living on the margins of contemporary Europe. The historic documents illustrate a marked contrast to present stereotypes and popular media images and shows how the position of Roma/Gypsies shifted gradually from respected, wealthy and partly settled citizens of the early modern times, towards criminalized vagrants of the 18 th century. This is a careful interpretation and re-interpretation of documents pertaining to the Roma's past that will provide an enlightening historical perspective towards the re-evaluation and self-definition of the Romani people in contemporary Europe.

Sex, Drugs and Rock 'n' Roll in Rembrandt’s Time focuses on the generation of rich young men that grew up in the seventeenth century in the Dutch Republic. These men had more money to spend on clothes, music, and recreation than the generation before them. This fascinating account of male adolescence in the Dutch Republic reveals how young men including Rembrandt van Rijn disregarded conservative values and rebelled against the older generation, and consequently created a new youth culture that was similar to the one of the 1960s. They had long hair, wore colorful and extravagant clothing, and started taking drugs. Theirs was the first generation in European history to smoke tobacco. Moreover, they defied conventional norms and values with their promiscuity and by singing lewd songs in their free time.

With his engaging storytelling-style filled with humorous anecdotes, Roberts convincingly shows how deviant male youth behavior is a feature of all ages, especially in periods when youngsters have too much free time and money.

Writing as a scholar, composer, and musician, Jessie Cox foregrounds the experience of Black Swiss through sound and music in his first book, Sounds of Black Switzerland. Cox, himself Black Swiss, affirms the value of Black life through sound while critiquing anti-Blackness as a cause of erasure, silence, and limitation. He examines Swiss Nigerian composer Charles Uzor’s pieces for George Floyd, work by Black Swiss musicians such as DJ Maïté Chénière, clarinetist Jérémie Jolo, and rapper Nativ, as well as his own musical collaborations with the Lucerne Festival. In these analyses, Cox tackles the particularities of anti-Blackness in Switzerland, creating a practice of listening beyond what can be directly heard to explore the radical potential of Black thought and experience in a nation often claimed to be race-free. In so doing, he ultimately shifts thinking about Blackness in relation to citizenship, immigration laws, gender, kinship, and belonging. By listening to Black Swiss and other voices inaudible to the current world, Cox theorizes new ways of practicing scholarly study and general ways of relating to others and the world.

Centering around the unique story and testimony of a Romani family, greater insight into the Lovara community is provided in this extensive and captivating narrative.

The Stojka Family features the distinctive testimony of said Romani family, allowing for a representation of “traveling gypsies” and their forced sedentarization. The book shines a light on the lesser-known Lovara community, accompanied by solid data from extensive archival research, oral history, and other ethnological methods.

The book details the story of a Vlax-Lovari Romani family, focusing on its legal, economic, and social attachment to the territory of the former Czechoslovakia from the end of the nineteenth century to the 1960s. Using extensive archival research and the accounts of Romani witnesses, the author shows the various forms of spatial mobility and anchoring of those who identified themselves as Vlax-Lovari Romani and who were simultaneously labeled by state authorities as “gypsies” or “wandering gypsies.”  The distinctive testimony focuses on instruments of anti-Roma legislation over a long time, across very diverse political regimes, different regions, and changing socio-economic conditions, and traces in detail the impact of these measures on the lives of the Romani population. The book presents perhaps the most detailed treatment of the history and trajectory of a single Romani family and offers a new perspective on the so-called “Romani nomadism,” providing valuable insights in the fields of social and cultural anthropology, ethnology, sociology, and Romani studies.

Those Who Count scrutinizes the scientific and expert practices of Roma classification and counting, and the politics of Roma-related knowledge production. The book takes a historical perspective on Roma group construction, both as an epistemic object and a policy target, with a focus on the expert discourse of the last two decades. The book argues that knowledge production on Roma is neither objective nor disinterested but rather is co-produced by political and academic actors driven by organizational interests with rather narrow disciplinary research traditions, as well as by political manifestos. The result of such co-production is a negative Roma public image circulating well beyond the expert discourse which reinforces stereotypes held by society at large. The case studies and examples presented in the book show that the state-led population census, policy related surveys, as well as academic and scientific research, together craft an essentialized Roma identity. The recently reemerged Roma-related genetic research imports assumptions, classifications, and narrations from the social sciences and contributes through sampling strategies, interpretation of data, and generalization to reify and pathologize Roma ethnicity. Roma are relegated by experts to several types of determinism: to a social category, to a frozen culture, and to a homogenous biologized entity.

Troublesome Ground presents an ethnographic account of the relationship between land and Irish upland farmers in north County Cork, Ireland. Amid the colliding influences of agricultural professionalization, forestry expansion, a global environmental crisis, and the subsequent implementation and rotation of various politically motivated projects meant to spur economic growth and simultaneously better the environment, Asselin tells the story of challenges farmers in one region face in the conflicting worlds of program payments, shifting policy initiatives, and the joint cultural and economic requirements of farming. Like many marginal regions, the uplands of north County Cork serve as a catchall geography for nation-building dreams and economic development schemes. Asselin argues that this landscape has become conceptually stretched and oversaturated, containing numerous possible futures and their inherent contradictions. Recent pressures to address climate change and declining biodiversity have further saturated these areas with potential, resulting in unrealistic expectations for both people and land.
 
Through ethnographic description, Asselin illuminates how ephemeral worlds of green discourse and development plans manifest in rural areas, demonstrating the lived consequences of today’s competing demands on marginal regions. Troublesome Ground is a significant contribution to the anthropology of rural Ireland while offering insights into the wider realities of conflicting development and conservation strategies in global contemporary rural landscapes.
 

In A Vital Frontier Andrea Muehlebach examines the work of activists across Europe as they organize to preserve water as a commons and public good in the face of privatization. Traversing social, political, legal, and hydrological terrains, Muehlebach situates water as a political fault line at the frontiers of financialization, showing how the seemingly relentless expansion of capital into public utilities is being challenged by an equally relentless and often successful insurgence of political organizing. Drawing on ethnographic research, Muehlebach presents water protests as a vital politics that comprises popular referenda, barricades in the streets, huge demonstrations, the burning of utility bills, and legal disputes over transparency and contracts. As Muehlebach documents, Europe’s water activists articulate their own values of democracy and just price, raising far-reaching political questions about private versus common property and financing, liberal democracy, sovereignty, legality, and collective infrastructural responsibility in the face of financialization and commodification. Muehlebach shows that water-rights activists can successfully resist financial markets by exposing the commodification of water as the theft of life itself.

It is common to define Europe by its democratic, scientific, religious, and cultural traditions. But in What is European?, Dag Nikolaus Hasse argues that the search for Europe's essence has taken a troubling turn. He shows that many traditional ideas about Europe are culturally one-sided and historically and geographically distorted, and calls for a decolonisation and deromanticisation of the discourse on Europe.

The book promotes an inclusive vision of Europe that reflects its long history of multiethnic cities, offers a cultural home to a wider range of people across the continent, and extends attention and respect to other continents, thus laying a more respectful foundation for shaping the future together.

At the same time, Hasse demonstrates that overcoming colonial ways of thinking does not and should not result in anti-Europeanism. Criticising European arrogance may well go hand in hand with feeling culturally at home in other traditions of Europe. For this, it does not matter whether one is a resident of the European continent or not. There is no privileged access to European culture or to the culture of any other continent.