front cover of The Barbara Johnson Collective
The Barbara Johnson Collective
Edited by Devin M. Garofalo and Nathan K. Hensley
Northwestern University Press, 2027

Collaboratively reassesses Barbara Johnson’s legacy as a reader and thinker with an eye to contemporary conditions

Across an archive of essays on abortion and race, Mallarmé and Melville, feminist philosophy, rhetorical device, and pedagogical method, Barbara Johnson built a legacy of thought whose energies reverberate into the present. This collected volume gathers writers and critics from a range of North American higher educational settings to engage with this essential but still often underappreciated critic in a time of renewed and deepening crisis.

In Zoom meetings and shared essays, across a virtualized map of today’s academic and para-academic worlds, the group assessed how the rolling catastrophes of late neoliberalism continue to stage the sort of analogy Johnson herself would highlight between patriarchy, capitalism, ecocide, and other forms of structural violence. Emerging from that assemblage, this experimental collection tracks Johnson’s efforts to link literary reading with concrete matters of personhood and care at a moment when the very system of higher education that enabled Johnson’s work in the 1980s and 1990s faces existential threat. The frozen record of a live experience, the book is an impure procedure, tangled in the idiom of its own unfolding: a temporary culmination of an ongoing collaborative undertaking that will always remain unfinished.

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Daisy
Poems
Rachel Feder
Northwestern University Press, 2025

A narrative-poetic retelling of The Great Gatsby from the perspective of a 1990s teen poet
 
Daisy: Poems is a captivating and imaginative take on The Great Gatsby that puts F. Scott Fitzgerald’s 1925 classic in the hands of a messy, ambitious, and possibly devious teen poet. From her privileged yet precarious perch in the roaring 1990s, Daisy navigates the expectations of her parents, boyfriend, and lover, alongside her own artistic ambitions, as she explores whether freedom is what she truly desires—and wonders if it’s even possible. Rachel Feder puts a new spin on beloved characters: Jay, longtime and secret lover; Nick, somewhat mysterious and always meddling cousin; and Jordyn, best friend and companion in doomed relationships. A meditation on juvenilia, constructions of femininity, the purity myth, and canonical literary silences, Daisy is told in sparse, evocative verse that pulsates with youthful passion and offers a new elegy for our lost American dreams.

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Harvester of Hearts
Motherhood under the Sign of Frankenstein
Rachel Feder
Northwestern University Press, 2018

In the period between 1815 and 1820, Mary Shelley wrote her most famous novel, Frankenstein; or, The Modern Prometheus, as well as its companion piece, Mathilda, a tragic incest narrative that was confiscated by her father, William Godwin, and left unpublished until 1959. She also gave birth to four—and lost three—children.

In this hybrid text, Rachel Feder interprets Frankenstein and Mathilda within a series of provocative frameworks including Shelley’s experiences of motherhood and maternal loss, twentieth-century feminists’ interests in and attachments to Mary Shelley, and the critic’s own experiences of pregnancy, childbirth, and motherhood. Harvester of Hearts explores how Mary Shelley’s exchanges with her children—in utero, in birth, in life, and in death—infuse her literary creations. Drawing on the archives of feminist scholarship, Feder theorizes “elective affinities,” a term she borrows from Goethe to interrogate how the personal attachments of literary critics shape our sense of literary history. Feder blurs the distinctions between intellectual, bodily, literary, and personal history, reanimating the classical feminist discourse on Frankenstein by stepping into the frame.

The result—at once an experimental book of literary criticism, a performative foray into feminist praxis, and a deeply personal lyric essay—not only locates Mary Shelley’s monsters within the folds of maternal identity but also illuminates the connections between the literary and the quotidian.

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The Turn
A Novella
Rachel Feder
Northwestern University Press, 2026

A contemporary gothic delving into the power of unmoored lust and familial bonds

When Baxter, a young writer and recent college graduate, accepts a live-in nanny position for an affluent professor’s family in the foothills of the Rocky Mountains, she rapidly becomes aware of strange happenings orbiting the family and their children, Quinn and Thebes. After the father becomes estranged and the mother disappears into the night with only one child, Baxter is left utterly lost and in charge of the baby, Thebes, as she struggles to make sense of the bizarre occurrences within the family, the house, and even her own body. But the unnatural occurrences are far from over, and as Baxter stumbles in the dark to protect the child, something sinister stalks the night, looking to sink in its teeth. 

For fans of gothic classics such as The Turn of the Screw and Carmilla, The Turn is an eerie and magnificent modern gothic tale about the monstrous bond of love between caregiver and child.
 

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