front cover of Scattered Hegemonies
Scattered Hegemonies
Postmodernity and Transnational Feminist Practices
Inderpal Grewal
University of Minnesota Press, 1994

front cover of Sciences from Below
Sciences from Below
Feminisms, Postcolonialities, and Modernities
Sandra Harding
Duke University Press, 2008
In Sciences from Below, the esteemed feminist science studies scholar Sandra Harding synthesizes modernity studies with progressive tendencies in science and technology studies to suggest how scientific and technological pursuits might be more productively linked to social justice projects around the world. Harding illuminates the idea of multiple modernities as well as the major contributions of post-Kuhnian Western, feminist, and postcolonial science studies. She explains how these schools of thought can help those seeking to implement progressive social projects refine their thinking to overcome limiting ideas about what modernity and modernization are, the objectivity of scientific knowledge, patriarchy, and Eurocentricity. She also reveals how ideas about gender and colonialism frame the conventional contrast between modernity and tradition. As she has done before, Harding points the way forward in Sciences from Below.

Describing the work of the post-Kuhnian science studies scholars Bruno Latour, Ulrich Beck, and the team of Michael Gibbons, Helga Nowtony, and Peter Scott, Harding reveals how, from different perspectives, they provide useful resources for rethinking the modernity versus tradition binary and its effects on the production of scientific knowledge. Yet, for the most part, they do not take feminist or postcolonial critiques into account. As Harding demonstrates, feminist science studies and postcolonial science studies have vital contributions to make; they bring to light not only the male supremacist investments in the Western conception of modernity and the historical and epistemological bases of Western science but also the empirical knowledge traditions of the global South. Sciences from Below is a clear and compelling argument that modernity studies and post-Kuhnian, feminist, and postcolonial sciences studies each have something important, and necessary, to offer to those formulating socially progressive scientific research and policy.

[more]

front cover of Searching for Sycorax
Searching for Sycorax
Black Women's Hauntings of Contemporary Horror
Brooks, Kinitra D
Rutgers University Press, 2018
Searching for Sycorax highlights the unique position of Black women in horror as both characters and creators. Kinitra D. Brooks creates a racially gendered critical analysis of African diasporic women, challenging the horror genre’s historic themes and interrogating forms of literature that have often been ignored by Black feminist theory. Brooks examines the works of women across the African diaspora, from Haiti, Trinidad, and Jamaica, to England and the United States, looking at new and canonized horror texts by Nalo Hopkinson, NK Jemisin, Gloria Naylor, and Chesya Burke. These Black women fiction writers take advantage of horror’s ability to highlight U.S. white dominant cultural anxieties by using Africana folklore to revise horror’s semiotics within their own imaginary. Ultimately, Brooks compares the legacy of Shakespeare’s Sycorax (of The Tempest) to Black women writers themselves, who, deprived of mainstream access to self-articulation, nevertheless influence the trajectory of horror criticism by forcing the genre to de-centralize whiteness and maleness.  
[more]

logo for University of Chicago Press
The Second Signs Reader
Feminist Scholarship, 1983-1996
Edited by Ruth-Ellen Boetcher Joeres and Barbara Laslett
University of Chicago Press, 1996

front cover of See Me Naked
See Me Naked
Black Women Defining Pleasure in the Interwar Era
Tara T. Green
Rutgers University Press, 2022
Pleasure refers to the freedom to pursue a desire, deliberately sought in order to satisfy the self. Putting pleasure first is liberating. During their extraordinary lives, Lena Horne, Moms Mabley, Yolande DuBois, and Memphis Minnie enjoyed pleasure as they gave pleasure to both those in their lives and to the public at large. They were Black women who, despite their public profiles, whether through Black society or through the world of entertainment, discovered ways to enjoy pleasure.They left home, undertook careers they loved, and did what they wanted, despite perhaps not meeting the standards for respectability in the interwar era. See Me Naked looks at these women as representative of other Black women of the time, who were watched, criticized, and judged by their families, peers, and, in some cases, the government, yet still managed to enjoy themselves. Among the voyeurs of Black women was Langston Hughes, whose novel Not Without Laughter was clearly a work of fiction inspired by women he observed in public and knew personally, including Black clubwomen, blues performers, and his mother. How did these complicated women wrest loose from the voyeurs to define their own sense of themselves? At very young ages, they found and celebrated aspects of themselves. Using examples from these women’s lives, Green explores their challenges and achievements.
[more]

logo for Harvard University Press
The Sexual Metaphor
Helen Haste
Harvard University Press, 1994

Give the little boy a gun; offer the little girl a doll—how many years of feminism would it take to uncover the meaning behind such assumptions? After decades of attacks on intractable sexual stereotypes, the time is right to ask what makes them so compelling and resistant to change. In The Sexual Metaphor, Helen Haste does just that, exposing the deep cultural roots of our insistent distinctions between masculine and feminine.

To understand changing sex roles, Haste suggests that we recognize the role that gender plays in how we make sense of the world, particularly through the use of metaphor. As she demonstrates, the assault on traditional conceptions of gender is in fact a confrontation with the metaphor of dualism, or polarity, that underlies Western culture, informing our models of rationality and control. Here our anxieties about our own masculinity or femininity encounter a cultural tangle of opposites—public and private, order and chaos, thinking and feeling, active and passive, hard and soft, positive and negative. Drawing on research in the fields of sociology, anthropology, the history of science, paleontology, and philosophy, as well as her own field of psychology, Haste demonstrates the pervasiveness of the metaphor of dualism in large areas of our lives and our thinking, and of metaphor itself as a mode of thought expressing theories about the world in science and popular culture. Her work, accessible to social scientists and general readers alike, is a stimulating tour of the dark, divided territory that is the backdrop for our organization of everyday experience, society, and sexual identity.

[more]

front cover of Skeptical Feminism
Skeptical Feminism
Activist Theory, Activist Practice
Carolyn Dever
University of Minnesota Press, 2003

A clarion call for a new approach to feminist thought

In this major work, Carolyn Dever considers the ambivalence or outright hostility many feminists feel toward theory, arguing that a fundamental skepticism toward abstraction has been vital to the development of the movement.

Dever analyzes the politics of feminist theory by looking at its popular, activist, and academic modes, from the liberation movements of the 1970s to gender and queer studies now. Using key moments in the history of modern feminism-consciousness-raising, best-selling books like Sexual Politics by Kate Millett and The Women’s Room by Marilyn French, and media representations of women’s struggle for equality—Dever outlines heated debates over psychoanalysis, sexuality, and activism. The abstract and the grounded converge in discussions about the relationship between the feminist mind and the feminist body and in the preoccupation, both uneasy and utopian, with lesbian sexuality. Powerful, illuminating, and galvanizing, Skeptical Feminism traces the strategies the women’s movement has used to make theory matter—and points toward a new, politically engaged approach to feminist thought.
[more]

front cover of Space, Place, and Gender
Space, Place, and Gender
Doreen Massey
University of Minnesota Press, 1994
A leading feminist geographer puts forth new ways of thinking about space and place. In these days of global acceleration on the one hand and intensifying local nationalisms on the other, how should we be thinking about space and place? This new book brings together Doreen Massey's key writings on this debate. In it she argues that we have seen some problematical readings of both terms in recent years, and she proposes an alternative approach more adequate to the issues facing the social sciences today. Massey has organized these debates around the three themes of space, place, and gender. She traces the development of ideas about the social structure of space and place, and the relation of both to issues of gender and certain debates within feminism. Beginning with the economy and social structures of production, Massey develops a wider notion of spatiality as the product of intersecting social relations. On this basis she proposes an approach to "places" that is essentially open and hybrid while always provisional and contested. The themes intersect with much current thinking about identity within feminism and cultural studies. The chapters range from studies of the concepts of place employed in debates on uneven regional development and inner-city problems to arguments about the relationship between the conceptualization of space/place and the social construction of gender relations. "This book presents a collection of Massey's writings that have appeared over the last two decades. The volume is, however, more than a sum of its parts, in that Massey uses commentaries throughout the book to delineate an intellectual trajectory in Anglo geography that connects the concerns of economic geography with critiques and extensions by feminist and postcolonial writers. Massey builds a multifaceted argument of the richness of geographical analysis and its centrality for contemporary social theory debates." Professional Geographer "In a compilation of essays spanning over fifteen years, Space, Place and Gender, Doreen Massey explores the intricate and profound connection of space and place with gender and the construction of gender relations. Spaces and places are gendered, she argues, at once reflecting and affecting how gender is understood." Harvard Design Magazine Doreen Massey is professor of geography at the Open University in the United Kingdom. She is the author of five books, including Spatial Divisions of Labour (1984) and, with David Weild and Paul Quintas, High-Tech Fantasies (1991).
[more]

front cover of Spectacles Of Realism
Spectacles Of Realism
Gender, Body, Genre
Margaret Cohen
University of Minnesota Press, 1995

A rethinking of realism that reveals its relevance to sexual and cultural politics.

Despite rumors of its demise in literary theory and practice, realism persists. Why this is, and how realism is relevant to current interdisciplinary debates in gender studies and cultural studies, are the questions underlying Spectacles of Realism. With particular reference to nineteenth-century French culture, the contributors explore the role realism has played in the social construction of gender and sexuality. Among their subjects are nineteenth-century physiologies, photographs, caricatures, and Balzac’s Comédie humaine; the ethnographic claims of Goncourt’s naturalism and the historical claims of Zola’s; and the allure of exotica displayed at new museums and international expositions.

Contributors: April Alliston, Princeton U; Emily Apter, UCLA; Charles Bernheimer, U of Pennsylvania; Rhonda Garelick; Judith Goldstein, Vassar; Anne Higonnet, Wellesley; Roger Huss, Queen Mary and Westfield College; Dorothy Kelly, Boston U; Diana Knight, U of Nottingham; Jann Matlock, Harvard U; Linda Nochlin, NYU; Patrick O’Donovan, King’s College; Vanessa Schwartz, American U; Naomi Segal, U of Reading; Barbara Vinken, NYU.
[more]

front cover of Surrender
Surrender
Feminist Rhetoric and Ethics in Love and Illness
Jessica Restaino
Southern Illinois University Press, 2019
Winner, CCCC Outstanding Book Award, 2020

One of Library Journal's Top 20 Best-Selling Language Titles of 2019
 
In an ethnographic study spanning the last years of research collaborator and friend Susan Lundy Maute’s life with terminal breast cancer, author Jessica Restaino argues the interpretative challenges posed by research and writing amid illness and intimacy demand a methodological break from accepted genres and established practices of knowledge making. Restaino searches their experiences—recorded in interviews, informal writings, and correspondence—to discover a rhetoric of love and illness. She encourages a synthesis of methods and the acceptance of a reversal of roles—researcher and researched, writer and written-about—and emphasizes the relevancy of methodological diversity, the necessity of the personal, and the analytical richness of unpredictability and risk in being who we are in our scholarship at any given moment.
 
Bringing together critical analysis, qualitative-style research methods, close reading, Surrender: Feminist Rhetoric and Ethics inLove and Illness resists traditional ideas about academic writing and invites others to pursue collaborations that subvert accepted approaches to representation, textual production, and subjectivity. Restaino demonstrates a way of writing—the rendering of the academic text itself—that suggests how we do our work has resonance for what we produce. She offers framing questions for use by others interested in doing similar kinds of scholarship that may frighten, overwhelm, or confound. This book deepens our understanding of subjectivity and the gains made by feminist resistance to conventional concepts of objectivity in research collaborations.
[more]

front cover of Suspicion
Suspicion
Vaccines, Hesitancy, and the Affective Politics of Protection in Barbados
Nicole Charles
Duke University Press, 2021
In 2014 Barbados introduced a vaccine to prevent certain strains of the human papillomavirus (HPV) and reduce the risk of cervical cancer in young women. Despite the disproportionate burden of cervical cancer in the Caribbean, many Afro-Barbadians chose not to immunize their daughters. In Suspicion, Nicole Charles reframes Afro-Barbadian vaccine refusal from a question of hesitancy to one of suspicion. Drawing on ethnographic fieldwork, black feminist theory, transnational feminist studies and science and technology studies, Charles foregrounds Afro-Barbadians' gut feelings and emotions and the lingering trauma of colonial and biopolitical violence. She shows that suspicion, far from being irrational, is a fraught and generative affective orientation grounded in concrete histories of mistrust of government and coercive medical practices foisted on colonized peoples. By contextualizing suspicion within these longer cultural and political histories, Charles troubles traditional narratives of vaccine hesitancy while offering new entry points into discussions on racialized biopolitics, neocolonialism, care, affect, and biomedicine across the Black diaspora.

Duke University Press Scholars of Color First Book Award recipient
[more]


Send via email Share on Facebook Share on Twitter